ART
Paintings – Bascha Mon

CRITICISM
Chan Marshall, Author of “Visions of Johanna” – Rick Moody

FICTION
A Groundhog’s Day – Patrick Duane
I’m Tom Hanks – Mark Leidner
Crushed – Matt Leibel
The Program – PJ Henry
Tornadoes – Andrew Graham Martin
The Loaves – Phoebe Baker Hyde
The Pirate  – Peter Gordon
Hope  – Rebecca Pyle
We Don’t Joke About Such Things  – Neil Serven
Calendar – Maeve Barry
Other Living Things  – Alexander Fredman
Particulation Glitch – J. Paul Stein
The Blue – Mary Helen Specht

NONFICTION
The Ways to the Cabin  – Chris Fink
Why She Cried  – Larry Allen Pankey
The Dive Reflex  – Kayleigh Norgord
oung Girls, Like Me  – Nina Semczuk
This Land Is Your Land  – Abbey Cahill
Finding Our Way: On Maps and Mapping  – Priscilla Long
Sunfish – Lynn Eustis
Necessary Things + Cheap Sleep  – Gordon W. Mennenga
Alternative Education – Abigail Carl-Klassen
Feathers in Tar – Joel Long
The Woman in the Factory Who Will Cut the Fish  – Katherine Cart
The High Pass – Frank Light
Pleasant View Drive  – J.A. McGrady
Dr. Pangloss’s Intelligence Quiz  – Debra Coleman
Head on a Swivel – Juliana Gray
The Year We Were Almost Famous – Katiy Heath
Puzzle Box  – Jeff Ewing

THEATRE
Eat and Be Eaten: A Play – Carter St Hogan

POETRY
Tell Me About the Glaciers – Kaylee Schofield
For John at St. Vincent’s + Adonis + Final Visit  – Cindy Milwe
Learning to Pronounce /L/ + Body Tree – Daniel Ooi
Dusk in March, 755, China, Civil War + Afternoon in the Meadow – J.P. White
Life Poem 2 + Caravaggesque – Elisa Gabbert
Paper Flowers + Paper Cranes + Paper Flowers + Paper Flowers – Brandon Shimoda
Patina + Some Fairly Useless Reflections on Cakes & Pies +
This is Not a Rehearsal – John Dorroh
Soundings + Fable – Sarah Carriger
Getting Lost – Ryan Fitzgerald
Love Canal – Claire Christoff
Too Happy – Luke Bloomfield
Syntax Practice – Hannah Rego
The Fugitive Lands – Christopher Brean Murray
Have I Been Too Much? + The Great Song of the World – Chris Martin
Poem + Room – Sean Singer
Shroud (Ghost Apples) – Sébastien Luc Butler
Little Volcano + Nothing But Time + Metro, North – Jared Harél
Don Juan, + soiled + Midnight Mass – Javier Sandoval
Itch [some sunburned writing] + Bacon Cheese Combo +
Dappled + God Salsa – Benjamin Niespodziany
Elegy + Character Witness + Reluctant Inheritance + Gingko Tree as ASL Interpreter – Beth Ann Fennelly
The Bat – Jeremy Voigt
currents / recurrence – Amelia Bell
Svalbard, Two Days Before Polar Night – Georgia M. Brodsky
April 23, With a Glancing Thought + Begin – Eamon Grennan
The Reverent Spaces of Childhood + The Neighbors Took Down Their Twelve-Foot Skeletons Today – Andrew Hemmert
Trigger Warning + Nostalgia and other risks + between us – Ceridwen Hall

Too Happy

by Luke Bloomfield

We’ve buried our sadness
and all the spades of therapy
can’t dig it up.
In public it’s embarrassing
people trying to hide
their mild feelings.
Looks like we missed out
on misery this year
we say in line
at the sandwich shop
while clinging to despair
but despairingly feeling it slip away 
like a terrified frog
with its panicky little heart
puckering its sides
while it wriggles out
from our child’s grip
and jettisons itself
all crazy legged into the weeds.
People just aren’t depressed
the way they used to be.
Deprived of melancholy
there’s a sadness to that.
We all feel it, that longing
for something worse.
The therapists are taking it extra hard
going to work like
weary travelers coming home
to a desolated empire
dragging themselves up the cracked
and ruined stone steps
to the crumbled ziggurat
of their former greatness.
We try not to look at them
muttering their medleys
of incantation
around their measly fires
while we mournfully
feast on bulls by the hundreds
and lap up lakes of wine.

Patina

by John Dorroh

I hate new growths, every day
another one, some white wart 
the size of a cherry tomato, hard
as a bone.

A single white hair
climbing out of some godforsaken
pore on the left side of my neck.

The toenail on my right big toe
begins to wind around itself
like the shell of a snail, &
a white patch adorns my left arm
just inches from my elbow. 

What the hell is going on, 
this stain, such testing
of who I am inside, outside
the dull imperfections 
that tarnish my once-fine exterior.


John Dorroh has never fallen into an active volcano, nor has he caught a hummingbird. However, he did manage to bake bread with Austrian monks and drink a healthy portion of their beer. Six of his poems were nominated for Best of the Net. Others have appeared in over 100 journals, including Feral, North of Oxford, River Heron, Wisconsin Review, Kissing Dynamite, and El Portal. He had two chapbooks published in 2022. 

Crushed

by Matt Leibel

I noticed a woman walking down Market Street in a red bowler hat, and I wanted to say something. I wanted to compliment her, I wanted to say “nice hat” or “I like your hat,” but I didn’t want to sound like a creep, I didn’t want it to sound like a come-on, unless she wanted it to sound like a come-on, in which case, come on, of course I wanted that, haha, except maybe I didn’t, who knows, what if she wielded the hat as a weapon to vanquish her enemies, or what if she were a henchwoman who had her hat at the ready on behalf of some white-cat-stroking international supervillain or syndicate of supervillains, something along the lines of a female Odd Job from the James Bond films? But maybe I shouldn’t have been wary at all, maybe she would deploy her powers for good, maybe she’d be supportive of me, use her hat to slice through my enemies, or at least the people standing in the way of that promotion I wanted at work. Were I in a position to do so, I imagine I’d support her career goals as well, whether or not they had anything to do with the red hat, but my God, how could they not, why would she wear such striking headwear if she didn’t want it to represent her as a person, as a professional? I realized at this point that I was objectifying her, reducing her to an object associated with her, yet on the other hand, it was an object she chose, not an object she was born with, and I knew as well the hat had had a life before it even met the woman’s head, it had been created in a hat factory, which is a building where they make hats and not a building in the shape of a hat, though I suppose it could be that as well, there are lots of buildings that are designed to resemble the things that they make, and even before that the fabric itself had been created, probably in the fabric district of some far-flung foreign city, and likely, I knew, the hat was manufactured by people, most probably women, who were paid far less than they deserved, and certainly far less than I made in my relatively cushy job here in the city. In fact, I guessed that the hat fabricator likely made less in a year than I made in a single one of my direct-deposited, biweekly paychecks, and this thought made me think of grabbing the hat from the woman’s head and flinging it at the factory owners and clothing companies who exploited these workers, or at least made a healthy profit off their blood, sweat, and tears—and was it, I wondered, actually the workers’ blood that gave the hat its striking red color? I’d once read that carmine red was produced by crushing the bodies of cochineal beetles, common in South America, and wondered if some of the beautiful hue of the hat I so admired was achieved by some analogous crushing of the factory workers’ spirits. As I was pondering all of this, the woman in the red hat had passed out of view, and out of my life, perhaps forever, I thought—yet because I walked this way en route to work every day, and apparently so did she, I saw her again the next morning, and each weekday after that. Each day, I resolved to speak to her, and each day I failed in my resolve. One afternoon I had an idea: I would go to a hat store and buy the exact same hat, and that would make her notice me without my having to even say anything to her. But it didn’t work the first day, or the second, or the third. So I had another idea: I would buy a second hat and wear it on top of the first hat. Still, she didn’t blink an eye when she walked past. I added a third red bowler, then a fourth, fifth, and so on. It got to the point where I was wearing a thousand hats at the same time, in the literal sense and not in the idiomatic one of a skilled multitasker, though I was also that, and I was even paying a guy who operates a crane to carefully place the hats on top of my head (ideally, at a jaunty, Leaning Tower of Pisa angle) on my way out the door to work each morning. I wanted to ask the crane operator what he thought, was I wasting my time, had I gotten drunk on the crushed sour grapes of a failed romantic obsession. But I doubted the operator would be honest with me, he’d likely humor my madness, because I was paying him quite well, certainly compared with the third-world hatmakers who’d enabled my ability to purchase mass quantities of hats affordably. So he and I communicated silently, engaging daily in the delicate operation of outfitting me with a thousand red hats. I learned to hold my head more still than I thought was possible, and when I’d mastered the technique I could leverage my new skill by portraying a gold-painted statue like the folks who play this role for spare change in Union Square. Still, despite all my efforts at stillness, one morning there was a gust of wind that blew all the hats off my head and scattered them billiards-style throughout downtown. Hats landed on the heads of the homeless, on the tops of storefronts, in the grates of sewers. Hats thwacked into the glass windows of office towers, floated inside cable cars. They alighted, jauntily, on the necks of streetlights. They caused traffic accidents, cars and buses and bicycles, including several injuries and two fatalities. I didn’t feel great about this, but also wasn’t keen on copping to the cops that I was the one who was the proximate cause of it. The crane operator and I continued our code of mutual silence, realizing we were both, potentially, implicated here. And the woman—the honestly still spectacularly appareled woman of whom I’d taken notice, who I regarded and still regard as the initial ripple that went on to cause a wave of consequences—I no longer saw on my daily route. I continued to search for her, and continued to be unsure as to what I’d say to her if I found her, what my opening line would have been. I was humbled now, by the interaction of my own desires with the consequences of said desires, writ large. But of course I couldn’t avoid the woman forever, even if I wanted to, which I honestly didn’t. So when I finally saw her again, crossing paths on Market Street, we were both hatless, which in my mind was tantamount to our being naked, so there was an intimacy to our interaction, a peek-behind-the-curtain thrill of vulnerability, however brief. I froze in place, like a less convincing and unpainted version of those Union Square human statues, inadvertently blocking her path. She spoke to me for the first time, saying simply “excuse me,” and shuffling through. When I turned to watch her walk away, I noticed her shoes, deep-blue pumps, like nothing I’d ever seen before—and I was so distracted I walked straight into the side of a Halal food cart, and gave myself a big bright-red welt, a crushing blow, right on the meat of my forehead. 

When I came to, I was more determined than ever to catch her attention. Somehow the bump on my head had imprinted the color of her shoes deep in my brain—not in the place where I store my idle thoughts, not in the place where I write bad-pun parodies of popular songs that I never share with anyone, not in the place where I rank my favorite kinds of pasta, not in the place where I think about what the ocean might be trying to tell me when I listen to it through a seashell, but in this deeper spot, this premium suite of the brain’s inner sanctum, the place where pure color lives. The next day I spent my lunch hour at work scanning women’s shoe sites, looking for the precise pair I’d seen on her. It was impossible to see color quite accurately on a screen, so I had no choice but to order all the pairs that were even close—dozens and dozens of pairs, but none of them, when they arrived, were quite right. Then I remembered reading about lapis lazuli, the deep-blue metamorphic rock prized since antiquity for its color. The shoes I had ordered were a similar color, but it wasn’t an exact match, so I decided to travel halfway around the world to Afghanistan to acquire some lapis lazuli, at great personal risk. But the risk paid off, and though I’m pretty sure I wasn’t meant to abscond with the precious stone when I left the country, I was able to do so, under shady and somewhat nefarious circumstances, feeling something like a badass Bond villain in the process. Upon my return to America, I decided to show the stone to a shoemaker and have the pumps recreated in my size. I had no idea where to find a shoemaker for hire, given that most shoes seem to be made in factories by large companies, companies who exploit their workers as much or more than the hat-making companies do; my only real shoemaker reference was that there was once a famous racehorse jockey with that name, but that was a long time ago, and mostly irrelevant to my current purpose. What I did was call up my friend, the crane operator, who seemed to be someone who knew a lot of handy people, and he said he’d be happy to help me locate a shoemaker, for a price. I paid the price not because money was no object—it was very much an object, and my rational self could easily raise a compelling objection to paying as much as I did—but because I’d been swept up by a wave, by a deep-blue wave of a woman, and by what that woman had dared to wear. The shoemaker took in my breathless description and my smuggled central Asian rock, and used them to craft a pair of shoes that I was satisfied mirrored in both hue and style those worn by the object of my desire, as she sashayed down Market each workday. The pumps fit my feet perfectly, and I felt like Cinderella, or maybe more like Cinderfella, a portmanteau that made me cringe just as soon as I thought of it. I taught myself to walk gracefully in them, and soon I was wearing them to work, crossing paths with my intended once again, hoping that she’d finally notice me, as something more than an obstacle. Days and weeks went by and I got no reaction from her, nor from anyone else for that matter—a man walking in a pair of woman’s shoes on the streets of San Francisco is, pun intended, about as pedestrian as it gets. Eventually, once again, I stopped seeing her. Maybe she had noticed me wearing the same shoes and had become self-conscious about it. Maybe she’d moved to a different city, gone to LA even, to act, or model, or to live out her ultimate destiny as a Bond femme fatale. I decided to keep wearing the shoes, as uncomfortable as they were, because the uncomfortable truth was I’d become convinced that the shoes had magical powers, or at least suggestive ones, and that the energy they exuded would, through some alchemical process I was at a loss to competently articulate, draw her back to me. And just as no one on the street judged me for the pumps I chose to wear, I didn’t judge myself for my continuing obsession—although in retrospect, perhaps I should have. One morning, while standing on the sidewalk amid the hustle and bustle of the grab-a-coffee-and-get-to-work set, I stopped at a row of newspaper kiosks and scanned the headlines through the glass panes. I paid my two quarters and pulled out a Chronicle. I read as I walked—and upon seeing my own face in a photo on the front page, my feet grew wobbly. I was wanted, in the criminal sense, for what I’d caused, for what the papers had taken to calling the Hatpocalypse. I hadn’t thought a lick about consequences when I’d started this quest—because consequences be damned—but now here they were, starting me in the face from my own literal face, or at least its flattened, unflattering newspaper image facsimile. I tried not to panic, though if I were really the type not to panic, would I have acted the way I did up until this point? I turned around to see a pair of cops who were clearly not following me and who were, in fact, sipping on their coffees and staring off into the middle distance aloofly. But the mere sight of them must have triggered me, and I broke out into a dead sprint, careful to dodge the food carts and newspaper kiosks, the bearded man speaking angrily into a megaphone about Jesus, the second-tier Michael Jackson impersonator, and the cellphone-besotted masses. The pumps, of course, were poorly suited to sprinting, and so it wasn’t entirely surprising when I turned an ankle rather badly, and fell into oncoming traffic, where I was crushed by a number 7 bus. 

In the afterlife, which looked a lot like San Francisco, only hazier, if that’s possible, I continued to search for her. I realized she wasn’t here quite yet—but I’d wait, pacing the cloud-lined streets, my colorful hats and shoes replaced with a white frock and afterlife-assigned sandals. But my will was undimmed; death had not put a fatal damper on my dreams. I needed her in a way I’ve never needed anyone, and to be honest, I didn’t know the first thing about her. Well, that wasn’t true, was it? Her red hat was the first thing I knew about her. Her blue shoes were the second thing about her. The third thing about her was that she was lovely, and the fourth thing about her was that she liked to walk, and she did so every workday. But I didn’t know the fifth thing about her. That’s what I would say to her if I got another chance to make her acquaintance, or her spirit’s acquaintance: I don’t know the fifth thing about you. It was an advantage, I knew, that I even knew the first four things: she didn’t know the first thing about me, that thing being that I even existed. But I no longer existed, strictly speaking, so there was little for her to learn about me. Meanwhile, days, weeks, months, and years passed in a blur—by which I mean my eyesight, not spectacular to begin with, continued to deteriorate rapidly in the afterlife, and it wasn’t like there was anywhere I could easily go here to renew my contact lens prescription. Soon everything in my field of vision became reduced to abstract shapes and colors—which I realize, in some ways, is essentially what I’d reduced the object of my affections to, now long ago. And also: Where was she, my eternal crush? Was she ever going to join me, or was she somehow immortal, in the same way that James Bond was, never dying because his death would necessarily mean the death of a successful film franchise? Or was she already here, unrecognizable to me minus her red hat and blue pumps, evading my fast-dying eyes, my still-living desires, my endless pursuit, and my shambling attempts to make meaning out of the fabric of her existence: inscrutable, impossible, irresistible. 


Matt Leibel’s short fiction has appeared in Electric Literature, Portland Review, The Florida Review, The Normal School, Socrates on the Beach, and Wigleaf. He lives in San Francisco.

Six Poems

by Martha Silano

When I’m on the Bed

called death, I hope
to be thinking about
the texture of the bucatini
at Campiello, how they seated us
in the bar by the pizza cooks, but when we asked to sit elsewhere

they put us beside
a giant strangler fig
with fake orchids we thought were real.
Al dente, which I pronounced al Dante, in honor of my nephew,
in honor of the circles of hell, my heritage. When I’m on the bed called death

I hope I recall your smile that evening
when you learned budino means pudding,
a butterscotch pudding, which we more than managed
despite finishing our entrées. In la stanza della morte, shoving off
my mortal foil, may I be dreaming of butterscotch pudding, the feel of my hand

on your back, recalling the call you made
from a mile down the beach to tell me there were no
yellow hilly hoop hoops, greater cheena reenas, or froo froo stilts.
I walk back to the car while you call again, this time to tell me you found 
a flock of dunlins and semipalmated sandpipers. There’s an actual flush toilet 

at the parking lot! And potable water! And my love calls again, 
this time to say he’s nearing the path to the parking lot. No, I don’t have 
the keys to the car or a single coin, but I’ve got water, binoculars, and my phone, 
a little notebook to write down the species—tricolored heron, royal tern, wood stork—
which I’ll add to my list of what to think about when I’m on my giant bucatini platter of a bed.


How to Fall 

Prioritize not bashing your noggin—that makes good sense
cuz hitting it could be deadly. You don’t want 
a secret bleed inside that 

sweet skull of yours, right? If it looks like you’re taking it
from the top, for God’s sake turn your head 
to one side. Aim to teeter sidelong, 

not onto your back, which can really mess you up. Also, 
it’s a good idea, as you careen, to make 
like a twirly bird. As the Bible 

and the Byrds song say: Turn! Turn! Turn! There is a season 
for running without tripping, and then there’s 
loose carpets, a backpack left in the middle 

of the floor. Jeez, kids, please don’t drop your slides 
in the path from the kitchen to the front door—
do you want your mother

to break her arms and wrists? It says stay loose. I get it, 
but isn’t it hard to relax when you’ve tripped, 
don’t know what’s happened 

or how it will end? A website suggests rolling out of it, 
I guess like you’re playing in the surf, in and out 
of waves that never slap or hurt. 

It’s like they think we have complete control of our tumbles, 
our foibles, our faults, but the question is: do we? 
Spread out the impact is another tip. 

I think this means the love of family and friends, an Olympic-size pool 
of folks who bring you chocolate pudding, homemade soy milk, 
potato-leek soup. What you want 

is a squatting position, legs over your head, 
a great deal of momentum from this life 
into the next.

Elegy with Exhaust Fan and Robin Song at Dusk  

Now that The War to End All Wars is a slug in the compost bin of history, 
I’m never going to say a batch of fudge brownies is done, even when 
the knife stuck into the middle comes out clean. 

After I’ve vanished, I’ll get a new hairdo—a pageboy or a bob. 
After I’ve swum past August’s dry moss, after my eyebrows 
cascade past my collarbones, I’ll rename myself 

Apostrophe, possessor of bends in the trail. Wear my cutoffs 
like a pair of bricks, sink into the intimate ground. 
When I disappear, I’ll no longer collaborate 

with the house finches but hitch my trailer to a gust. It turns out all this time 
I’d been hiding in a patch of pentstemon, which meant the moon to me.
I could lift my head, listen to the ruckus of hummingbirds, 

never imagining I’d be banished from London and Paris, 
all the towns in between. It was like a flame 
in a campfire igniting from an ember, 

tumbling in the wind, a flame that set an entire valley 
on fire. A flame I know
I can’t put out.

If We Didn’t Leave the Task to Backhoes

The weather is a bright and obvious song. It’s noon before you realize
you’ve spent three hours freshening the herb pots, 
feeding the ornamentals Miracle-Gro, 

listening to a towhee, its wacky, off-kilter song, deciding it’s time 
to dig a giant hole for a root-bound hydrangea. 
The earth is stubborn, doesn’t want 

to be messed with, so you change from sandals to sneakers, 
put your full weight onto the shovel’s rim 
as your mind wanders to the uncle, 

cousins, and brothers who took turns digging your mother’s grave. 
Talk about a cross-cultural experience! Anyone digging 
anyone’s grave. A task that has united, 

would continue to unite, if we didn’t leave the task to backhoes. 
The expression: digging your own grave. 
Freedictionary.com says

it’s being responsible for your own ruin. When your son
was young, you took him to a Day of the Dead exhibit
at the Burke Museum. Sugar skulls, 

all order of marigolds. Dioramas of cultural practices from around the world. 
One about a society requiring its men to dig their own graves. 
Not prisoners of the Nazis or ISIS, 

just a guy in a country where part of the deal is to foster a clear sense 
of one’s future, regardless of being one’s worst enemy, 
of shooting oneself in the foot. 

Twenty minutes to dig a one-foot hole. A feeling of victory 
when the plant fits perfectly, and I tamp the dirt
into place. 

Mistakes Were Made

The weather app said the wind was from the south and west. 
It was from the north and east.

The sinus doctor said it’s your brain. Maybe you had a stroke in your sleep. 
It was a benign nodule in one of my lymph nodes.

The pan said nonstick.
The fried egg stuck.

Another doctor ordered a swallow test. I chewed a cracker
mixed with barium, learned my right vocal cord was weak.

I went out on a boat. A muscle spasm in my torso roiled
like the surf. When I googled my symptoms, 

I found ALS. When a friend said Stop it, you can’t 
diagnose yourself,I figured she was right.

All the testing. All the tests. The doctor who said 
If I were in Vegas, I’d bet it was all due 

to stress. The last stop was the eighth floor, 
Neurology.They looked at my tongue, 

asked me to spit in a tube to be sent off to a lab
where they’d check to see if it was inherited. 

The weather report said sun, sun, sun.
It rained.

Death Poem

Death is the one-day-alive mayfly clinging to a watering can.
When the grass turns brown, how can I not think of death? 
In my heart, death lives like a mama raccoon with her two young.
We haven’t figured out a way to undo death.
Death awaits the pigeon on a roof, says the Cooper’s hawk.
It’s not cool to mention corpse beetles when there’s a death.
Did you know there’s a death’s head hawkmoth? 
A scrub jay squawks death, death, death!
Dragonflies and death: they live about six months.
Eating is for sure some kind of elaborate death feast.
Sometimes death is invisible, especially when we laugh. 
Our planet: one big tribute concert to death.
Death be not proud, says John Donne, but death is proud, I think.
Everything ends up being an ode to death.


Martha Silano’s forthcoming poetry collections include Terminal Surreal (Acre Books, 2025) and Last Train to Paradise: New and Selected Poems (Saturnalia Books, 2025). Her most recent release is This One We Call Ours, winner of the 2023 Blue Lynx Prize (Lynx House Press, 2024). She is also the author of Gravity Assist, Reckless Lovely, and The Little Office of the Immaculate Conception, all from Saturnalia Books. Her poems have appeared in Poetry, Paris Review, American Poetry ReviewKenyon ReviewThe Missouri Review, and in many anthologies. Awards include North American Review’s James Hearst Poetry Prize and The Cincinnati Review’s Robert and Adele Schiff Poetry Prize. Her website is available at marthasilano.net.

Delivery

Olivia Worden

Three hours ago he had been a child. His thin cotton shirt fused to his skin. It was raining. It was his only shirt. He kept it clean by washing it at night in the public restroom. Cleanliness had always been important to him. He would not smell like the others. He held the package, wrapped in a stained hotel bathrobe, beneath one arm and tried to keep it dry. Twenty American dollars were pressed into his palm. The folded bill smelled like cheap perfume and skin bleaching cream. A flimsy curtain, a faded shade of mud, was drawn between them. Her lips were the color of Coke cans. He would never see her again. In the distance, he could hear the river.

His father called him Bulhaengah, the word for unlucky. His birth name was Suk. In Korean it meant hardness. He was born feet first and blue. It had happened by the Geum River and was followed by a funeral. His father couldn’t afford to bury his mother on the mountain of her ancestors. She was buried in a dust plot next to strangers. His father contracted syphilis on Suk’s first birthday. He claimed it was a curse from the restless spirit of Suk’s mother. She had always been vengeful. His skin blistered open but he refused to see a doctor. He jumped off a bridge when Suk turned two.

His uncle calls him unlucky hardness. They live outside of Okku-Silver Town and sell all things American to soldiers from places called Milwaukee and Amarillo. His uncle is a man who never smiles. He only has five teeth. He will not pay for dentists. Every week he goes to the massage parlor in Okku and pays for a pedicure. He will not go at night because he believes nail clippings will turn into a spirit that will kill him. He does not like Bulhaengah Suk, but it is his familial duty to care for him. He feeds him rice and kimchi and on Tuesdays ballpark hotdogs without the buns. He does not like Americans but they like his cigarette selection. He is always five cents cheaper than his competition. This is what makes for good business in A-Town.

It happened quickly. B had not anticipated this delay in his schedule. Her floor was covered in bazooka bubblegum wrappers. He closed his eyes and envisioned his bike propped against the alley wall. It was rusty with a leaky front tire. It bothered him that his uncle had not replaced it, especially after the accident. The scar on his chin looked red and angry. It was not his place to question his uncle.

The wrappers crinkled under their torsos shifting. The sound reminded him of stepping on cockroaches. He was suddenly concerned about the apples. He had left the sack in the cart on his bike. They were small, the ones with wormholes and brown bruises his uncle couldn’t sell. There were twelve in the bag. Some were golden and some were red. Her hair smelled burnt and her eyeliner was smudged. The nun they were going to was colorblind and the children had teeth that were rotting. They didn’t care about wormholes as long as their food was soft. Her hand was soft against his mouth, her painted nails chipped and broken. The room smelled faintly of fish. The nun’s hands were large like a man’s. She would invite the boy behind the gates, but he always declined. They did not believe in the same God. She slapped him. The dust that fell smelled like men from foreign countries.

Do you think I’m pretty?

He wiped himself on a towel next to the mattress. She squinted at his bowed legs and lit a cigarette.

You’re just a boy. What do you know?

The button on his pants was missing. She flicked ash in his direction.

You’re ugly, too. Lucky I’m feeling generous today, huh?

B pulled out the extra pack of Marlboro Reds from his jacket pocket. There was a belt mark on the back of her thigh, long and purple. She thrust her hand out and waited. He placed the box in her palm and went out the door. He was no longer a virgin.

The soldiers from the base could not pronounce his name. They called him B instead. B means nothing but in America names do not have meanings.

B, my man, what do you have for me today? The redheaded soldier stuck a freckled hand out for a high-five. It was always the same.

What kind you want?

What kind you got? The soldier raised an eyebrow and gave B a wink.

B was short for his age but he was not a child. He was sixteen. Not much younger than some of the Americans. But he was not their equal. He was hair to tousle and a shoulder to punch. They taught him American swear words and showed him pornographic magazines. He lied and said he had been with many women. They called him Casanova, which meant something funny in Italian.

The redhead ripped the package and tipped the contents into his mouth. B could hear the fizz as the candy met saliva.

Cherry’s my favorite but grape’s a close second. He tore the second package and consumed it. Your uncle always has the best selection. Where is the old bastard anyway?

Out for beer.

Left you in charge, huh? The redhead balled up the candy wrappers and shot them at B’s head. B shrugged his shoulders. The redhead dug into his pocket and put fifty cents on the counter. Try to stay out of trouble, motherfucker.

Okay, big asshole. The soldier laughed and threw up a hand as if swatting a fly. B bent down and picked up the wrappers.

Soo Yun was born in a hospital in Seoul. Her father sold insurance to wealthy businessmen from the city. He liked ties with stripes and gold plated cufflinks. He laughed easily and often whispered in Soo Yun’s perfect ear that he loved her more than her mother.

Her mother had been a singer in A-Town when she was sixteen. She was from a village she didn’t like to speak about. She didn’t come from options. She sang in a club that served drinks the color of wiper fluid. They hung tiny monkeys from the rims of plastic cups. Her mother sang in English to make the soldiers happy. They told her she sounded like Olivia Newton John. She dreamt of singing on a stage in America. She made it as far as a nightclub in Seoul. This is where she met Soo Yun’s father. They were happy for a while.

When Soo Yun was born, her mother’s hair turned white. She was still beautiful, but her eyes grew red from crying. She had always been vain. At eight, her family vacationed in Busan. It was snowing. Her mother crashed their car. Soo Yun remembered the way the snowflakes melted on the tip of her tongue. The officer who held her said it only snowed six times a year. The newspapers reported that it wasn’t an accident. She cannot remember their funerals, but the lines on the nun’s hand that walked her into the orphanage are imprinted on her right shoulder. Soo Yun got to keep her father’s gold plated cufflinks. They were made in the shape of a lotus.

Bulhaengah ran deliveries every Wednesday. His uncle complained that his back was too twisted to ride the bike.

You are lazy and stupid. What a burden your father has left me. The least you could do is run deliveries for your elderly uncle. Have I not been like a father to you? Have I not kept you from begging on the streets? His uncle rocked on his heels as his voice grew louder.

Bulhaengah had heard this speech many times. He knew to keep his eyes on the ground and his head bent low. He knew that there were many things he was, but stupid was not among them. He would do as his uncle told him and then one day the shop would be his. It was a tiny speck of a dream, but Bulhaengah allowed himself to dream it.

The air was sticky on his face. Busan had been enveloped in the damp towel of a surprise October heat wave. The street cats and dogs peacefully shared the shade, panting in unison, stretched out as far as their limbs would allow. Babies cried tearless wails, dehydrated and exhausted in their mothers’ laps. Bulhaengah peddled slowly; trying to conserve the energy he knew he would need to get through all the deliveries. This was a new business plan his uncle had come up with. Once a week they would run groceries to customers who couldn’t walk or drive to their store.

People pay for convenience. We offer them something no other shop in A-Town does, store to door delivery. Your uncle is a smart man. You will see. I will be rich.

It hadn’t quite turned out the way he had imagined. They only had four or five customers who asked for the service. They were mostly older locals who were loyal to Bulhaengah’s uncle and a couple American wives who didn’t like to leave their houses unless in the company of their husbands. But the delivery runs were simple and allowed Bulhaengah time to dream.

He hadn’t realized what was happening until it was too late. The delivery truck had been driving parallel to him on the road. The world had gone quiet except for the sound of wings from the flies in the alley. Lying in the hospital, Bulhaengah would recall the color orange from the side of the truck. He could not say whether the image was a peach or the sun. The truck was going too fast, the roads too narrow through A-Town. Bulhaengah had to concentrate to stay out from under the wheels. And there had been blue. The flash of blue silk, billowing in dust. The woman had looked to the sky, opening and closing her mouth with words he couldn’t hear. He tried to steady the bike. The truck was going too fast. The woman held something to her chest. Bulhaengah heard the sound of wings. The truck was going too fast. The woman looked to the sky. A tiny hand touched her face. And she jumped like falling, out and under spinning rubber. Bulhaengah heard screaming. His mouth was open. He saw orange and blue and red. Then nothing.

His uncle came to get him the next day. He asked first about the bike. Miraculously, it had been spared. Bulhaengah had avoided any life threatening injuries, though purple and blue bruises covered his skin. A gash on his chin had required twenty-four stitches. The scar would heal red and this part of his face would not grow hair. The scar would become his most distinguishable feature, even as an old man.

A week after the accident Bulhaengah dared to ask his uncle what he already knew.

Of course she is dead. Why do you ask such stupid questions? To kill yourself and your baby too-I pray she has no family for her spirit to haunt. And I pray you have not brought her spirit home with you, asking such stupid questions.

Bulhaengah heard from the redheaded soldier that the woman was a prostitute. She had had the baby of one of the soldiers.

Bring us to America. She thought that he loved her. The soldier laughed. He was married. No one wants a whore with a baby in the room. She was seventeen.

At night, Bulhaengah dreamed in blue.

Soo Yun watched the man inspect the cufflinks under the light.

100,000 won. Gold plating, not the real deal. The man stared at Soo Yun’s swollen stomach, letting his eyes wander to where the fraying hem of her dress barely grazed the top half of her thigh. She had no money for clothes that fit.

They are worth more. Soo Yun shifted her weight, leaning over the counter to expose her breasts. The man averted his eyes.

Free to take them elsewhere. Soo Yun felt her mouth dry up, the burn of acid creeping up the back of her throat. Eight months ago he would have given her what she wanted.

Fine. I take it in American.

B watched the girl squeeze out between the iron bars of the gate. Her left knee was skinned pink and raw. She bent to scratch her ankle, nervously scanning the empty street. She reminded him of the rats that came out at night, sniffing the air, searching for jaws of feral cats. B tucked himself deeper into the alley, straightening his spine against the wall. His heart crashed against breastbone. She paused, listening, cocking her head a little to one side. And then she was running; tangled hair in the wind. Five years later, they would meet again.

B would imagine she recognized the sound of his heartbeat.

She beat her womb with palms holding stones. She left bruises, the pattern of river bottom across her skin. She filled herself with alcohol and fistfuls of parsley. Yet, it persisted, growing to hands that beat back and legs that kicked. Soo Yun whispered hateful words, wishing twisted spines and malformed skulls, clouded eyes the color of faded blue paper.

The redheaded soldier stared blankly.

It’s yours. What you gonna do about it? She had grown too round to hide it under clothes. She had fucked men on her stomach, pressing umbilical cord and half formed organs against secondhand lingerie and sweat-stained mattresses hoping they wouldn’t notice.

I don’t believe you. Anger crept up his neck and spread out across his face in blooms of heat.

It broke. Remember? You say no problem. You call me a liar? She pushed herself up on her elbows, a rocking motion, propelling her upright.

You fuck men for a living. He was shouting. Shouting like this was information the neighborhood didn’t already know. How many? His jaw clenched and unclenched. His hand rested on his revolver.

Yeah? I fuck you. What you gonna do about it?

Do not go in. You leave the package at the door. Bulhaengah’s uncle picked at a sore above his lip. Bulhaengah kicked at the floor. We all know you are stupid. This is not your fault. Your father was stupid too. Fools bearing fools. But she, she is paid to fool. If you look her in the eye you will be lost. This is fact.

Bulhaengah picked up the paper bag, peeking in to see its contents. A six-pack of beer, Marlboro Reds, and a pink box that read Tampax. His uncle’s palm met Bulhaengah’s head.

You just deliver. Remember that.

She woke up screaming, the taste of snow in her mouth. For a moment Soo Yun wasn’t sure where she was-behind the tall iron gates of the orphanage, in Seoul wrapped in the musk of her father’s aftershave, or the floor that she rented, covered in shells of cockroaches and streaks of petroleum jelly. The rancid scent of week-old fish invaded her nostrils. She turned and vomited. She remembered.

There was something familiar about the delivery boy. There was something familiar about his hiding, the negative space he embodied, his smallness. She had been that once, squeezing out between metal. Her face had once been clean, her tongue uncoated. But you don’t survive by being clean. Clean does not feed you.

Girls don’t survive on the streets of A-Town . The nun had held her by her elbow, catching her mid-crawl out the window. Twelve-year-old Soo Yun pouted, folded her legs back over the ledge, allowed the nun to lead her back to her cot in the row of sixteen cots, each belonging to a child with no parents or parents who had forgotten them.

The nun should have told Soo Yun the truth: the body survives. Five years beyond the walls of the orphanage had taught her this. Every imprint, every invasion, hundreds of fingernails and tobacco yellowed teeth, they all left scars. Wounds healed despite their festering. The body can be marched on. The body can be spoiled and rotted. But the body survives.

Soo Yun’s legs opened and allowed the boy to climb in unsheathed and trembling. It was an act of searching. And for a second it felt like wholeness.

The redheaded soldier took out a matchbook, lighting the tip of the cigarette in a single strike. B watched the tip burn orange, a wisp of smoke curling, grey bits of ash falling like snow.

B had noticed the soldier was redder than usual. His eyes were bloodshot, his forehead flushed, his hands raw from massaging ruddy stubble that covered his neck and chin. He paced in front of the counter muttering under his breath, shuffling his boots, leaving scuffmarks in black across the floor. B stood still and thought of things that were quiet and invisible. He closed his eyes for a second.

The redheaded soldier grabbed B’s wrist, yanking him so forcefully, B’s face hit the countertop. The redheaded soldier dropped his hands, backing away from B, shaking his head back and forth, and filling his lungs with short, shallow breaths. His cigarette rolled on the floor, the orange tip still burning.

I’m sorry. I’m sorry. His freckled hands knotted into his hair, pulling at the roots. B swallowed the familiar copper taste of blood.

You…you not right. The soldier looked at B, slack jawed, sweat rolling down his face. He stomped on the cigarette but did not pick it up.

Fuck this place, man. Fuck it. Didn’t even want to come here! He slammed his palms against the counter, the coins in the register clinked. And my folks! My folks! What am I supposed to tell them? He threw himself backwards, twisting his arms around his chest, his feet stumbling over themselves in an awkward side-shuffle. She’s a whore, you know? And it’s not a puppy. It’s a fucking kid. A slanty-eyed, half-breed – Jesus! The soldier started laughing, doubling over, holding his knees, rocking. For once, B wished his uncle was there.

The soldier stood upright, trying to catch his breath. He looked at B then, looked at B like he was seeing him for the first time.

Tell me what I’m supposed to do?

The redheaded soldier’s face had gone from the color of tomatoes to the flesh of steamed fish. For the first time, B noticed the soldier’s eyes were blue. Blue like silk billowing in dust. Blue like falling. B’s chin throbbed. His mouth opened before he could stop himself, a finger pointing to the sign in the storefront window.

Delivery for cash. I deliver.

The old man slowly made his way to the bench by the river. His feet shuffled across the ground, the sound blending into the rush of the water. Each day a new part of his body made known its protest, a creaky knee, shoulders stooped like crumbling plaster of an abandoned building. It took more and more of an effort to get to this place but still he came. It was a compulsion he could never explain to his wife or children.

At night he would come home with wet cheeks and a heavy tongue, stuffing forgotten names Bulhaengah and B into damp coat pockets. He had lived many lives. But had returned to hardness, feet first and blue.

Those nights Suk would wake, holding his chin in his hands, feeling for stitches that were no longer there, hearing the familiar fizz and pop of candy meeting saliva. Those nights he would wake feeling a weight in his arms, soft breathing that smelled faintly of milk, rain rolling down his nose and onto pink lips opening and closing like the mouth of a fish.

Maybe he had always known she was his. There had been nothing red about her. He had looked, cataloging and memorizing every inch of her body, looking for the parts that would somehow tell him there was no other way. That this was the only.

Then, maybe it was the way that Soon Yun pushed the newborn into his arms, holding Suk’s gaze for a moment too long before abruptly turning, the back of her hand against her mouth, holding in a sob. Maybe he just wanted it to be true so that the hole that grew inside him could have some meaning. So that the emptiness he felt years later at the birth of his first son wouldn’t be so shameful. Maybe he wished it so he would no longer feel regret.

Fools bearing fools.

Bulhaengah pushed it between iron bars, the package wrapped in a hotel bathrobe, an enveloped stuffed with American bills, a tiny hand opening and closing, catching raindrops. It didn’t take long for the wailing to begin. A high pitched sound like sirens.

He waited in the alley. Waited to hear heavy footsteps of the nun with large hands. Waited to hear her call for help, to hear the hands pick up the package. Waited for the wailing to become a hiccup, to become a mew. Bulhaengah waited until the sky cleared, his spine pressed against the wall, his face to the stars.

Night expanded around him, illuminating the dark with shards of moonlight. The old man closed his eyes, arms outstretched, trembling. He held the weight of the river. He held the expanse of the sky. Life had never felt so long. He closed his eyes and wept.


Olivia Worden is adopted from Seoul, Korea and grew up in Dartmouth, Massachusetts. She holds an MFA in Writing from Sarah Lawrence College. She has taught creative writing and diversity/inclusion training at Roger Williams University, Sarah Lawrence College, Andrus and the Westchester County Correctional Facility. Her writing has appeared or is forthcoming in CutBank, Dark Phrases, The Sarah Lawrence Literary Review and Point of View Productions. She lives in the Bronx.