The Tapping in 1L

Alicia Schaeffer

Loretta thought she could-no-should live rent-free. She wasn’t going to make good on a bit of overdue rent until her building’s superintendent got rid of that tapping sound.

“It can’t be the heat, Sammy,” she said, standing over the super.

Sammy, kneeling on her apartment floor, obliged by withdrawing his head from the open vent.

This was in the single room in which she lived. Where she worked, too, teaching private music lessons in a corner she kept sectioned off with a rice paper screen divider.

“Remember, Sammy?” she said. “Those pipes aren’t pushing your measly heat anymore. Remember, you said ‘if you want the heat, you get the noise.’ But the heat’s not on anymore.”

Sammy remained on his knees. With a shrug of his shoulders he said, “It’s fixed.”

Loretta slammed her foot. The weak floorboards rattled the base of her upright piano.

He piled his flashlight and screwdriver into a steel toolbox.

At every bang, click, and hum she begged him to come downstairs from his apartment on the top floor. He had been to her apartment ten times in less than eight months. And whenever he stepped inside, the two watched each other, waiting for a sound as the city shifted outside her street-facing window.

She stepped closer to his hunched body.

“You never hear anything. Never see anything. You’re the g.d. Helen Keller of building maintenance,” she said.

He waved a hand at her and stood up.

Her mouth opened, but she did not speak. Did he remember that her closet door still flung off the track? The lobby buzzer rang for days at a time then stopped working altogether. That this was no place to raise a child, if her life eventually led to that. Not that her life had led to that, yet. She’d felt the urge to have one, at least then she could say: I made something. The rest of it, what I really wanted to contribute to the world, didn’t quite set right, wasn’t good enough that anyone wanted it to exist. But, hey, world, you get joy out of seeing this kid smile, play his first recital, dance on stage, give your legs a hug. If she had a kid, she thought, he’d grow up and it would be his burden to put something into this world, something people would want. A kid, she thought-the thoughts tumbling around her mind without reaching her voice-is our last gasp at redemption.

On the other side of the wall, Sammy’s grown son, Ron, kept his hands at his sides. Ron hid half his body inside the wall. His head, arms, and chest barely fit, sandwiched in a sliver of space behind Loretta’s bed. The rest of Ron’s body, from the belted waist of his jeans down to his sneakers, balanced on a rusted icebox in the building’s basement. He heard the metal latches on his dad’s ancient Union Chest toolbox, the ring of building keys jingling at his dad’s waist, and Loretta’s pleas, muffled yet drilling through the thin wall. Then came a sudden bang and his enclosure quaked. A powdery breath of plaster fell on Ron’s nose. A silence followed, and he assumed his dad had left. He tried to shake off the dust but the space was too cramped for more than a muscle twitch.

Alone in her apartment, Loretta sat on the bench in front of her piano. She closed her eyes. In a tiny yolk of lamplight, she sat in an emptiness of her own making, never touching the keys. The upright partially blocked her only window, through which the goings-on outside came into focus. Chipmunk hiccups, a car buckling into a pothole.

A knock jerked her out of the ritual. Then a succession of taps clawed across the room. When it stopped, she heard only the lamplight’s thin, ragged buzzing. But another tap shuddered from her wall. Another thump, twitch, and beat-a pulsating force flocking over her like desire clouding over sight. Loretta opened her eyes and stood up from the piano bench. She watched silence tick across the dust, floating higher and higher out of reach.

Clumps of insulation hung in tatters, corroded by vermin and neglect. Bending his elbow, Ron closed his fist and rapped his knuckles against the inner surface of the wall. Splinters peeling off a wall panel nicked the thin skin under his forearm.

He stopped knocking and heard the soles of Loretta’s piano bench rub against the wooden floor. He tapped again. Inside his plaster womb, the taps echoed in short burps, like frog ribbits.

In Loretta’s studio, the knocking bloated to the size of her room. An inexhaustible beating assaulting her solitude. Her collection of read and re-read books, stacked dopily on top of one another to various heights along her studio’s walls became the bound paper rungs of a ladder her eyes climbed. Once her closest allies in life, the tales had transported her into paranormal romances and biochemically-wrought dystopias, now they did nothing to distract her from the noise. Nor did they help her locate its source. She watched each book spine hoping one might show a tremor from the vibration and give away the precise spot from where the noise originated. The books sat still.

She turned on the television. Clicked off the lamp.

Through the din of nightly news, Ron recognized the sighs of Loretta’s mattress, and imagined the bed’s cushions holding her in places he could only long to. A gridlock of clangs and creaking and he decided she was settling near her iron bed frame. He rested his fingertips against the crumbly inner surface of the wall and kept them there. He thought about how she must look resting on the other side of the wall.

While walking in and out of the building, she layered herself; her fleshy peaks usually concealed behind the folds of ruffled tops. He felt drawn to the unknown of her body, her thick legs shielded by skirts that fanned out like an umbrella. Her clothing was a collage of pink, ice cream green, and candy purple. She walked through the neighborhood like a cupcake, or rather a stack of cupcakes. He wished to someday lie at the base of her bed, to open his mouth, and swallow the morsels that would naturally undo themselves from her cupcake tiers.

Loretta curled on top of her comforter, folding her knees into her chest. She closed her eyes. Flashes of TV blue and yellow streaked against her eyelids.

“I need you. I neeeeed you. Make it stop,” Sammy said in a high-pitched voice.

He stood beside the kitchen table, waiting for breakfast. He imitated the Loon, as they called her.

His wife, Carol, nudged poaching eggs to roll over in a pot of boiling water. She glanced at him, then looked back down at the stove. “Funny,” she said.

Sammy stopped waving his hands above his head. He stopped his eyes from blinking and blinking in imitation. His theatrics failed to dissuade his wife’s suspicions about the Loon’s intentions. For weeks now, she’d been accusing Sammy of making it up, the complaints, the phantom noise, to be alone with the woman.

He leaned on the back of a chair. “Where’s the boy?” he asked.

Carol dove a fork into a slice of raw ham. She lifted the meat and laid it in a hot pan. “Sleeping, where else?”

Sammy knew his son had come in late last night. He had felt the wind in the room change as Ron walked through their railroad apartment. “Maybe he was up all night partying. Got himself some friends.”

“Funny,” Carol said.

On the opposite end of the hallway that connected the rooms of their apartment, a thin curtain hung in place of a door. Through it, the smell of morning cut into Ron’s bedroom. He imagined the egg whites stiffening and pig skin caramelizing.

He sat up and took off his shirt, which was speckled with filaments dredged out of the first floor wall. He crumpled the shirt under his bed and changed into a cleaner one.

Recently hitting his nineteenth birthday, Ron continued to half-ass his way through maintenance jobs his dad threw his way. Mostly, though, he slept in or listened to Loretta through her wall; occasionally he passed time talking to the cashiers at the deli up the street. As a kid, he’d found access to the first floor apartment, but had little use for it, until Loretta had moved in.

Ron’s mom’s laughter shot through the apartment like an exclamation. He pushed aside a corner of the curtain. He saw his father’s back. It was bare. His mom’s arm curved around Sammy’s torso like a lock of Medusa’s hair. Ron watched his mom’s hand reach up to the back of his dad’s neck, and her fingers gently scratch the base of his head.

Ron transferred from the crosstown to the uptown line. He stood near the bus’ back door with his head down, not needing to count the stops. He’d know when the bus got close to the museum.

Walking through bright halls of half bodies-muscular warriors and round breasts-he moved with force through the thin crowds. There wasn’t much time. He’d waited until early evening, when the rooms were quiet and the schoolchildren gone.

In the gallery on the second floor, he sat on the museum floor and touched, with his stare only, a sculpture of an old lady. He had first seen the sculpture in middle school, during a class trip. It might have been the unblemished corners that amazed him at first. The old woman was intact, from the scarf wrapped over her hair down to her stone slippers.

The gallery was not empty, so he closed his eyes to sound out the surrounding chatter. But he had to open them, of course, to see the unchipped curves of the sculpture’s veined skin. He turned an ear toward the noise and saw a group of adults, two men and two women, lined up in front of a bronze cupid. They spoke in a language other than English, and their hands poked and threshed at the air between one another. Pigeons on a telephone line, he thought. He collected their movements and pieced together each gesture to create a version of their conversation, like watching foreign television without subtitles.

“Museum’s closing in five minutes,” a guard whispered to the group.

The guard lifted his chin up at Ron.

Ron stood. He stepped closer to the statue. His cheeks warmed, not from exertion, but by something inside of him he’d be embarrassed for others to see. He took another step, planting both feet side by side in front of the statue. The heat on his skin intensified and tickled. His fingers hovered above the old lady.

He let his finger drop toward her knee and brush by, barely touching the cool surface. He smelled his mother’s cooking on each heaving breath he exhaled.

A click sparked in his ear. Ron cocked his head to find the guard poised beside him. The guard asked him to make his way out.

Loretta had re-read the entire book. She checked the time. Nearly two hours had passed since she’d plucked the novel from among the paperbacks stacked up her walls. How had she come across such luck, such silence?

Loretta replaced the paperback and sat at her piano. The keylid was down and her hands rested on its smooth lacquered surface. Her doorbell would ring soon, she knew. She looked out the window, saw her neighbors drifting through the mild spring evening, taking their time. And she spotted beyond them, beyond the window and steel bars, her super, Sammy, across the street. It was nearing dark, and he walked back and forth over a small stretch of sidewalk. Near his feet, a portable radio and a six-pack of beer.

She watched Sammy smoke a cigarette in quick drags. His head leaning down to meet the filter. Behind him, the evening clouds darkened the rusted metal fence of the park’s small baseball diamond. Sammy continued to pace and smoke, paying no mind as the field lamps lit. Within the frame of her view Sammy’s son appeared. He stood on the sidewalk and stared at his father. His father stared back. Then the son picked up the portable radio, and the two men walked into the park together, toward the baseball diamonds.

“It’s in the wrist,” Sammy called to his son. Ron might learn. It was a miracle the boy had agreed to follow him across the street to the field. Now it seemed anything was possible, even his son mastering a simple pitch.

A portable radio sounded out the emptiness of the decaying park. When Sammy had found the stereo on their curb, its tape player was jammed up with a mangled cassette and the antennae needed to be replaced. After tuning the necessary parts, Sammy had it all: music, ball, and a pack of beers.

“Aim at my shoulder,” he called out.

Meanwhile, Loretta watched as her super and his teenage son played catch. Their behavior looked stilted and posed, as if each were a different species: bear and kangaroo or penguin and wolf forced together by a circus or theme park.

Ron threw the baseball up instead of toward his dad. The ball spun high above Ron’s head and fell into his hand. He continued to throw and catch with himself.

“Pitch it at me,” Sammy yelled. “Don’t look at my face this time. Aim for my shoulder. And keep your wrist loose.”

Ron threw the ball up again, caught it. He looked at his father’s face.

For a moment, Loretta lost sight of them. The neighborhood’s slow-moving homeless man lumbered by, carrying his hefty-sized black bags of reekiness, his sour odor sliming into her ground floor apartment. It was the first time she’d seen him walk by in months. He must have relocated during the winter.

“How about we bowl with it?” Ron asked, and he knelt down and rolled the baseball towards his dad.

“Come on, Ron. Just fucking try,” Sammy said. The ball wobbled over discarded scratch off cards. Sammy fought the temptation to pick up the scratch offs and check their luck. Instead, he picked up the ball and chucked it back at his son.

Ron let the ball land in the distance behind him. Then he sat on the dirt in protest.

Watching their interaction, Loretta felt less compelled to consider parenthood. At thirty-five, she still believed in a future with a husband and children, but in reality, she didn’t even know another woman she could call her best friend. She liked people, just not enough to be with them.

Her buzzer rang.

Ron sat on the building’s stoop. He lit a menthol. He’d stolen it from his dad’s pack. He held the cigarette between his fingertips and pictured all the tiny movements his dad made. Sammy’s inhales were so quick Ron was never sure if his dad took in smoke at all. His whole life he’d been watching his dad smoke in this amusing way. It was as if right at the moment Sammy put the cigarette to his lips he realized he had something important to say and the smoking would have to wait. Ron put the filter to his mouth and took a deep breath. He felt tobacco and tar bite the moisture out of his throat. He threw the cigarette at the curb.

Standing on the icebox in the basement, he slid inside the wall. In the small space, the cigarette odor climbed up from his shirt. He held his breath, but a cough barreled up from his chest. He drummed his knuckles on the wall sooner than he had planned to in order to hide his wheezing.

When the cough passed he ceased knocking. He stiffened when he heard her voice. No matter how many nights he’d spent chaperoning her, he always felt a trickling of surprise at the first sound she made.

The rhythm and tone of her murmuring fluctuated, as if she were in discomfort. Ron stood still and listened. The sounds of her suffering grew. He suddenly imagined an attacker inside her apartment. He considered jumping up the stairs, breaking open her apartment door, and saving her.

A cry came loudly. Or a moan. He pictured her on the floor, bleeding from a hurt that she might have inflicted on herself.

Then another voice came through the wall. In the first split second Ron thought a dog had growled. His old BB gun sat in one of the boxes in the basement. If he could tell for sure that Loretta was in danger, that a robber or a dog held her against her will, he’d knock over all the boxes and grab it and run to her.

But he listened and, for a very long minute, received silence.

He knocked again, harder than he had ever before. He scraped his forearm on the insulation. He pounded as much as he could. A pair of voices met his eavesdropping. Their sound grew, bellowing over the calls of his fists. The voices formed into a woman’s laughter and a moaning, not of a dog, but of a man. Their pitches crystallized into the familiar sounds of Loretta and Ron’s dad.

Then came an unyielding truth that broke open the deepest vault of Ron’s pain.

Out. He wanted out. Out from the wall. And he inched back in the inch he had. He steadied himself down, lowering his leg off the icebox.

He didn’t think what to do next. His body made decisions without his conscious knowledge. He found himself on the street in front of their apartment building.

Spinning in the heart, he walked and walked. Pain invaded his gut and mind. The possibility of someone seeing this failure on his face made his fingers tremble, so he tried not to imagine his father and Loretta’s joint soundmaking.

The uneasiness in him had to be expelled before he could go home. He couldn’t take these feelings upstairs to his bedroom. They would seep into the fixtures. He’d be forced to look upon the memory of this night forever, alive in the carpet and paint. He followed his feet.

Around dawn his eyes opened. He awoke on the top step of his building’s stoop, curled against the iron railing, the bridge of his nose resting on his hands and knees. He thought of his mom who might already be awake, spooning out clumps of ground coffee. Not long ago, she had asked to set him up on a date. There was the daughter of a woman she gossiped with at Bingo. He had said maybe. And when she’d brought home a piece of paper with the daughter’s phone number on it, he’d told her he was too busy preparing an application for the nearby community college. “Why not a real college?” she had asked. He hadn’t thought on it much then.

Ron scratched at dashes of dried blood on his arm. Someday, he thought. An alien color crept into the sky. He knew he would. He’d go to a real college, get an office job. He’d live in his own apartment with a fish tank.


Alicia Schaeffer holds an MFA from Sarah Lawrence College. Her writing has been published in Word Riot and is forthcoming in the collection Beyond Service.

The Goldfish

Julia Strayer

I walked over bones of dead people today, but the red-haired woman begged me over. I was curious so I went. The sky promised rain, but lied. Dried leaves rained down instead.

Henry said I’d never find what I’m looking for.

I said he never has to look for what he finds.

Henry is handsome like a breeze I want to follow. He’s been places. Women like that about him and I like that about him, but he’s never alone in that way a person is when they’re so singular that they can hear the earth breathe.

He said, You’re alone like I’m alone, like millions of people on this earth are alone.

But that’s not true, I said. I had a twin I still see each time I look in the mirror and she looks back.

She thought Henry was handsome. She told me at my wedding. She said, Wouldn’t it be great if Henry were a twin and we were married off like matching salt and pepper shakers and lived next door in identical houses and had children who looked like they could live in either house? That’s what she said.

What’s next, I said. Matching dogs and cats and guinea pigs? Cars and outdoor barbecues? Springtime pansies around the mailboxes?

She said, How fun!

Henry said, It’s only been a short while. When you get older, and your hair gets grayer, you won’t see her looking back.

She said, What if I had seen Henry first? Would you have willed yourself to feel nothing for him?

I thought the red-haired woman at the cemetery might have an answer. She appeared from the trees at the edge of the gravestones, her hair and the leaves washed in the same burnt colors.

Henry found a group for me. Lost twins, they call themselves, but I didn’t lose her at the mall or behind the radiator or refrigerator. It’s not like I’ll find her someday and say, So that’s where you got yourself off to.

At home, I taped newspaper over the mirrors. The stock market pages of orderly columns and numbers and decimal points. Henry tore it down and said it wasn’t natural to live without mirrors. He only said that because he believed it. Because handsome people do not live without mirrors.

The people in the group understood, but none of them was Henry.

She was all the time asking questions. Do you think we kiss alike? Do you think Henry could tell us apart by one kiss? Do you think Henry would be able to tell us apart in bed?

When we were young, she and I loved the bumper cars at the fair, sparks flying from the metal ceiling above as the floor rumbled. I pushed the pedal all the way down and tried to circle without hitting anyone, but she said that wasn’t the point, and drove her car straight at mine.

I got to thinking she slept with Henry, but he said no. He said we weren’t the same person, she’s not the other half of me. I am the whole of me. Like that, he talked. I closed my eyes.

What pretty blue eyes, she used to say. The color of sky. But she was only talking to herself.

I opened my eyes.

My eyes won’t change in the mirror. My eyes will always be her eyes. And he’s wrong. The mirror will always look like her because she would have always looked like me. No matter how old I get, it will always be her looking back.

At Christmas, I covered the mirrors with reindeer wrapping paper.

I didn’t go to the funeral. I was in the hospital because I survived. Everyone said it was a miracle.

The red-haired woman had a map of the cemetery that she kept rolled up with a black ribbon. I followed her over the graves. Clouds broke apart.

I gave the lost twins group a fair chance. We sat in a circle of metal folding chairs in a basement of a church that was always too cold with a floor too shiny and a sink in the corner that dripped.

Her questions stalked me to where I thought of her when I kissed Henry until I finally asked him if we kissed alike.

I kissed her on the lips once. We were six and we wanted to know what it felt like. It felt like kissing myself.

As the red-haired woman led me across the cemetery, she sang a French song, her voice like clouds, sad and full at the same time, drifting across gravestones.

But I don’t speak French. My twin spoke French for me. I photographed old barns for her. She cooked homemade soup for me. I sewed frocks for her. We both wore white linen through the hot months and I stitched in labels she bought for me that read Hand Made.

Henry unwrapped the mirrors before Santa came down the chimney.

I asked him to make love to me. I said, We can pretend I’m her. But he pushed me away. I said, What if it had been me who was lost? You would have made love to her as if she were me. You would. He shook his head, then walked away.

But there was something Henry didn’t know.

I stared at my twin in the mirror, angry she wouldn’t help me. She looked stricken. It was clear she couldn’t even help herself. I drove to her apartment.

She used to make fancy cocktails for us to taste before she introduced them at the bar where she worked. They all wore special glasses and pretty colors and exotic names, and they all tasted like candy.

Once, after we’d all been tasting for awhile, feeling lightheaded and free, laughing at everything anyone said, she kissed Henry and said, He tastes like watermelon peppermint, you try.

But I didn’t want his lips after hers.

I lost her soon after.

In winter, snow fell heavy on our lawn and I imagined her grave covered and quiet. I taped white muslin over the mirrors.

Henry didn’t tell me she died until after her funeral. He said he didn’t want to risk my recovery. It was one of the nurses who spoke about a car, a tree, an accident I didn’t remember.

Still, something was missing. I asked questions no one would answer.

One summer, side by side at the fair waiting for the bumper cars to power up, she said, Why don’t you do it once, just to feel what it’s like to slam into something solid?

I often watched Henry sleep. Even then, he was too handsome to be alone. Starlight threaded through the clouds, through the night air, the window, and rested on him quiet. Even starlight lusted for him.

I nested my hand in his as he slept, and he closed his hand around mine as if he meant it.

I told Henry I was going to the group. I didn’t want him to worry. But I had been driving to my twin’s apartment instead.

In spring, I taped soup can labels over the mirrors, then clothes labels. Henry was angry when he caught me in the closet with the scissors, said I was being ridiculous. I said, Aren’t I entitled? No, he said. You are not.

Naked soup cans waited shiny in cupboards, holding tight to who-knows-what flavor. My clothes hung in the closet, unidentified.

Henry took down the muslin, the soup can labels, the clothes labels. He looked at himself in the mirror and he knew it was him looking back.

By August, I moved into her apartment. Slept in her bed. Wore her clothes. Looked out her windows. Played her music. Said hi to her neighbors. Watered her plants. Googled what a good bartender does. Memorized all the old time cocktails: classic she called them so classic I called them. Fed her two goldfish. Bought a cookbook for soup. Signed up for French lessons.

After my twin died, Henry had asked the woman next door to water the plants and feed the goldfish and forward the mail. I told the woman that I would take care of things from then on.

The next week, I saw a Help Wanted sign in a restaurant down the street and took a bartending job as my twin.

At her apartment, it seemed right that I should see her in the mirrors.

Henry said I should bring the goldfish home. I said, The fish are in the only home they’ve ever known.

I never told Henry about the job. Or the French lessons.

The goldfish circled and circled and thought I was her. I dropped fish flakes on the water’s surface, on her reflection, and they thought I was her. I couldn’t tell the goldfish apart, but I never told them that.

The people at my new job called me by her name. I used the money to buy fish food and French lessons.

I told Henry, What’s crazy is to let go of a perfectly good apartment. Besides, our landlord doesn’t allow pets. They’re goldfish, he said. They’re not pets. If you can’t pet them, they’re not pets. I said, I’ll give that some thought.

At the bartending job, there was a guy who liked my twin. I smiled at him and he smiled back. I asked if goldfish were pets. He said yes, and we had café au lait after work. I told him I was learning French. He said, Say something. But I said, I don’t know enough to say anything other than café au lait yet. He said he was going to school to be an accountant because numbers don’t lie. I said, I’m not sure about that.

It was late and we sat in the coffee shop next to the window looking out on the dark street. From the window’s reflection, I saw my twin sitting at our table, watching me, laughing when I laughed.

Sometimes I woke at four in the morning and didn’t remember in the dark whether I was me or my twin.

All through September, Henry left please-come-home messages on the machine, but I didn’t call back. Henry said he couldn’t find me anymore. I talked back to the machine, said, Maybe you have to look for once. Maybe not everything is easy for you like it used to be.

Goldfish are pets. I told them so as I fed them.

I had dreams about the bumper cars. The wheel on my car was broken and it would only spin and spin, but the car wouldn’t move. Sometimes the car moved, but I couldn’t go fast enough to outrun my twin.

The someday accountant and I had café au lait until the coffee shop closed and I didn’t want to be alone at four in the morning when the who-am-I questions came so he walked me home to my twin’s apartment, which he thought was my apartment, and I introduced him to the goldfish, then mixed watermelon peppermint martinis just like my twin did a year ago. We drank until the sun rose and streaked the skyline pink.

I kissed the someday accountant because I wanted to, and he tasted like candy so I kept kissing him as I led him into the bedroom. It was all good until it wasn’t. Until I had taken off my clothes and caught my reflection in the mirror, me with this man who wasn’t Henry. Me. Not my twin.

I told him, I’m sorry. I can’t do this. And he was understanding because that’s how accountants are and he kissed me good-bye and probably thought he’d see me at work that night. But I knew he wouldn’t.

I stared at myself in the bedroom mirror and then in the bathroom mirror and then in the mirror by the front door just to make sure it was me. And it was. And then I remembered what Henry never told me.

No one told me I was driving the car.

Later that day, I wore my clothes and fed her fish until the door knocked. I looked through the peep hole at Henry standing handsome in the hall light while a white moth with muslin wings haloed his head to warm itself near the light.

I opened the door, but Henry wouldn’t come in. He said, Please come home. But, though I knew better, I said, I’m already home. The moth beat its wings. No, he said. You’re not home. Home is with me in our house in our bed in my arms. Like that, he talked. I said, First, make love to me here. In this apartment in this bed in my arms. He shook his head and said, I don’t want your twin.

Henry said he covered the mirrors at home in pictures of me and my twin as kids, growing up, at birthday parties, in matching Halloween costumes, being silly, being serious. Henry said that every time I looked at the mirror I would be able to see myself separate from her.

That’s when Henry stepped into the apartment, picked up the fish bowl, water sloshing from side to side, and walked out. He said, I’m taking the fish home. You’d better bring the food. And he kept walking. Like that. He did.

Who wouldn’t want to follow Henry?

I said, I was driving the car, wasn’t I? But he was already gone.

I quit my twin’s job, the someday accountant, and French lessons. I packed up the fish food and loaded the car. But I didn’t go directly home. I drove to the cemetery instead.

I stepped where the red-haired woman stepped, across graves, up stone steps, around headstones, kicking at autumn leaves collecting on the grass. The sun out full by then, and all the while my twin with her questions.

The ones she asked in the car: Wouldn’t it be fun if I wore your clothes and you wore mine, and we lived each other’s lives for one day and one night? And what if we kept living like that and never stopped? Henry would never know the difference. It would be such fun.

I worried she was right. If he couldn’t tell us apart, how would I be able to prove it was me? My fingertips rubbed at the stitches on the steering wheel as I looked at her for a moment, maybe longer. Or maybe I’m confused. Memory is fluid and rustling. Always in a hurry.

The red-haired woman stopped at a grave with no headstone. A breeze picked up and leaves shivered on the trees. It was just the red-haired woman and me, the two of us alone among the dead and I didn’t know what to do.

I was driving, I said. A sunny day. An oak, large by the road, a perfectly good tree with bark and leaves I could see and roots I could not.

The red-haired woman closed her eyes in what I assumed was reverence, so I moved closer and whispered, I don’t know if I hit that tree on purpose. I don’t remember, and there’s no one to ask.

She tilted her head back until the sun was on her face. I waited for her to forgive me, but did not. She said, Tell the one you came to see.

I looked down where my twin had lain for a year with no marker, unidentified. Dead leaves swirled at my feet and raised the scent of musty earth. When I looked up, the red-haired woman was walking away, toward the trees, her hair and clothes melding with the leaves still clinging to branches.

I laid myself down on the dried leaves on the grass on the grave of my twin and stared at the sky. My what pretty blue eyes you have, I said to the sky as three plumed airplane trails sewed the sky in stitches of white. I guess to keep it together. Keep it from opening up, falling apart, emptying out. Because once that kind of thing starts, it might never stop.

Two Poems

Elisa Gabbert


Life Poem 2

Beginnings of years, each random thing
is an augur. I sleep unwell, is that
life now? Make tiny adjustments
to furniture. Poem is a four-room house.

We walk several miles, see many animals
at the zoo. “What the living do”:
they pace around, eat, content enough
to be bored. A moon bear. A Bactrian camel.

This elephant stands there so casually,
one back leg crossed. She’s 39.
She’s younger than me—she
so enchanted/entrenched with time.

I want time that deep. A trench,
an intractable arrow. I want not
to know what I want, I want to
want nothing past tomorrow.

Caravaggesque

There’s a scene in The Hustler
you once heard described in another movie.
There’s a hole in the future, hope
rises up, hope you don’t want.

Years pass. You see The Hustler. The scene
floats out from the screen
like a soul leaves a body, a memory
of someone else’s dream.

Sunday now, train in the mist,
you look at the cars on the other bridge.
Is life always like this—doubled,
removed, and thus understood?

As in a famous painting of
the Magdalen, her candle positioned
to watch itself flame in a mirror,
which also is framed, it also is paint.


Elisa Gabbert is the author of seven collections of poetry, essays, and criticism, most recently Any Person Is the Only Self, Normal Distance, and The Unreality of Memory & Other Essays. She writes the On Poetry column for tThe New York Times, and her work has appeared in Harper’s, The Atlantic, The Paris Review, The New York Review of Books, The Believer, and elsewhere. She lives in Providence.

Sad in New York

Elise Juska 

The bell had rung an hour ago and I was sitting with the rest of the Scouts in a sloppy circle by the hot lunch line, wrinkled green sashes thrown across our chests. The room smelled damp: damp stacks of plastic trays, damp piles of utensils, damp linoleum the custodian had mopped into dry islands around our feet. From where the fourteen of us were sitting, the cafeteria looked vast and deserted, chairs propped upside-down on tables, spiky metal legs pointed toward the ceiling. Out of sight, I could hear dishes rattling, lunch ladies talking, sometimes unleashing coarse bursts of laughter. At lunchtime, this place was chaos; it felt strange to be there after-hours, like we were privy to something we shouldn’t be.

“Girls,” Mrs. Tedesco, our troop leader, announced. “Time to sing.” 

Mrs. Tedesco ended all of our meetings like this. We held hands, and under the humming fluorescent lights, offered our closing anthem of praise to the trees. Mrs. Tedesco sang with gusto, like always. She was wearing her usual uniform—baggy blue jeans, untucked plaid shirt, and sockless moccasins—her only concession to scouting the red kerchief tied loosely around her head, tail flapping at the nape of her neck. 

A few girls snickered at her, including Carrie, but she was Mrs. Tedesco’s daughter, so she could. Most girls sang along dutifully, earnestly. I whispered the words under my breath. I liked the idea of being a Girl Scout—a girl like the ones on the cookie boxes: cheerful, friendly and fearless—more than actually doing it. I’d struggled my way through gardening and knot-tying. I liked eating the cookies but dreaded selling them, ringing doorbells and standing on people’s porches, subjecting myself to awkward conversations and barking dogs. My strength was rule-following: I liked the sense of accomplishment that came with earning badges, folding down the pages in my handbook and ticking tasks off a list. Some girls (Carrie) were too disinterested to have acquired more than two or three of them. Others, like my friend Aimee, had sashes so heavy with hardware they drooped into their laps. I had ten, the same number as my age. I gravitated toward the less athletic ones: Music, Child Care, Creative Cooking. I’d even managed to complete Wildlife, though I was afraid of most animals (in theory, I wanted a guinea pig, but mostly so I could name it). “Indoor scouting,” my dad said, and I humored him with a “Very funny,” while Mom patiently sewed the next badge onto my sash. 

When the song ended, we rose to leave, but Mrs. Tedesco raised one palm. “Hold your horses,” she said, reaching into her giant tapestry bag. The bag sagged by her feet, and she rummaged in it like a junk drawer, emerging with a stack of pale green composition books. “An assignment. For next week.” 

There was a single, elaborate groan—Carrie, of course. Mrs. Tedesco gave her a warning look, and Carrie blew her bangs off her face, a move I envied. Carrie’s bangs were blunt and choppy, as if cut with kitchen scissors, grazing the tops of her purple glasses. When she aimed an exasperated stream of air directly upward, they fanned out like a wave.  

“Girls,” Mrs. Tedesco said as the books made their way around the circle, “being a Scout means having character, compassion, and courage.” We knew. Not that anyone was really listening. “To build character, you need to know what you think. Express what you feel.” She seemed slightly winded, as she often did, from emotion or exertion I wasn’t sure. “This week, you’re going to keep a Girl Scout Journal,” she said—at this, I perked up: finally, something in my wheelhouse. “Each day, girls. Fifteen minutes. Thoughts and feelings. Cough them up.”


Mrs. Tedesco was not only my troop leader but also my neighbor, which made it even harder to take her seriously. She lived at the bottom of our block of Lyle Road. If I was ill-equipped to be a Girl Scout, Mrs. Tedesco was equally unsuited to be a leader. She could be sarcastic with us, even sour. She didn’t seem in good physical shape, and her hair and clothes were in constant disarray. Her front porch was hung with spindly, dying plants in macramé baskets. She had a bumper sticker that said I’M NOT DEAF I’M IGNORING YOU.  

I understood that Mrs. Tedesco had reasons to be unhappy. Her son, Miller, had “a problem with anger,” according to my mom. Three years ago, he’d been kicked out of the junior high for fighting with a teacher and sent to a special school. Shortly after, he was caught trying to rob a Radio Shack, and went to juvenile hall. Now he was living with an uncle somewhere in—New York? San Francisco? Carrie never mentioned Miller, though we spent enough time together; she was always showing up at my house to play. Which was funny, since we weren’t in class together—I was in fourth grade, Carrie was in fifth—and we never talked on the playground or at lunch. She was in Scouts, of course, though we didn’t interact there either. Our friendship existed apart from school, born of convenience, the proximity of neighbors. She’d show up—after school, on weekends—and hang around my house until five-thirty, when my mother would gently say that her mom must be wanting her home, and Carrie would shrug, fan the bangs off her brow, and wander back down the street. 

We never played at Carrie’s. For one thing, after school, Mrs. Tedesco wasn’t home. This was the reason for the housekey Carrie wore around her neck on a white shoelace, an accessory that struck me as tough and cool. Mrs. Tedesco worked 9-5 as an assistant manager at Thriftway, every day except Tuesdays, when she left work early to run the Scouts. “I told my manager, I need to do this for my daughter,” I’d heard her tell my mother, and it bothered me that she said this—like she was pretending to be a different sort of mother, like she and Carrie were close, like Carrie even cared. That the reality was so different didn’t deter Mrs. Tedesco, or it had escaped her. My mom, of course, just nodded, being kind. I assumed she was thinking about the day Mr. Tedesco died. Eight years ago, he was walking in from work and had a heart attack on their front porch stairs. Miller, six years old, had been watching out the window, waiting for him, and saw him collapse. When Mrs. Tedesco rode off in the ambulance, frantic, it was our house where she dropped her kids—“never dreaming he wouldn’t make it,” my mom said. It was a story she referenced surprisingly often. “No warning,” she said, every time. “Those children—” She shook her head. “Life can change in a day.” 

I had only a vague recollection of Carrie’s brother. I remembered him as skinny, not the kind of skinny that signaled wimpiness but the kind that signaled mischief, bony and lean—or else I remembered him that way because of the trouble he got into later. I felt sorry for Mrs. Tedesco, losing her husband and then her son like that, though I was also kind of glad a robber wasn’t living down the street. At least, though, with Miller around, Carrie had had a partner. Without him, she glued herself to other parents, teachers, kids, me. She was loud and irreverent, her voice perpetually hoarse, as if she’d spent all night screaming at a concert. She knew all curse words and parts of the anatomy and was happy to explain them to any interested parties. Elaborate arrangements of friendship pins clotted the laces of her sneakers, in different meaningful color combinations—yellow for friend, red for crush, green for enemy—even though friendship pins had been way more popular when we were younger. Not that Carrie cared. Her popularity seemed less about being trendy or “in” or having true friendships than other girls wanting to align themselves with her, out of fascination or fear. 

I didn’t like playing with Carrie, and found it confusing that she liked playing with me. I wasn’t bad or cool or popular. To her, I should have been boring, and maybe I was, considering the games we played. Carrie’s favorite was one she’d invented: Sad in New York. In it, she was the advice columnist, Dear Diana, and I was the person writing in with problems I needed her to solve. I assumed the name Diana had been inspired by Carrie’s obsession with Princess Di. My letters were all signed by someone who called themselves Sad in New York (a place, Carrie claimed, lots of sad people lived). Dear Diana: My friends are dying to go to the school dance but I don’t want to. I’m hopelessly uncoordinated! How do I gracefully back out? Anti-Socially Yours, Sad in New York. Or: When my boyfriend and I argue he always wins. It isn’t fair! How do I get my way? Desperate, Sad in New York. Or: Everyone has designer jeans but my parents don’t believe in labels. What do I do?? Feeling Uncool, Sad. 

Carrie always traveled with her purple backpack—overstuffed, festooned with rabbit’s foot keychains—in which she carried the notebook we handed back and forth. I put sincere effort into my letters. I was trying to capture the tone of advice columns I’d seen in the paper, an over-punctuated bounciness that seemed at odds with whatever the letters were about. Carrie would always read what I’d written and frown, as if impatient with these “problems,” then dash off her reply: Dearest Sad, Lighten up. Don’t you know how to have fun? Or: Sad, Get a new boyfriend and then get a clue. Or: Tough luck!!! When we weren’t doing this, we were playing Queen, in which I was the servant and she was the queen. 

I was always relieved when Carrie went home. Still, I felt an obligation to play with her. Maybe it was because my mother always referred to her with an oblique sorrow. “Why don’t you have Carrie over?” she would say, meaningfully, sometimes adding: “It would be nice.” 


I took my Girl Scout Journal seriously. That week, I worked on it every day. If Sad in New York’s letters were moody and depressing, the Girl Scout Journal was hopeful and earnest. I listed boys I had crushes on. I mused about what it would be like to someday kiss one. I wrote about worrying my period would never come, my chest would never grow. With the exception of one crush (Paul Shin) none of this was true. I was in no rush to grow up; the prospect of my period terrified me. I was attempting to sound like a dreamy girl in a novel, the kind who confesses her secret thoughts and worries and they’re private and embarrassing but also somehow girlish and charming. I’d had a similar experience when I made my First Confession, inventing sins I’d committed because I couldn’t think of any real ones. 

“What have you got there?” Dad asked. He was sitting on the other side of the dining room table, pencil scratching in his sketchbook. Dad and I could sit in a room together, serious but quiet, which I liked.   

“Homework.”

His chin was bent over his sketchbook. “More specific?”

“A journal,” I said. 

“Huh.” Dad made an approving sound. “For what class?”

“It’s not for school. It’s for Girl Scouts.”

“Scouts assigns homework? Don’t you already get enough homework?” My father, unlike most parents, felt I was being overworked by our suburban public school system—“plenty of time for being chained to desks,” he would complain. Mom usually ignored comments like this. She was going back to school to be a guidance counselor; she was good at staying calm. Dad was an insurance broker but, at night, was working on a children’s book. In it, a girl named Juanita Bonita boards a magic carousel and ends up roaming around Philadelphia having eye-popping adventures. For reference, Dad sometimes had me pose like Juanita, pretending to gaze out windows or stare at tall buildings. Occasionally I caught him studying his own face in the mirror above the living room couch, wearing exaggerated expressions of confusion or horror or surprise. 

“It’s not like regular homework,” I said. “It’s fun.” I paused. Fun wasn’t the word. “It’s a scouting diary,” I told him.  

Dad frowned. He wasn’t a fan of the Scouts. “‘To serve God and my country,’” I’d heard him say, quoting the pledge. “What is this, a cult?” During the Vietnam War, Dad had been a conscientious objector. A year ago, he’d stopped going to church. My mom still went every Sunday, dragging me with her. I missed having Dad there, but also felt proud of him. Confusingly, between my parents, Dad was the more outspoken, but from what I could tell it was Mom who called the shots.

“Is that different from a regular diary?” he asked. 

It was, though it was hard to describe exactly how. A scouting diary required an extra openness, candor, and girlness—but I hesitated to explain. “I guess not,” I said. Dad returned to his drawing, and I returned to my journal. I don’t understand my parents, I wrote, with a deep internal sigh. And my parents don’t understand me


That Sunday, when I heard a knock on the front door, I was upstairs journaling about how I wished I were more popular, and Mom was in the office, studying. Dad was doing yard work. It was possible neither of them had heard. I hoped the person—Carrie, I was certain—would just go away. Then I heard a longer, harder knock, followed by the doorbell, the creak of the office door, and Mom’s footsteps on the stairs. “Oh, hi, Carrie,” she said, and my heart sank. “Jess! Carrie’s here!”

I pressed the tip of my pen into the page until it left an inky blot. I am not in the mood to play with Cathy—but alas, I wrote. Grudgingly, I made my way downstairs. Mom was by the front door, chatting with Carrie, who had assumed her usual pose—eyebrows raised slightly, hands folded, as if gracing me with her presence—even though it was her who had showed up at my house. As usual, her bulging backpack was hooked on her shoulders, as if she were prepared to move in. “There’s fruit in the kitchen,” Mom said, then retreated upstairs, shutting the office door. 

“Guess what?” Carrie greeted me. 

“What.”

She smiled. “I’m going to visit my brother.”  

“Really?” Carrie was prone to exaggerating, but this seemed too important. 

“Easter vacation. My mom and me are going to Florida,” she said.

“Neat,” I allowed. “Where is he?” 

“Um, Florida?” Carrie said, drawing out the word to underscore my stupidity.

“I know, but—where?” I didn’t want to spell out the alternatives: special school, uncle’s house, jail. I was trying to be nice. “I mean, where’s he living?”

“With my aunt,” she said. “Aunt Mimi. She’s not really my aunt. She’s my mom’s friend. She lives in Miami.”

Aunt Mimi from Miami—it sounded potentially invented. 

“She’s really cool,” she said. 

“I thought you said you never met her,” I replied, then felt badly. Carrie never talked about her brother, and she seemed genuinely happy. 

“I talked to her on the phone.” Then she scanned the room and frowned, as if dissatisfied with her options. “We can play queen, I guess.”

Like that wasn’t a game we always played, the game Carrie always wanted to play—but I let it slide. Through the bay window, I could see Dad trimming the forsythia bushes, listening to his Walkman, and thought how much I’d rather be out there with him. 

Carrie got right into character, plucking the afghan from the back of our couch and perching it, cape-like, on her shoulders. “Fetch me my tea,” she commanded. Playing queen, Carrie’s caustic streak came in handy—she could level a servant with a single verbal blow. She was equally skilled at berating her royal subjects, who assembled in the backyard outside the living room window. “Once again, you all disappoint me,” she proclaimed, with a flick of her hand. Then she lowered herself to the couch and slid off her glasses, the better to drape one hand across her brow. I carried around a tray on which I served her tea and cookies, occasionally fanning her cheeks with a TV Guide

After about fifteen minutes, the back door slapped and Dad came in, stopping in the living room doorway. “Hi, girls.” 

I glanced up. “Hi, Dad.”

He was looking at us with a funny smile. “Hi there, Carrie.” 

She blinked at him from where she lay on the couch. Without her glasses, her face looked younger. “Hi, Mr. Seward.”

“How are you doing?” 

“I’m doing fine,” she said. Then she smiled and added: “I mean, great.” 

My dad lingered another minute, looking toward the window. Finally he said, “Have fun,” and went upstairs. A minute later, I heard the door to the office open and close. 

Carrie sat up, rubbing her elbows. “That was weird,” she said. It was a little weird, but I wasn’t giving her the satisfaction of agreeing. She let the afghan slump from her shoulders and pushed her glasses back on. Then she looked around the room, blinking, as if it were a store where she’d been considering shopping but changed her mind. “I think I’m done,” she said, which was a first. 

“Okay,” I said, but Carrie was already gone. The front screen door slammed. From the couch, I saw her cut diagonally across the front lawn. The entry practically wrote itself: Cathy was acting weird. She wanted to go home, which she never did—secretly, I was overjoyed. I picked up the afghan and wrapped it around my shoulders. Then I heard Mom’s office door open, and both my parents came downstairs, Dad saying, “Was that Carrie leaving?”

“Yeah,” I said. 

Mom sat beside me on the couch. Dad stayed standing. They wore the looks of a serious conversation: Mom concerned, Dad mildly annoyed. 

“We need to ask you something,” Mom opened. 

My first, panicked thought was that they’d read my journal. Mentally, I went flipping through the entries, looking for anything potentially inflammatory. My parents don’t understand me—I didn’t even feel that way, not really. I’d just written it because it felt right.

“What?” I said.  

She looked at Dad, and sighed. “We think Carrie might have stolen something—”

“We know she did,” Dad said.

This news was startling, but felt immediately possible. I believed that Carrie had done it, could do it. I was more confused about how and when she’d pulled it off. “When?”  

“Dad saw her,” Mom said. 

“When I was in the yard. She stuffed it in her pocket. And now—” He gestured toward the window. “It’s gone.” 

“What is?”

“Just—” Mom shook her head. “One of the bells.”

Mom’s bell collection sat along the narrow ledges of the bay window. She had twenty or more: antique brass schoolbells, hand bells, sleigh bells, a copper dinner bell from an eighteenth-century farm. She’d been collecting her bells since she was a little girl. I could see where the stolen one was missing: a small one made of etched crystal. It was one of Mom’s favorites. That this was what Carrie had stolen—something belonging to my mother, who was only ever nice to her, something she couldn’t have really wanted—made me furious. I cycled back through the past half-hour, thinking of times she might have had the chance to take it—when she was facing the window to dismiss her subjects or I was in the kitchen making her an imaginary cup of tea. 

“You didn’t see her take it, did you, Jessie?” Mom asked.  

“What? No!” I said, offended. “If I had, you don’t think I would have stopped her?” 

Mom studied me, and nodded, as if deciding to let me believe this. “Did anything happen between you two today?”

“Like what?”

“I don’t know,” she said mildly. “Anything unusual? An argument?”

“She told me she’s going to visit her brother.”

Mom’s eyebrows rose lightly. “Is she?”  

“Supposedly. But it’s possible she was making it up,” I said. “And then she bossed me around. But that’s not unusual.”

Dad interjected, “What does that mean?”

“We play this game. She’s the queen and I’m her servant.”

He frowned. “And you agree to this game why?” 

I didn’t say anything. It hadn’t occurred to me I had a choice. I looked at Dad. “Why didn’t you say something to her when you came in here?”

“I—” he began, then stopped. “I thought I’d better talk to Mom first.”

“It’s complicated,” Mom said. 

“Why is it complicated?” I looked at her, at both of them. “You’re telling Mrs. Tedesco, right?”

Neither of them replied, but both their expressions seemed to deepen. Dad’s grew more indignant; Mom’s face looked traced with pain, like it did sometimes in church. I knew what had happened: Dad thought they should tell, Mom didn’t. Mom won. Of course. Carrie had stolen from us and was getting away with it. 

“I really think you should tell her,” I said. “I think she’d want to know.” 

Mom paused, then gave me a sorrowful smile. “Carrie’s been through some hard things,” she said. “We’re going to let this one go. But if it happens again—or if you see anything—we will.”


Tuesday before the meeting started, I watched Carrie like a private eye. She was laughing and joking around with the other Scouts like nothing was different and I felt a seed of resentment growing in my chest. I couldn’t imagine doing something so blatantly wrong and just carrying on, guilt-free, unaffected. I thought about how lucky she got that my mother had decided to spare her. How she’d been caught in the act and didn’t even know it. Aimee was talking to me about the spelling homework, and I pretended to listen. I hadn’t told her what happened, not because I was protecting Carrie but because I didn’t want Aimee thinking less of my parents for letting her off the hook. The night before, I’d vented my frustrations in the final four pages of my Girl Scout Journal, a storm of emotion, cursive loose and sprawling. Cathy is a THIEF. She stole right from under our noses and I have no idea why mom let her get away with it. Nobody even likes her. I for one despise her and her stupid friendship pins. I only put up with her because my mother makes me. What choice do I have???  

“Girls,” Mrs. Tedesco said. “Journals, please.” 

Talking slowed to a dribble as the Scouts reached into their backpacks and retrieved their pale green books. It was only then, handing mine to Aimee, that I felt a simmer of nerves. I wondered what Mrs. Tedesco would think when she read it, if she’d know who Cathy really was. I watched my journal travel around the circle, hand to hand, stopping at Mrs. Tedesco, who shuffled the book to the middle of the pile like a card in a giant deck, and dropped it into the big tapestry bag that she would carry out of the cafeteria and into her car and Carrie’s house.


Carrie didn’t come over that week. I tried to let myself enjoy the hiatus, but I was worried. That she’d found my journal in her house and read it. That she was mad at me, or hurt—but so what if she was? I tried to tell myself the likeliest scenario was that she was afraid my parents had figured out she’d stolen and was lying low. 

Then, on Saturday, there she was: a measure of her boldness, or obliviousness, or maybe desperation. “Carrie, hi,” I heard my mother say, inviting her inside. Her tone, I thought, was way too generous. When I appeared in the living room, Mom was smiling like everything was fine. “It’s a beautiful day,” she said. “Why don’t you girls play outside?” 

It was true that, outside, there was nothing much for Carrie to steal from us, though I doubted that was motivating my mother. It was nice out, the first day that really felt like spring. Carrie and I filed out to the backyard, where we sat on the lawn by the forsythia bushes. She pointed out that she’d rearranged her friendship pins again. 

“I don’t know anyone else who still wears friendship pins,” I replied, picking at the grass.

Carrie merely shrugged. She seemed no different than usual, and I resented the time I’d wasted assuming anything different.

“Queen?” she said.  

“I’m not really in the mood,” I said. “I kind of hate Queen, actually.”

“Since when?” 

“Since always.”

She shrugged again. “Suit yourself.”  

We sat in silence for another minute. I shredded a blade of grass into confetti. But we had to do something, so I proposed a few rounds of Sad in New York. Carrie dug the notebook from her backpack and offered me a pen.

Dear Diana, I scribbled. I had a dinner party and my guests stayed forever. Is there a polite way to make them leave? Feeling Annoyed, Sad in New York. 

I passed it back to Carrie then waited. Another kid might have seen the letter as a cue to leave, but Carrie wouldn’t notice. Carrie didn’t notice anything. I stared at the living room window, picturing her picking up that crystal bell and stuffing it in her pocket. Today, the sun was too bright to see inside the house; the light bounced off the glass.

Carrie handed back the notebook. 

Dear Sad: Every party has a pooper and that’s you! 

I stared at the page, my face growing warm, and grabbed the pen. 

Dear Diana: I did something very very wrong and no one knows. Should I tell??? Feeling guilty, Sad in New York.

I shoved it at her and waited. My heart was skipping lightly. But Carrie returned the notebook instantly, saying, “I can’t answer this.” 

“Why not?”

“It’s totally lacking in detail,” she said, in the same haughty tone the queen used to address her subjects. It occurred to me that the queen and Dear Diana were essentially the same person. “What wrong thing did she do?”

Carrie squinted at me through her glasses. In truth, the question was not unfair; the letter was too vague. But Carrie never critiqued my letters, barely seemed to read my letters. She must have been wondering if I knew about her stealing. I wanted to blurt out: My dad saw you do it! Then the back door opened—my mom, coming out to water the flowers, like she had some of tension radar. 

“I don’t know,” I said. 

She laughed. “How can you not know?”

“I meant, I don’t care. I didn’t even feel like playing.” I swiped torn grass from my knee. “Just make it up. Whatever you want.”

Carrie thought for minute then declared: “Kidnapping.” She huddled back over the page and scrawled: You stole someone’s kid? Return them, you sicko! 

After one more half-hearted round, I told her I didn’t feel good, and when my mom called after me as I ran upstairs, I didn’t stop.  


The next week, the air in the cafeteria was still and stuffy. The wide brown shades were yanked down halfway, blocking the sun, but the windows were sealed. The heat was amplified. Everything felt amplified. The smells of fries and burgers from that day’s hot menu. The buzz of the fluorescent lights. There were shadowy spots on the linoleum, damp patches where the mop water hadn’t dried. 

“Girls,” Mrs. Tedesco said. “I read your journals.” She heaved a heavy sigh. “Most of you really dialed it in.”  

A few girls, Carrie included, rolled their eyes. Mrs. Tedesco lifted the stack from her bag, wrapped in a thick rubber band. 

“But there was one journal that was exactly what I was looking for,” she said, peeling one green book off the pile and waving it in the air. The journals were identical, so it was impossible to tell whose it was, but I knew that it was mine. I felt a mixture of pride and dread. “This,” she proclaimed, turning to give me a wide toothy smile, “is what a Girl Scout Journal should sound like.” Then she opened up my journal and began to read. 

It was so terrible, so incredible, that it didn’t immediately sink in: Mrs. Tedesco was reading my private thoughts out loud. That they weren’t true, for the most part, didn’t make it any less humiliating. Everybody knew the journal was mine. My shock turned to something like repulsion as I watched Mrs. Tedesco’s mouth moving. “Sometimes I wonder if I’ll ever kiss a boy,” she was saying. She was smiling. I could tell she thought my journal was harmless, sweet, like a little kid who’s naked and dancing.  

The other Scouts were gracious enough to be mortified on my behalf. They understood that if her intent was to praise me, and shame them, the opposite was true. “Will my chest ever grow?” Mrs. Tedesco continued. Some of the girls were looking at me with awe, or pity. Aimee mustered a supportive smile. Other girls wore expressions of mild disbelief. None of them had been dumb enough to take this seriously. 

When I glanced at Carrie, she was watching me from behind those purple glasses, wearing the smug look she always did, and I wanted to explode. Why did she get to sit there with all her secrets hidden? Real secrets? Actual, wrong things? That I was being exposed but she wasn’t—I was filled with a shaky rage. 

Meanwhile, Mrs. Tedesco was still reading. Maybe she was going to read the entire thing. I cared so much I almost didn’t. I stared hard at the cafeteria windows, at the deserted playground. Eventually, Mrs. Tedesco would get to the part about Cathy stealing. Even if she was clueless enough to not recognize her own daughter, the other girls no doubt would. Good, I thought. Let them. I hoped Mrs. Tedesco read to the end. “I don’t understand my parents,” she was saying, and I fought back a sudden well of tears, for my parents getting dragged into this, for writing about them in the first place. They struck me then as the greatest people in the world. 

Then Mrs. Tedesco abruptly shut the book. “That,” she said, “is a Girl Scout Journal.” She scanned the circle, her expression chastising, triumphant. I stared furiously at my knees. I’d been spared the last few entries, but so had Carrie. Aimee leaned over and wrote in pen down my forearm: NOT THAT BAD ☺. But this was Aimee. She was always positive. She was the perfect Scout. 

Meanwhile, Mrs. Tedesco had hoisted herself from the chair to return the journals. When she held mine out, I snatched it from her hand. She was saying something but I stood and ran out of the cafeteria, down the wide damp aisle and past the empty tables, out into the hallway and through the lobby doors. Aimee’s mom was supposed to drive me home, but I ran the seven blocks in the purpling dusk. When I reached my house, I was breathing hard. My chest burned. At the back of the driveway, I opened the metal trashcan by the garage and untied a bag of kitchen garbage. Awesome, it said on the cover of my journal, thick marker with three underlines. I stuffed the book in the trash, along with my sash, and jammed the metal lid on top. 


Carrie hadn’t been lying about her vacation. She and her mother went to Florida over Easter break. I knew this not because Carrie reminded me—she hadn’t been over since I ran out of the meeting, and we hadn’t spoken at school, not that we spoke there anyway—but because my mom said Mrs. Tedesco had stopped by.

My head snapped up from the couch, where I’d been watching TV since getting home from Aimee’s. “Why?” 

I had skipped the last two Scout meetings and hadn’t told my mom. My dad, I thought, would have applauded this act of rebellion, even though it didn’t feel that rebellious. The two hours I should have been in Scouts I’d spent wandering around the neighborhood near the school, staring at strangers’ houses, reappearing just in time for my mom or Aimee’s to pick me up.

Now, though, I worried that Mrs. Tedesco had told my mom about my absences. About my journal. Maybe she’d finally figured out I was writing about Carrie—it occurred to me that may have been the reason I’d done it.

“She wanted to know if you’d feed their cat,” Mom said. 

“What?” I didn’t even know Carrie had a cat. 

“They’re away for a week, in Florida—”

“Yeah, yeah, I know.” 

Mom paused, surprised at me. 

“Sorry,” I mumbled. “It’s just that Carrie already told me.”

“Well. Okay.” She nodded, as if that meant we were on the same page. “So they need you to feed the cat while they’re away.”

“But why me?” 

“They must think you’re trustworthy,” Mom said, as Dad walked in asking, “Why me what?”

“June Tedesco asked if Jessie would feed their cat while they’re away.”

“And I don’t want to,” I said, childishly. I was hoping Dad would take my side. 

“Maybe it was that Wildlife badge,” he cracked. 

I was too upset to laugh. Mom was looking at me closely. “Well,” she said finally. “They already left. And I said you’d do it.” She fished in her pocket. “They dropped this off,” she said, putting Carrie’s key in my hand. 


I walked down Lyle Road with Carrie’s shoelace tied around my neck. It was officially spring. Flowers were popping up beside neighbors’ walks and fences. A distant lawnmower droned. Cardboard rabbits and Easter eggs were stuck on people’s doors and windows. The key felt warm against my skin.  

Carrie’s house was identical to my house—same shape, same layout—except hers was geranium blue. It had no Easter decorations. The porch was covered with sagging wicker chairs, sickly-looking plants. As I climbed the steps, the wood creaked and sagged. I thought about the fact that these were the very steps where Mr. Tedesco collapsed, how strange it must be for Carrie and Mrs. Tedesco to walk up them every day. To the right of the door was the window Miller must have been looking out of when it happened. A heart-shaped suncatcher was suctioned to the glass.

I pulled Carrie’s shoelace from around my neck and ground the key into the lock. The door needed a little extra push to open, the rubber flap on the bottom stuttering against the rug. Inside, it was dark. The shades were down, the curtains closed. When we went away on vacation, Mom left lights on timers so it looked like somebody was home, but the Tedescos’ house was so lightless it felt like stepping into the cave. I pulled the screen door shut behind me so the cat didn’t escape. An indoor cat, my mom had relayed. Be sure not to let her out. I tried to get oriented, feeling for a lightswitch, and when I found one I gasped. 

The couch, chairs, and living room floor were all piled high with junk. Stacks of mail and magazines, mounds of clothes and books and records, cat’s toys and baskets of yarn. The coffee table was covered with dirty dishes, stained juice glasses, mugs with dried teabags inside them. The curtains looked like heavy brown tweed. For a minute I stood paralyzed, then I stepped gingerly around the piles, not wanting to disturb them. In the dining room, chairs and table were buried in the rubble. Some of the junk at least belonged in a dining room—candlesticks, placemats, dishes—while other things were random: a crate of mason jars, a rolled-up doormat, a guitar with broken strings. 

I was shocked, and also nervous, to realize people lived like this. To realize that Carrie did. As I neared the kitchen, I could smell it. I turned on the light and found two open bags of garbage sagging in the middle of the floor. One had leaked something brown; ants swarmed the puddle. Unwashed dishes crowded the counter, crusted with dried spaghetti sauce, drips of jelly, pizza crusts, an icing-covered fork. It occurred to me then that Carrie never had birthday parties. On the window, dead fruit flies stuck to strips of sticky tape. I spotted two empty bowls on the floor beneath the telephone and realized I hadn’t seen the cat.

My heart was thumping close to my skin. I didn’t want to go upstairs—was tempted to just fill the bowls and leave—but I needed to at least set eyes on the cat first. What if it was crushed under something? Or I’d let it slip when I opened the front door? As I climbed the stairs, the heat was thickening. Things were crystallizing: No wonder we never played at Carrie’s house. No wonder Carrie never wanted to be there. No wonder she carried that getaway backpack. And, less clearly, no wonder Mrs. Tedesco had loved my journal so much. 

The hallway upstairs felt swollen with the heat and the quiet. I walked on tiptoe, because it felt like I was trespassing, even though I’d been invited inside. It was shocking, actually, that Mrs. Tedesco had knowingly asked me in there. Maybe she felt bad for humiliating me at the meeting. Maybe she was making some kind of amends, trading one private embarrassment for another. I crept down the hallway, carpeted in dirty orange, until I turned into a doorway and flipped on the light in Mrs. Tedesco’s room. I tried skating my gaze across the surface, poking at cat-like lumps in the bedcovers and toeing piles of clothes on the floor. From somewhere, a clock was ticking. It occurred to me that staying so quiet wasn’t actually in my best interest so I called: “Here, kitty!” My voice sounded hollow and strange. 

I cleared my throat, trying again—“Kitty, kitty!”—as I continued down the hall. The next door was plastered with decals: a skull smoking a cigarette, the Pink Floyd rainbow prism, the words KEEP OUT. Miller’s room, I thought. The door was shut, as if he’d died or something, and I didn’t open it. I at least knew the cat couldn’t have walked through a closed door. “Kitty!” I called again. My heart was banging. I felt something like fear as I approached Carrie’s room. Guilt, too—I’d hate it if I knew Carrie was poking around my stuff without me there. But when I snapped the light on, the room was just messy, normal messy. Clothes were tossed on Carrie’s bed and carpet, shorts and T-shirts I recognized from last summer, things she must have rejected when packing for her trip. On her bedpost hung the Girl Scout sash with its three measly patches. Puffy pillow letters spelled CAROLINE on the wall above the bed. I’d never known this was her real name. On her dresser, piles of friendship beads were stored by color in one of those plastic pill counters. It was the most organized thing in the whole house.

I felt a deep, dizzying sadness, and walked quickly back out to the hallway, drew a teary breath. I needed one of my parents. Needed my mother. My impulse was to run home for her because I didn’t want to use the Tedescos’ phone—but this made no sense. I forced myself back down to the kitchen and the phone by the refrigerator and dialed my number. “Mom?”

“Jessie?” 

“Yeah.” My voice trembled. 

“Jess? What is it?” 

“I don’t know,” I said, suddenly on the verge of tears. I started to say more—that something here was wrong, that people didn’t live like this unless there was—but I didn’t know how to explain it. “I can’t find the cat,” I said. 

“Hold on,” she said. “I’ll be right there.”

The living room felt like the safest place to wait, so I stood on an exposed square of carpet by the door. I stared at the mantel above the fireplace, a row of pictures in cheap-looking gold frames. One of them was Miller as a little boy. He was smiling, but distantly, with his mouth and not his eyes. I wondered if it had been taken before or after his father died. There was Mr. Tedesco, holding one kid in each elbow, like sacks of groceries. He looked like Carrie, I thought. I didn’t see Mrs. Tedesco. She must have been the one taking the pictures.

I heard footsteps rush across the porch, then Mom shoved open the front door. Her eyes went to me first, as if scanning for injuries, then she paused and looked around the room. I watched as her gaze moved over the piles, resting briefly on the mantel, and resettled on my face. We stared at each other for a long minute. Her expression was grim, close-lipped, but she said only, “Cats are good at hiding,” and shut the door.

Without discussion, Mom took the lead as we picked our way across the living room. I noticed she, too, refrained from touching the mess, as if out of respect for whatever awful thing was at its root. In the dining room, she made a kissing sound, but the cat stayed hidden. When she reached the kitchen, she stopped for a minute, taking in those leaking trashbags, but her expression wasn’t pained, like I’d expected. She looked almost angry. She ventured into the kitchen and made the kissing sound again, then her face changed, softening with affection as she leaned toward the window and picked up her bell. 

The crystal bell had been sitting on the sill with other random trinkets, vases and bottles and seashells, tooth-shaped bits of green glass. Mom held it up, peering at it closely, as if confirming it was hers. Then she raised it above her head and rang it—the sound was high, long, jarringly loud. Within seconds, the cat was scampering down the stairs, sliding past my ankles and tapping across the kitchen floor, where it hunkered by the bowls. 

“There,” Mom said, with a single nod. There was sweat on her nose. She set the bell on the counter. I wondered if Carrie had stolen it to help find her cat. The cat was yowling now, looking at me as if it knew I was the one in charge. “Better feed the beast,” my mother said. 

I poured out some dry food, swapped out the hairy water for fresh water, opened a tin of wet food with a rusty can opener left in the sink. Mom washed and dried the opener, which seemed absurd, given everything. She looked around once, as if considering doing more—would it be insulting, I wondered, for her to clean up after them? Maybe she was asking herself the same thing, because she just dried her hands on her jeans. She bent to pet the cat, two quick strokes along the spine, then picked up the bell and returned it to the window, and I knew that we were leaving it, not just knew it but understood it, even if I couldn’t have said why.

Mom snapped off the kitchen light. Silently, we retraced our path, back through the stifling dining room and living room and out onto the porch. I took the shoelace from my neck and pulled the door shut, locking it. Mom put a hand on my shoulder and gave it a light squeeze.

As we started back up the street, I kept Carrie’s key in my hand. I didn’t want to wear it. The air was light and cool and I felt like I could breathe again but there was a heaviness in my chest. Mom and I didn’t speak. The sun was setting. Smells of dinner drifted from the neighbors’ windows. As we approached our house, I saw that all the lights were on downstairs. There was my dad, standing in front of the living room mirror. He had his head thrown back, mouth gaping, trying to capture exactly how it looked when the girl in the story stepped off the ride and looked up.


Elise Juska‘s short fiction and nonfiction have appeared in The Gettysburg Review, Ploughshares, The Hudson Review, Prairie Schooner, Electric Literature, The Missouri Review, and several other publications. She is the recipient of the Alice Hoffman Prize from Ploughshares, and her stories have been cited as distinguished by the Best American Short Stories and Pushcart Prize anthologies. Juska’’s novels include The Blessings, a Barnes & Noble Discover Great New Writers selection, and If We Had Known.

Hope

Rebecca Pyle

Nothing would save her except a long sleep. 

Hope? There was a place on their way which looked as happy as sleep. Large gold-framed paintings were on its golden walls. The floor was laid with alternating black and white porcelain tiles. The lamps in the ceiling made the light of captured suns. 

A river, which she had not seen yet in this town, ran below somewhere. There would have to be persisting and hopeful boats. A long-held belief persisted also in her that a person could throw herself from a bridge into a boat and that boat might merely bob up and down a little, she would be fine, perhaps even landing on her feet, and people on the boat would immediately decide she was the person they had been waiting for, who would draw wry sketches of all the people aboard, somehow suggesting, in the drawings, their life stories. Their destinies. 

In every town and city near a river she imagined this. She was already also thinking of paintings she could fashion from memories, just memories, of how the surface of water keeps splitting and resplitting like silk. The Seine was made of green silk and intricate shrubbery and trees at the borders of the water, and the best boats had simple and large panels of insulated glass, cooling systems for summer, and a captain who could take you down to the Musée d’Orsay, with its grand clock at the front, and back again, at twilight. He wouldn’t talk to you unless you felt like talking. There were musicians who would come on board and play for guests and you knew they were good because they also were not interested in talking at all, only sensing how the music sounded near water, and looking for swans in the summer; the sudden sight of them could almost make them break away from the music. But they played on. And as they looked at you as they played you could tell they knew that nothing you would say to anyone would make much difference, but people had to pretend there was a chance of a difference. Speech did not do much; unless exceptional, it was weak, meandering. Only great or good paintings, music, writings, preserved well. Her underwater career, however small it would ever be, would require a pen name, at least for a time, till she was done with the niceties/horrors of a career in government. Today she would think of a pen name, and she would proceed to write as a person with that pen name would write, if she had the right to a boat. A writer should have her own boat, which she had paid for herself: she still dreamed of dropping onto a boat on which she knew no one but would be listened to and cared for and on which she could be given that magic new name.


Rebecca Pyle’s forthcoming work is “ A Frost Fate” (fiction) in Scarlet (Jaded Ibis Press); “River” (fiction) in Writer’s Block Magazine (the Netherlands);  “A Record” and “For the Falling” (poems) in Kestrel, and The Hungarian Apartment with the Red Nespresso Machine (a drawing) in Silk Road Review. Rebecca studied art and lit at the University of Kansas. Over the past two years she has been living in Europe, mainly in France and the United Kingdom. See rebeccapyleartist.com.

I’m Tom Hanks

by Mark Leidner

Once, while traveling alone to see family, I saw Tom Hanks at the airport. He was also alone, just walking with a coffee, and it was definitely him.

I love movies, and I even love most of Tom Hanks’s, so I was flooded with an urge to run up to him and ask what he was doing, where he was headed, and maybe what movie he was working on.

But the moment passed. I was too shy, and he kept walking, and I looked down. By the time I looked back up, I’d lost him to the terminal.

After boarding and finding my seat on the plane, I began beating myself up for my cowardice. I should’ve been brave and struck up a conversation with him or something. After all, Tom Hanks isn’t an alien or a god; he’s just a human being, and I’m a nice guy, and there’s no reason we couldn’t have had a perfectly normal conversation. Hell, maybe he’s lonely.

Maybe it’s like when there’s a car crash on the highway and everyone assumes someone else has already called 911, so no one does, resulting in no one coming to help the people who need it. Maybe Tom Hanks is so famous that most people are afraid to speak to him because they assume everyone else is always approaching him, resulting in him never having anyone to talk to.

Maybe what Tom Hanks longs for more than anything is a simple, friendly conversation with a fellow human being, assuming the person didn’t overstay their welcome, and since it was me, I knew I wouldn’t have. I would have bailed at even the slightest hint of his discomfort or annoyance. I should have risked it, but I didn’t, and now he’s gone, and when I tell people about seeing him, they’ll only ask if I went up and asked him for his autograph or something, and I’ll have to say no. I’ll have to look them in the eye and say nothing remotely interesting happened.

My thoughts circled thusly as the plane filled with passengers. To try and take my mind off my missed opportunity, I searched the in-flight movie selections for a Tom Hanks movie, but none were available.

That’s when I saw him again—Tom Hanks, the real Tom Hanks—walking down the aisle of my own plane, coming right toward me.

I had a second chance. Sure, it would be awkward. There were people behind him who wouldn’t have wanted to be delayed by our conversation, and I’m sure Hanks himself would’ve hated to be the one whose detainment increased the annoyance of those behind him. But maybe it was worth it. I’d just convinced myself I’d missed a big opportunity for me and for Tom Hanks by not engaging him earlier. What if the concerns about holding up the line of boarding passengers was just another excuse to chicken out?

I quickly tried to think of something better to say than simply asking him what movie he was making next, hoping I could come up with something that would seem like a valid item of conversation between any two passengers—maybe something practical and related to flying, like a question about frequent-flier miles or seating assignments, so the people behind wouldn’t feel like I was just fawning over a celebrity—but I couldn’t think of anything, and once again, and as soon as I’d seen him, he was gone, having walked past my row, into the depths of the plane.

You can imagine how my self-flagellation escalated in the next few moments, realizing I’d missed the same opportunity twice in a row. I wondered how I’d ever gotten anything done in my life at all, given my obvious predilection toward paralysis at the moment when the hand of fortune presented me with an opportunity to do something actually memorable and interesting. Had I lived my life in such a way as to specifically avoid having to do anything memorable? Was there anything memorable about me at all? It was going to be a long flight . . .

Or so I thought . . . until Tom Hanks sat down beside me, having returned from placing a bag of his in the overhead compartment two rows behind. 

He didn’t even ask me if he had the right seat. He just sat down, and a moment after I thought my chance to prove something vaguely significant about my life by interacting with him proactively had flown me by, here he was a third time. Inches from me. I could smell his musk. I had the measure of the man in ways few do. Now there would be no excuse for me not to act.

The flight was three-and-a-half hours long. I had that long to come up with something to say to him, and I already suspected that a simple “Hello” and “I’m a big fan of your movies” would be sufficient. For me, there was no better feeling than to already have a good plan and then, on top of it, to have tons of time to come up with a better one.

Ironically, due to Tom Hanks’s own proactivity, I never even got the chance.

As soon as he saw me looking at him in a way that told him I recognized him, he smiled warmly and asked me if I’d seen his latest movie. I gave my honest answer—I hadn’t—though I did assure him that I’d seen most, if not all, of his other movies, and in the theater, too.

“It’s just that I haven’t been to the theater in a while,” I explained. “Just busy, I guess.”

He absolved me with a wave and told me not to worry about it whatsoever. Then he asked me if I wanted to see it.

“Your movie? Sure. I’ll see it as soon as I get a chance.”

“No,” he said. “Do you want to see it right now?”

I must have looked stunned.

“I’ve got the final cut saved right here on my phone.” He lifted it. “Want to watch it with me?”

“You . . .  want me . . . to watch . . . your movie . . . with you . . . right now . . . on this flight?”

“Only if you want to.”

“Oh my God. I would love to.”

We watched the whole thing.

I’m not a movie critic. I neither loved nor hated it. It passed the time, and it made me think, if only a little. Maybe it made me feel a little more than it made me think. But it was unquestionably thrilling to watch it on the phone of its star, with that star right beside me watching it with me. They say movies are best experienced in the theater, and until today I would have agreed. You’ve never really watched a movie until you’ve watched it with the star, almost touching, as they hold up the screen, tilting it toward you slightly so that you get the best angle, as if their whole performance is personal and meant for you.

After the movie ended, I still hadn’t gotten over the coincidence of Tom Hanks himself taking the seat next to mine on a flight and showing me his latest project.

Is this the greatest day of my life, I wondered, or just the oddest? Or is something exactly this odd simply something everyone experiences eventually? Lots of people have strange celebrity encounter stories. Maybe they’re just statistically destined to happen every now and again, even to people like me?

Just as I wondered this, I awoke—alone—in a comfortable bed in an extravagantly appointed apartment. 

The transition was so jarring, it made the comfort of the bed almost feel like a trap. Where was I?

I went instinctively to the bathroom, and looking in the mirror, I saw that I wasn’t me at all, I was Tom Hanks—the real Tom Hanks himself.

Of course the apartment was mine. This was where I lived when I was on the East Coast.

I took a piss and brushed my teeth and thought about my dream and what it was about—me fantasizing about being someone who was afraid to meet me, and then thrilled to meet me, and even more thrilled to watch me act in a movie with me beside them, holding up the little screen. Whatever it had meant, it wasn’t flattering. Was I too obsessed with my own career? My own self-image? Did I not have friends? Real friends that weren’t business partners or filmmaking collaborators? Did I secretly pine for random people to approach me and tell me they love my movies? After a career of playing different characters—from the comedic to the absurd, from the ordinary to the neurotic, from the stoic and heroic to the doddering and sad—was I anyone at all?

And after waking, had the fact that I hadn’t even remembered who I was until I saw my reflection in the bathroom mirror meant that I was no one at all until I was being looked at? 

And were the only eyes I trusted enough to tell me who I was my own?

Or was my slippery self simply proof of my talent as an actor? 

With no one around, with no prestige attached, with no consistent sense of self to accept it, was this moment of liminal amnesia the only awards ceremony that mattered?

As I finished brushing my teeth, I shook all these thoughts from my head and left them swirling away down the drain with the suds of toothpaste. I went to the kitchen and brewed some coffee. I sliced open a grapefruit, poured vanilla granola into a bowl of plain yogurt, and opened my laptop. I had several emails to review from various producers and agents regarding the project that lay before me.

By the time the coffee finished brewing, the dream was more or less forgotten. First, you become someone else; then you become yourself again, only to find you’ve forgotten who you are; then you finally forget that you forgot, and you’re yourself—I can think of no better distillation than this of the actor’s miraculous burden.

The upcoming movie was particularly exciting to me. Even though production was months out, the bulk of financing had already fallen in place, per the first email I read.

The script, too, which was already tight, was getting tighter, and the theme it explored was something I had no small amount of personal experience with. Best of all, the character I was to play was unlike anyone I’d ever played before.