The Dead End

Christopher Luken

Wood rounded the corner into the cul-de-sac, his long, easy strides mocking the chunky weight of the hiking boots he wore everywhere. His rear boot rose—cleanly, quietly—but somehow a black scuff mark appeared below it on the floor. I heard the door click shut, but I was so focused on the scuff mark that I nearly ran into Wood. He had stopped just inside the mouth of the hall.

            Did you see that? he said.

            I edged around him. First thing I noticed was that Simon wasn’t there. Then I glimpsed Mme. Deforest scooting into her classroom.

            Couldn’t see Deforest for the Wood, I said, smiling.

            I think she was smoking in that closet. She was waving her hand, he said, pantomiming a smoker waving his hand to disperse the smoke. Can’t you smell it?

            But I was already circling toward Simon’s door, like a kid trying to capture the flag, tortured by the certainty that the enemy lurked somewhere unseen.

            I peeked into the classroom. A withered old man sat behind Simon’s desk. A substitute teacher!


I had followed Wood as he pushed through the bottlenecked reception of gunmetal gray lockers on the second floor. Felicity Bunting squeezed by and rising to the occasion I said hey too loudly, like I needed something form her. She was as difficult for me to parse as her name; both seemed to signify something beyond my grasp. She turned her head to show she held her phone to her opposite ear, then abruptly turned back and kept going in the opposite direction, which was odd. She was in Simon’s class with us next period.

            The hallway opened up and Wood, somehow unaware of my snubbing, called down ephemeral. It was Thursday. We were supposed to have a vocab quiz.

            Short-lived, I said.

            Long eye, he said.

            I didn’t get it.

            Short-liiived, he explained. As in a short life. Smiling, he blurted it again, Short life. He shook his head like how the fuck had he not thought of this before. Like those Salt Life window stickers but for you, he said. Short Life. We need one for your car.

            I told him that I had heard that an overactive pituitary drained intelligence.

            It should have a rainbow, he said. In the background or something.

            Obviously.

            Because it’s inclusive. Even short lives matter.

            Jesus, I said, and he laughed. I had known Kevin Wood since kindergarten, when, if the photos could be trusted (there were many; our moms were friends), we were about the same height.  

            And—you blasphemer—the rainbow’s a nice allusion. To the most famous short people. The munchkins under the rainbow.

            Over the rainbow.

            You should know.

            Under the sun, over the rainbow. It’s hard to keep the two stories straight.

            I wonder if short life dot com is available, he said.

            I told him he’d be a rich man if it was, and he faux-mocked mulling it over as he pushed through the door into the stairwell at the end of the hall. He called up verdure from the switchback landing.

            Green…healthy…, I said.

            Ehnt! The greenness of growing vegetation.

            Simon made us regurgitate word-for-word the definitions he gave us, usually cut-and-pasted from Merriam Webster online. He was a shitty teacher, but a successful wrestling coach, a former heavyweight state champion at our school. We knew from the photos in the trophy case, prominently located in the front entranceway. His classroom, fittingly, was in the constipated bowels of the building, the short dead-end hallway we called the cul-de-sac, where he should have been waiting for us—at bat.  

            Simon used to do the dumbest thing. He would stand outside his room before class and pretend to swing a baseball bat, his rolled-up attendance notebook. He did it all the time. He’d dig in, find his batter’s stance, then shift his attention to the mouth of the hallway, where an invisible pitcher stood. His arms, corded with veins, strained the bands of his polos. He’d chicken-wing his right elbow just before his eyes began to follow the pitch traveling toward him. Then he would swing and watch the flight of the ball as it travelled out of sight. A homerun every time. I don’t know if it was supposed to be funny or charming or what. He looked ridiculous, crouched in the cul-de-sac, in his fat man’s pants, cinched at the waist, the only pants with legs big enough to accommodate his thighs. He was an enormous man, of massive parts. His head contained geologic formations. His brow jutted like a rock shelf from the broad, creviced escarpment of his forehead, above which grim conditions prevailed. From temple to temple only frazzled scrub took root, but moving back an abrupt change of terrain yielded straight, cornfloss-fine hair. It draped the back of his muscle-girded neck and was meant to hide grotesque molded-clay cauliflower ears. He was a tragicomic colossus of Galahad, hunched over, deformed, middle-aged, earthbound.

            Tree… Soup, he would say, standing upright. Because Wood was Wood, and he was tall, Simon called him Tree. He called me Soup. No one knew why. We only knew that he had also given the nickname to Sam Campbell who was in a different section of the same class. Campbell Soup. At least it made sense.

             What if I suggest Chicken Noodle? Wood said, laughing at his own joke. You know, so there’s no confusion. Confusion indeed. Sam was blonde, athletic, and very good looking.

            No, said the King. Juan Carlos Agualinda, by name and bearing, was the King, darkly regal in our Waspish school. He’s dainty and sometimes refreshing, he said. Like gazpacho.

            When Wood finally stopped laughing, he said that Gazpacho was too sophisticated for Simple Simon. But you’re right, he said. Chicken noodle’s too hardy.

            Looking me up and down, he asked Agualinda, What are the short noodles called.

            Orzo.

            There would be no debating the sophistication or obscurity of orzo. I was the short noodle.


You know what the King told me? I said. We had reached the bottom of the stairwell, and Wood pulled open the fire door.

            What has his highness been spouting off about now?

            I stood next to Agualinda, perched atop the gym bleachers, for his first football pep rally. He watched, without reaction, as our heavy-headed Saxon mascot stomped on its own highly polished likeness at midcourt. Afterward he asked why Anglo had been dropped from the mascot’s name. I laughed, but Wood, evidently dulled by the peppering we had received, channeled school spirit to family pride and laid claim to his Irish-Catholic heritage.

            Historically we’ve had it just as hard as the Latinos.

            Do you like to be called Paddy? Agualinda asked.

            Wood glared at him.

            Are you comparing Paddy and Latino? I asked.

            Because one’s actually a fucking slur, said Wood.

            Latino is a condescending gringo epithet.

            Are you kidding? Gringo’s not condescending? said Wood.

            No, it’s irreverent.

            What about Hispanic? I asked.

            The meaning has been diluted over the centuries.

            I was fascinated.

            Why do you roll your eyes, Wooden?

            Because I’m a condescending gringo.

            He said, I told Wood, that the men in a Mexican family, the extended family—father, grandfather, uncles—

            Got it.

            He said that it was customary—in a family of a certain station—that’s how he put it.

            Of course he did.

            It was customary to take a boy, the son— 

            Venga conmigo, mi hijo.

            To a prostitute.

            No shit? A puta.

            Yeah, when he comes of age.

            Did he?

            Did he what?

            Go to a whore, you dick.

            Agualinda had meant a lower station. His father was a career diplomat, now at the Mexican embassy on Pennsylvania Avenue. The King had grown up abroad. He spoke English imperially, German, from his dad’s previous station in Berlin, with a hard, guttural precision, and his French in the last year had become, according to Mme. Deforest, absolutely melodic. Wood and I took Spanish with Señor Archie, whose thin lips and trim graying goatee, speckled with spittle from rolling Rs, reminded me of my grandmother’s spirited Yorkshire Terrier, Mr. Archie. The King’s arrival should have been a boon to our ensayos. Djou mean essay, esé? he asked. His Hispanic gang member wasn’t the least bit convincing, which was the point. He insisted he knew Castilian, the language of Cervantes, from when he lived in Madrid, and was no longer acquainted with the mongrel language we were learning.

            You think the assistant to the plenipotentiary is going to take his only son to a brothel in some slum in Mexico City? I asked.

            It doesn’t have to be in a slum.

            Wood had a point.

            Or even in Mexico City. I mean, when was the last time they even lived there?

            It had been a while.

            How old is of age?

            Why do you care so much?

            Because, like anyone with a brain, I’m curious.

            Just a healthy curiosity.

            Fuck off, he said. Then, after a moment, Sixteen?

            Nah, fourteen. It’s like a Mexican bar mitzvah.

            He laughed.

            Toward the end of the summer between middle school and high school my dad sat me down in the den. His suit was overwhelmed by the humidity, and it must have been a Friday because he held a sweating tumbler of gin and cracked ice. He liked to fill his glass with as much of the accumulated shards as he could muster from the bottom of the ice bin. His breath was both acrid and antiseptic.

            One morning, he said, you’ll wake up and—I mean if you haven’t already?

            I looked at him blankly.

            No. Well, in your drawers, there’ll be a—when you wake up—there’ll be a wetness.

            I was confused because drawers made me think of my dresser, and wetness was just fucking odd.

            He swirled the gin and melting ice uneasily. He took a sip and swallowed. You’re becoming a young man, he said.

            Oh shit, I thought.

            And when a boy becomes a young man—

            Apparently, when a boy becomes a young man he has to listen to the stilted performance of a middle-aged man, who forgoes useful, helpful words, like wet dream, sex, and ejaculate (both as verb and, understandably, noun), instead memorizing phrases like biological processeshormones coursing through your bodya boy becoming a young man, which he had, no doubt, found Googling how to talk to your son about sex. It was all very sincere and dutiful, or at least sincerely dutiful, if redundant. By the time my dad gave the wetness talk, I had unloaded of myself, both voluntarily and involuntarily, countless times. I frequented websites that were very direct in their depictions. Unfortunately, frequency of release does not necessarily stem frequency of encumbrance. Now there was something that might have been addressed. My thirteen-soon-to-be-fourteen-year-old dick becoming board-hard for any reason or none at all, at any point in the day, but as a rule just before the bell rang to dismiss class, requiring manual redirection via jeans pocket, up and behind the waistband of my, well, drawers before I could stand up from behind my desk.

            Wood shook his head, Thirteen, you maven.

            Thirteen what?

            Don’t be a dick.


Orzo never reverted to short noodle and the easy dick-size joke it would have encouraged, because Wood was so fucking proud of himself. Until we read Romeo & Juliet aloud in class, even Simon was calling me Orzo.

            Surprising no one, he chose Felicity to read the part of Juliet. He seemed to surprise even himself when he pointed at me with a bemused expression and said, Soup, you take Romeo.

            Wood laughed (and Agualinda probably raised an eyebrow).

            Simon ignored him and read the prologue himself. Then he turned the roles over to the class and paced in front of the whiteboard, listening.

            Eventually, as he always will, Romeo entered the play, all mopey and lovelorn.

            In sadness, cousin, I do love a woman, I read.

            I aim’d so near, when I supposed you loved.

            Simon bellow-laughed.

            All right, he said, we’re not even through the first scene, and we already know what kind of guy Romeo is.

            It was a game Simon liked to play.

            Lovelorn? someone ventured.

            Obviously, said Simon.

            Capricious.

            You’re reading ahead, said Simon.

            Passionate?

            Intemperate’s a better word. And again, not yet.

            Sensitive?

            Simon’s eyes brightened.

            Delicate is better. He paused for a moment. And look up effete (soft or delicate from or as if from a pampered existence). Nodding to no one, enchanted by the word, he murmured, But I like sensitive. I like that, Romeo.

            Wood snorted, which broke the spell, and Simon became aware of a class-wide drift of confusion. His eyes darted left to right, back and forth, as he beheld Romeo’s imperfect doubling.

            Sam Campbell, because of some scheduling conflict—probably athletics related—was sitting in on our class that day. He not I, Soup not Orzo, Romeo but not Romeo, had suggested sensitive. Simon looked from Sam to me with uncertainty, an alien emotion for him. I gave him a commiserating shrug, which seemed to throw a neural switch, opening a more familiar pathway, which he was content (if that’s the word) to take.

            Keep reading, he snapped.

            He stalked the whiteboard now, a penned-in animal, determined to find a break in the fenceline. It came quickly, at the end of the scene. Because where else would it be?

            Farewell: thou canst not teach me to forget.

            I’ll pay that doctrine, or else die in debt.

            You know what kind of guy Romeo is? Simon said, halting in front of the whiteboard.

            Sinister, said Agualinda.

            What? Simon barked.

            Wood ruddered himself sideways in his too-small desk, trying to contain his laughter.

            Sinister. I think he’s sinister.

            Who?

            Agualinda looked right at me, at Orzo-cum-Soup, and said, Romeo, of course.

            Unlike, say, a wrestler, whose primed quick-twitch muscles serve an urgent need to annihilate, Agualinda was patient and amenable, his sloe-eyed gaze as exotically serene as a painting of almond blossoms.

            Simon shook his head, still looking at me, and said, He’s the type of guy who pees sitting down.

            My face burned red. Somehow Simon knew that I regularly sat down to pee and had just told the class I was a pansy for it.

            Do you mean considerate? Agualinda said, following a completely different script.

            But considerate made perfect sense. I sat on the toilet out of modesty or shyness. I didn’t want someone on the other side of the door to hear my piss splashing in the toilet bowl. I had been on the other side of the door, listening to what sounded like a garden hose. Being modest and shy, I especially didn’t want the kind of attention a piss-splattered toilet bowl might bring. When I did pee standing, I raised the seat and wiped the rim of the bowl dry with toilet paper before flushing. It was less messy to just sit. And if it was considerate to leave a toilet clean, then it was considerate to pee sitting. 

            My laughter was a spontaneous recognition of understanding and being understood. It was also conspicuous and open to interpretation, and I regretted it instantly.

            Simon moved on me like a storm, with swift immensity, his brow darkening. You know what I mean—squatting to piss—don’t you, sport. He stood over me with fierce equine nostrils flaring. I smiled like I was in on the joke, though I knew he wasn’t joking. I just didn’t know what else to do. He grabbed the neck of my desk and slid his other hand under the seat. The molded plastic pressed upward on my ass, and he lifted me, in the desk, off the ground. His trapezius swelled under his collar and the veins in his neck bulged. He had acne craters at his temple. The room rippled quiet.

            Don’t you! he thundered.

            He held me, suspended for an interminable moment, above the class for everyone to goggle at. Then he dropped me. The desk slammed down. Looming over me, he looked not just capable of more violence but thirsty for it.

            Then he opened the door and left. The room was quiet. No one said anything and the bell rang. My dick, for once, was accommodating. I stood, gathered my shit, and went to trig.


Approaching Agualinda and Wood after school, I could tell they were talking about it.

            No need to whisper, I said.

             Simon might as well have called you a fag in front of the whole class, Wood said. Or a pussy.

            Which one? I said. And why the fuck should I give the smallest shit what that retard thinks? He thinks Romeo sits to pee.

            That’s not the point, man. You need to stand up for yourself. Otherwise—

            What was I supposed to do? Kick his ass?

            Don’t be stupid, he said smugly, like I was, predictably, attacking the messenger. The thing about playing the role of truth-teller—and everyone knows this—is that if you do it without offering the possibility of communion or the protection of solidarity, it’s a cruel role to play.

            Considerate? I said, turning to Agualinda. He was as impassive, as inscrutable as ever. I forced a smile. Sinister? But repeating those words was like swiping money from your mom’s purse. It didn’t spend well.


For a while I blamed Agualinda. Craven piece of shit that I was. It was my laughter that had set Simon off, the fucking bully. And like a true bully, he spawned a bully. Simon called him Peanut, without irony, because at some point, it stood to reason, he had been a child for whom Peanut might have been a suitable endearment. He was three years older than us, a lither, less paunchy, just as brutal version of Simon. When we were freshman, Peanut took Clayton Whitaker’s milk. I’m not kidding. He grabbed it off the cafeteria table, opened it, and said, I’m really thirsty. You mind?

            Clayton was small, even smaller than me, with a high, serious forehead. In the right context he could’ve passed for twelve or forty.

            Clayton shook his head. He didn’t mind.

            You sure? Peanut asked.

            Again Clayton shook his head.

            You’re not sure? Peanut said with blunt eyes.

            A rictus of confusion and shame opened on Clayton’s face, and Peanut gawked, mocking him. Then he chugged the milk and tossed the empty carton onto the cafeteria table. Apparently, Clayton’s big brain had inconveniently landed him in a sophomore level geometry class where Peanut languished. When he graduated Peanut was exiled to a junior college in a desolate corner of one of the squared states, to hone his football skills and bring up his grades. Within the year he was expelled. He joined the Army. The schadenfreude I experienced was exquisite.

            But Wood was impressed. He said that committing to something larger than yourself could be redemptive.

            No, said the King. There is nothing to be redeemed by an empty gesture, by a peanut-brain’s grandiosity. And you cannot use a word like commit after he has been dismissed from the pitch.

            It’s a field, Linda, Wood said, stressing a short I. We call it a football field.


Tree… Carlyle, Simon would say to my downcast eyes. He never apologized, just started calling me by my surname. I was happy to forget about it. Or pretend to. I dreaded going there each day. But months went by, winter break, the weather began to improve; summer would come, and I knew I got to leave.


Wood rounded the corner. I knew almost immediately that the scuff mark had already been there, left by someone else at some other time, an ordinary thing. But for a moment it was uncanny, a ventriloquist’s trick. Something had made Wood’s boot seem to make the mark appear.

            The door to the custodial closet, tucked away at the blind end of the hallway, clicked shut. I nearly ran into Wood, standing just inside the mouth of the cul-de-sac, as still and erect as a fucking lighthouse. Mme. Deforest scooted into her classroom. Her graying bun, forever ready to fall, bobbed loosely behind.

            Did you see that? he said.

            I couldn’t see DeForest for the Tree.

            He ignored me.

            I ignored  him.

            Because Simon was absent and an ancient substitute sat behind his desk.

            Wood peered across the hall, and I glided to the back row, where Agualinda was already seated, reading. He had just come from Deforest’s class.

            What’s up, Murky Water? I said.

            Mange ma grande banane, Orzo.

            The room was busy with chatter, phones out. I sat down, on Agualinda’s left. Wood, as always, took the desk on his right. 

            How was Deforest’s class? Wood asked.

            Agualinda closed his book. I hope you will both one day know the pleasure of reading Proust in French.

            Agualinda was in high spirits, but Wood ignored him, too.

            How was she? he said. Deforest?

            Absent.

            We just saw her.

            The King shrugged.

            And now Simon’s absent.

            Parfait.

            Something weird’s going on, insisted Wood.

            Like what?

            I don’t know. I think something might have happened to Simon.

            A heart attack from prolonged use of anabolic steroids? said Agualinda.

            I laughed and caught a rheumy glance from the sub.

            The bell rang, and the old man leaned forward, to see out the open door. Expecting stragglers? Not to Simon’s class. Then Felicity Bunting walked in, with her phone still to her ear. She was wearing tight jeans, the ones worn to rosy white ovals in the rear.

            Jesus Christ, I said in a hushed voice.

            Agualinda shook his head.

            Something wrong? I asked.

            She is—to use your word—a redneck.

            You’re such a fucking snob, I said.

            Yes, that is well established. As is her reputation as a jism chasm.

            Wood and I exploded with laughter, and the old man recoiled. Chasm was one of our vocab words: a wide gap or rift.

            Felicity shot a look back. But there was no way she could have heard us.

            Fucking King, said Wood.

            The door shut. Mme. Deforest stood there with eyes shot and swollen. A strangely exhilarating kind of dramatic force filled the room.

            I looked across Agualinda at Wood. He was transfixed.

            Mme. Deforest moved from the door past Simon’s desk to the windows, composing both herself and what she would say.

            Felicity looked back from the front row again. Wood was standing, trying to see something out the windows. I climbed on to the seat of my desk. It wobbled like a piece of playground equipment. I steadied it and tried to see what Wood was trying to see: if Simon’s rusted-out Toyota was resting, or not, in its assigned parking space. But in that sunken classroom, the hedge outside obscured most of the view, and we could only see a clear blue sky.

            Les jeunes hommes…, said Mme. Deforest.

            We both sat down.

            Last night, Mr. Simon… She took a deliberate breath. Mr. Simon was informed that his son, Corporal Daniel Simon, was killed in the line of duty in Afghanistan.

            There was a collective gasp.

            Word spread quickly and just as quickly dulled to the drone of listless kids crowding familiar corridors, only to ebb away as the next period approached. 

            Later we learned that what Mme. Deforest had told us wasn’t, strictly speaking, true. Daniel Simon had died in Afghanistan, in one of only two possible ways in which dying in war is worse than simply being killed in war. He was an in-theater suicide. Simon took a leave of absence, and we never saw him again. Over the years, we heard stories of alcohol, divorce, hospital stays, charity.

            I have this vision—I don’t what else to call it. I didn’t deliberately compose it. Images came and coalesced.

            Simon is standing hunched up over a toilet. Middle of the night. His flaccid, tame, old-man dick in hand. He needs to piss but can’t. Needs sleep and knows he won’t get any. His besotted mind is awhirl in a darkness teeming with false light. He loses his balance and his aged heft falls hard. His hip breaks on impact with the cheap vinyl flooring laid over concrete slab. His bladder finally releases, and lying in his own piss, he begins to sob and sobs more because he’s sobbing. It’s all he can do. There’s no one there to help. His wife has already left him.

            Hilarious, isn’t it?

            A turnstile of substitutes sat behind Simon’s desk before the desk was finally pushed aside. Mr. Connell, an English teacher before he became assistant principal, liked to stand behind a lectern, where he read from his notebook. Pretty arid stuff. We didn’t blame him, given the circumstances.

            Through the windows, the tattered fingers of a wash of clouds reached for the sun, looking more like a cloud study than clouds and the frail old man, the sub, came to me. Why had he been there that day? At his age? Some enduring belief in community? And an obligation to serve it? The unconquerable, ridiculous arrogance of being the right man for the job, no matter that the stature of each, man and job, had dwindled to the vanishing point. He had just sat there that day drifting between past and future, between absence and oblivion, a eunuch’s existence, not really there at all.

            My gaze left the windows and bent slowly downward to Wood’s boots, at rest on the floor.




Christopher Luken is a writer living in Athens, GA. This is his first published story. He is currently—you guessed it—at work on a novel.

Three Stories

Damian Dressick

That Highway Sound

My aunt looks up at the low, gray sky swirling across the interstate, says to hurry our asses back into the convenience store. My brother Freddy (Walkman) and my sister Annette (Sweet Valley High #23) pay no mind —maybe because we’ve only met her twice before our dad’s funeral, maybe because this cross-country drive is bullshit, maybe because we don’t want to live in a split level in Bangor, Maine. But Aunt Doris grabs their bony arms like an angry gym teacher, whisks them across the macadam. Already sprawled in the passenger’s seat, I watch the sky thicken and drop. Pick-ups, trailer trucks, a Harley-Davidson motorcycle all slide off the exit a dozen miles west of Tulsa, Oklahoma. In the distance, a dark thread of sky teases down toward the roofline of a midrise hotel. A siren pierces the afternoon.

            Other kids, other parents hop from their cars, rush for the doors of the Jiffy Trip. Dust devils whip litter through the lot. The flag above the gas pumps blows straight as a ruler. I watch tumbleweeds shoot past my aunt’s Toyota. Splashes of rain slap its windshield, pop off its sea blue hood. When I finally shoulder the passenger door open into the wind, there’s nothing to smell but ozone. Freddy and Annette huddle with Aunt Doris in the store near the ice cream cooler. Aunt Doris is frantic, scanning the parking lot. When she catches sight of me still messing by the car, she tries to elbow her way through the crowd, but the store is jammed tight with people and she can’t really move. I slowly let go of the door of the Corolla. The wind shuts it with a bang. I start toward the center of the blacktop lot to feel the heavy air brush my body like a hand, let it lift me into the sky green as a lawn.


Boyhood

When I was a young boy growing up in a steel town preoccupied with collapsing in on itself, I wanted to shoot my father with a .22 caliber rifle. He had given me the single shot bolt action rifle for my tenth birthday and for many nights afterward I fantasized about striding into his bedroom in the middle of the night and pushing the barrel flush against his chest and pulling the trigger.

            In these imaginings I would give some impassioned, self-justifying speech right before squeezing the trigger and seeing the muzzle flash and hearing the crack of the rimfire cartridge propelled down the blued barrel. My father, a former infantryman in the Marine Corps, would have to listen to these speeches because he would be too scared to move.  In my pre-assassination screeds, I would trumpet my secret strength, extol my individuality and rant about how I wasn’t going to take any more of his beatings.

            Some mornings after nights like this I would ride in my father’s secondhand car down to the unemployment office. My father and his buddies, most of whom were also laid off from the town’s steel mills or the bituminous mines, referred to these trips as “going to town.”

            Once, in the afternoon, as a boy growing up in a steel town pretty far gone irrevocably to shit, I attempted to stab an uncle of mine to death with an eight-inch fish filleting knife. My uncle was a large, bushy-bearded man laid off from his job as a railcar welder. I walked in on him beating my grandmother with a leather belt. She had fallen to her knees in the eat-in kitchen of her frame house. One of her brown hands gripped the Formica corner of the tabletop. She held her other hand above her head, elbow bent at an acute angle. My uncle’s voice filled the room like whiskey can fill a glass. My grandmother’s breath was all gasps. Tears streamed from her eyes. She pleaded, “Stop, Eddie. Oh, please, stop.”

            Oblivious to anything but his own rage, my uncle raised the belt and brought it down again. I watched this happen once, then twice. The third time he brought the belt above his head I picked up the fillet knife. I ran toward my uncle, cursing him, fillet knife held out in front of me like a sword. My uncle turned. With the back of his hand, he knocked me sprawling. When my father came in from parking the car, he put my uncle in a wrestling hold, called the volunteer ambulance service.   

            What I’m trying to bring home to you is this: even though the biggest part of me feels like these things happened in another lifetime, happened—almost—to someone else, that’s never going to be the important part. Day or night, I can be inside out with the need to twist this darkness into some trompe l’oieil brand of virtue, into a mask I can wear like grace.


In State

When my Uncle Edwin died suddenly, it took no small amount of effort for my father and other uncles to get him laid out in the courthouse down on Center Avenue in the heat of late July. But it wasn’t his backroom deals smelling of bribery and leaving him in semi-disgrace that bothered us at the end. It wasn’t that his heart gave out in the frame house of his mistress in Quecreek or that he was reputed to be in the pocket of the frackers from North Texas since a pair of Superbowl tickets magically appeared the year the Steelers womped the Cardinals. When we saw the National Guard troops in their wrinkly camouflage exit the halftrack and make for the hearse that hauled Edwin’s spindly body up from Indian Lake, we forgot about his years of shady doings. His brusque manner and grasping outside children were all but erased. Watching his coffin hoisted up the tiered marble steps and borne between the granite columns, under the semi-circle of portico and through the big double doors into the rotunda, we reveled, my cousins and me, in the sense that we were, at least by proxy, somebodies. That since our great-grandfather had been clubbed senseless on the steps of the company store during the ’46 coal strike, we had made progress enough for this. We listened as our shoes clicked across the marble floor in a haughty rhythm, felt our backs straighten, our faces suitably severe as we waited for the few mourners who would gather.

            When the family of pasty English tourists fluttered through security, we wondered that they had gone so far astray from the memorial at Shanksville. Alien accents echoing off the walls, they chittered to each other, gawking at the bearded portraits of the 19th century judges, examining the mounted quilts, the framed treaty between the settlers and the Indians. Occupied with the bust of General Braddock near the door, they ignored Uncle Edwin completely until the boy pointed and whispered something to his wilting mother. The woman, white as flour—where she was not red as an apple—told her son not to be frightened, that my Uncle Edwin was just another curiosity, an exhibit made, likely, of wax. “After all,” she told him, “They wouldn’t just leave a body here. Not even Americans would do that.”




Damian Dressick is the author of the story collection Fables of the Deconstruction (forthcoming CLASH Books 2020). His stories and essays have appeared in more than fifty literary journals and anthologies, including W.W. Norton’s New Micro,failbetter.com, Cutbank, New Orleans Review, Hippocampus, Smokelong Quarterly and New World Writing. A Blue Mountain Residency Fellow, he holds a PhD in creative writing from the Center for Writers at the University of Southern Mississippi. Damian teaches at Clarion University.

Ringer

by Glen Pourciau

Sage told stories.  Whenever I saw him he had more of them to tell, and my guess was that he made them up.  Should I have asked him why?  I didn’t ask for fear of putting him off.  I wanted to hear his latest accounts.

            He’d call me.  “Stories, tomorrow at eight.”  I knew where we’d meet, a small café with few customers.  It was understood that I was buying.  On this occasion, he looked worn and had begun to grow a beard, most of it gray.  I imagined he could have been telling himself stories for the past twenty-four hours and needed a listener.  I said a brief hello and we shook hands.  We were known at the café and the server brought us black coffee and asked if we wanted the usual.  We nodded.

            “Teagarden,” Sage said.  “I saw him yesterday for the first time in months and was troubled by his appearance.  He must have lost at least 30 pounds and looked half a foot shorter.  He didn’t react when I called out his name, and as I neared him he told me to leave him alone, speaking in the raspy voice that we’d know anywhere as Teagarden’s.  His clothing and teeth were in decline, which could have been a source of embarrassment to him.  I struggled with the thought of offering him money and the question of whether it would have shamed or relieved him.  We were near a fried-chicken franchise and I invited him for lunch.  I had stories to tell, I said.  He appeared to regard my invitation with suspicion, and I told him if he already had plans we could meet another time.  He shook his head without looking at me, as if I were hopeless.  I wondered if he’d suffered a defeat in the lawsuit he’s be tangled up in for years, and since he seemed tired I offered to drive him somewhere.  He responded by demanding that I back off and turned and walked in the direction opposite to where he’d been heading, obviously in torment.”

            I didn’t believe a word.  I’d seen Teagarden a day or two before, and he looked the same as always and even asked about Sage, our storytelling friend, as he put it.  He and Sage had been in conflict since they met in their twenties, Teagarden arguing against every sentence that emerged from Sage’s mouth.

            Our server put our breakfast plates on the table, identical orders of eggs over easy, buttered wheat toast, and crispy bacon.  We both took our first bite of bacon.

            “I met a man recently in a bar,” Sage went on.  “He stepped right up, sat on the stool next to me, never seen him before.  For no apparent reason, he began speaking to me in French and German, in addition to English, saying that his three languages were those of his ancestry.  He claimed he’d learned the languages as soon as he could speak because they were in his DNA, no study or lessons needed, just the gradual accumulation of vocabulary as he matured.  I spoke to him in what little French I know, and based on my limited understanding he seemed to converse effortlessly and with precision.  What should I have made of such a person?  Should I have called him a liar?  He could have studied foreign languages in school or on his own or by immersion while abroad, learning them in the same way as anyone else, but why make the absurd claim that language could reside in his DNA?  I considered that maybe he merely mistook the source of his languages.  Maybe his knowledge of French and German arose from a strange ability to access the collective memories of his ancestors.  I asked if he could recall generations of family members walking the streets or working the fields of their native countries.  He did not retain those memories, he said, only their languages had survived in him.  His refusal to embellish his ancestral memories bolstered my estimation of his sincerity.  He continued to address me, mostly in German, and I understood nothing of what he said, except words I’d learned from World War II movies.  He didn’t care at all that I could not understand him and I had an inkling he may have preferred it that way.  He never asked a single question about me, and I did not interrupt with any of my own stories, supposing from his self-involved manner he’d have no interest in hearing them.”

            The server came to refill our coffees, and Sage voiced a brief complaint that his eggs were slightly overcooked.  I took a breath, waiting.

            “At a recent art show,” Sage told me, chewing, “I ran into someone who struck me as familiar, a gaunt man with thinning hair and a wispy beard.  I approached and asked if we’d ever met.  He had no recall of our meeting if we had, he said, but many people commented he looked familiar.  He then gave me the reason.  Staring into my eyes, he asserted that he was a dead ringer for a famous self-portrait of the painter Pierre-Auguste Renoir.  He pulled out his wallet, which contained a small printed copy of this portrait.  He unfolded it and, with a flourish, held the portrait in front of my face, asking if I could tell the difference between it and him.  I conceded I couldn’t.  He showed me his driver’s license to prove his first name was Pierre.  I stared back at him, fearing further elaborations while at the same time wanting to hear them.  Pierre told me he too was a painter.  His mother was French, studied art, and painted for her entire lifetime, her work still hanging in several museums.  I asked what he was getting at.  One interpretation, he replied, was that he was a distant relative of the great painter and another was that he was the reincarnation of the man himself.  Farfetched? he asked me.  How else can you explain a dead ringer?  Many others in the art world, in which he had connections, had admitted to him that his eerie resemblance to Renoir strained credibility.  How many people have ever looked exactly alike? he demanded I tell him.  Skeptical about reincarnation?  What about the Dalai Lama?  He is accepted as a multi-century reincarnated person with special capabilities.  If he can be reincarnated, why can’t the same be true of other people?  Have you ever heard anyone say the Dalai Lama was a phony? he asked.  He wanted me to embrace him as the new Pierre-Auguste Renoir, though no one as far as I know has ever maintained that all Dalai Lamas have looked alike.  I had to admit the similarities between this Pierre and the printed portrait were striking, perhaps due to some effort by him with his hair, beard, and facial expression.  But I had no basis for calling him an impostor and acknowledged I could not prove him wrong.”

            He let the story hang in silence and pushed his plate away, clearing his throat.  I said nothing, unsure whether he’d met this Renoir look-alike.  Were his stories in some sense partly true?  But which parts and in what sense?  According to him, unusual encounters followed him wherever he went, and I could not believe they’d all happened as he stated.

            “One more,” he said, raising his index finger.  “I called someone to my house to make minor repairs after reading an ad in the newspaper.  He arrived on time and introduced himself as Plural.  Surprised, I asked if his parents had given him that name or if he’d changed it.  He looked ruffled by the question at first, but seeing I had no sarcastic intent he answered.  His parents had named him Plural and they’d raised him with the idea that his birth gender should not limit his choice of gender identity.  His mother is a birth man named Lulu, he told me, and his father is a birth woman named Lou.  I didn’t ask him his birth gender, but he appeared to be a man, I would guess in his early twenties.  I didn’t ask if he was adopted or if his parents were still married.  I’d stuck my nose in far enough.  I thanked him for what he’d shared of his history, and he got to work on the repairs.  You may be asking yourself why I would dream up the story of Plural.  Could I be attempting social commentary or do I intend to characterize his family as odd?  I have no specific purpose in telling you of these people other than to share what they said to me.  I assure you they are out there, and it frustrates me not to know the stories that lie hidden within their words.  I see questions in your face, and your puzzlement signals the reason I called.  You are curious just as I am, and though I can understand if you don’t completely believe me you’re able to suspend enough doubt to consider the lives behind the stories.  Is Teagarden right to dismiss them?  Would I see questions in his face seeking resolution?  I think not, but his anger could indicate that my stories reach him in ways he can’t admit to himself.  Thank you for breakfast and for listening to me.  I enjoyed our conversation.  I’ll call again when I have more.”  


Glen Pourciau’s third story collection, Getaway, is forthcoming from Four Way Books in 2021. His stories have been published by AGNI Online, Epoch, failbetter, Green Mountains Review, New England Review, New World Writing, The Paris Review, The Rupture, Witness, and others.

Bethlehem in Indiana: The Obstetrician Instructs His Son

Robert Cochran

Your father will want to answer this, Mother says, not interrupting her nursing. I’ll call him. He’ll talk with you tonight.

            This is a surprise. Nine-year-old me figures Mom, busy with three children in addition to the infant at her breast, as the obvious parent for queries about babies’ origins.  Father, I know, is a doctor, but I don’t yet know he’s a specialist in babies, currently honing his skills in a year-long obstetric residency at Honolulu’s Kapiolani Maternity Hospital.

            Mom’s right—I’m summoned after dinner to the backyard lanai where two hefty anatomical models, a loose-leaf folder, and a dictionary-sized medical textbook occupy a table customarily used for trimming and potting plants. Have a seat, Father says, pointing to a chair and moving to the opposite side. Mother, sisters, and baby remain upstairs.

            A very long lecture follows, lasting far past bedtime, but my attention, to Father himself and to his vivid subject, never for an instant wavers. The models, it turns out, are constructed of heavy plastic or ceramic with detachable pieces in contrasting colors, heavier even than Father’s bowling ball and mounted on pedestals like busts not of heads, but of reproductive systems. The female is a frontal, or coronal section, Father explains as he gradually disassembles both, while the male is a cross or midsagittal view.

            Babies are made, Father begins, when a sperm joins an egg. Here’s how it works. Then come the words, a cascade of exotic terminology accompanied by body parts held aloft, fingers pointed, references to folder and textbook. Every word and everything the words describe astounds. On and on he goes—fallopian tubes and vas deferens, uterus and urethra. Only Buckminster Fuller, he of the geodesic domes, famous for marathon lectures, will match Father’s stamina at the podium—and I’ll be twenty-three then, not nine, in graduate school, not fourth grade. Finally, his hundreds of terms distributed, the bodily machinery minutely itemized, Father turns to its operations.  Ovulation, fertilization, implantation, gestation, labor and delivery—all are painstakingly covered. His presentation of the sexual act itself (a wholly unanticipated notion) is direct, though at times oddly formal and impersonal. The penis, he says, an apparently autonomous actor fastened to no person, is “introduced” to the similarly free-floating vagina, there to “deposit” sperm as a sort of biological calling card. Father does note in passing that the act is “uniquely pleasurable to both parties.”

            Dumbfounded by everything, I’m at last sent to bed, assured that models, folder, and textbook will be indefinitely available for study, though Father’s astonishing revelations make sleep even this overdue elusive. And the language!  At nine, most children lack occupational foresight, but a perceptive adult observer might have predicted a wordsmith, a journalist or poet, so persistently is Father’s young pupil distracted from the astonishing facts by their novel verbal descriptors. What strange and vivid words Father commands!  They carry in their very letters arcane aura, a distance from mundane vocabulary. Epididymis sports a profusion of extra syllables, while mons, menses, and glans appear somehow truncated. In the aggregate, presented in such concentration, they offer the intoxicating lure of pure nomenclature, the power of capturing a manifold world in a net of names.

            Father apparently regards his instructional duties as adequately discharged by our marathon seminar, as Babies 101 features no review or follow-up session.  Fast forward now through a three-year, two-stop journey, and set us down in Indiana, where Mother calls a halt to Father’s nomad career. The children need to go to high school in one place, she says. We are a larger family now, a brother added during a second residency in Atlanta, and a fourth sister arriving soon after the Hoosier move. Both family and Father’s medical apprenticeship are now complete—we are two parents plus six children, with Father a board-certified specialist in obstetrics and gynecology. It’s the perfect field of medicine, he claims. Outcomes are almost always joyful. Plus, we’re never out of work—demand for midwives and morticians is both universal and stable.

            Things have been mostly quiet on the where-babies-come-from front, though a brief firestorm erupts shortly after our arrival in Indiana over my gory preview of monthly ordeals soon to be visited upon my sisters by puberty’s onset. This error-filled and blood-drenched narrative—a twelve-year-old’s confused mix of menstrual and parturient elements—sends both siblings in alarm to Mother, who quickly shuts down my backyard academy.

            Much worse soon follows. Four years later, just as I enter high school, Father inaugurates a decade of sex education lectures to sophomore biology classes. For a teenager riven by myriad anxieties, eager most of all for anonymity’s refuge, no more scorched-earth humiliation is imaginable. Your Dad not only makes his living messing around in female private parts, he shows up at your school to talk about it!  Each year he arrives, addressing only females while male classmates, supervised by coaches, sit through scary VD films. These appearances inspire without fail a new round of teasing from classmates. Your Dad told us to avoid boys like you, reports the blonde cheerleader, already “pinned” to a college frat boy, who trifles with my affections over a three-year span. They play, you pay, he told us.

            The tenor of this bromide is typical of Father’s address, behavioral concerns now replacing the anatomical focus of the Hawaiian lecture. (For our biology-class anatomy unit we study and learn to label then-standard Turtox Sexless Manikins, beautifully drawn in many colors. Livers are purple, kidneys are green, ovaries and testes are absent.)  Father’s presentations make introductory bows to reality—I’m not suggesting the cloister, he opens—but these are in essence feints, followed by standard commendations of abstinence.  A minimal level of “necking” is reportedly condoned, by which Father intends a chaste and strictly vertical embracing. Hands on deck, feet on the floor, he urges. “Petting” he presents as a distinctly more dangerous practice, slipperiest of slopes, so risky careless listeners might suppose unwanted pregnancies could result from unrestrained indulgence. The notion of safe sex is not yet in circulation; condoms are unmentioned. It is clear, too, that Father vests his entire stock of hope in his female auditors; their male counterparts he presents as hormonally-deranged junior satyrs saved from a mindless rut only by unremitting feminine vigilance.

            Summaries of Father’s lectures are regularly served up with indulgent smiles by sophisticate female classmates who are by this time masturbating and fellating favored athletes and hoodlums, the most precocious even “going all the way” according to triumphalist accounts circulated by the jocks and delinquents. Such interviews present terribly complex issues for a son reluctant on the one hand to abet patronizing dismissal of a revered parent and on the other to appear hopelessly unhip to classmates talking so casually about sex. Father’s “uniquely pleasurable to both parties” formulation is also placed in doubt during this period, as the locker room and street corner vaunts are conspicuously lacking in attention to reciprocity. Graduation alone puts an end to these embarrassments.

            In the midst of the annual humiliations, however, Father bestows an additional gift, perfect follow-up to his introductory lecture. Informing others and perhaps convincing himself that his eldest is destined for a career in medicine, he begins taking me with him to work. On rounds and in operating rooms I’m introduced to patients and staff alike as a physician in training, a novice apprentice. Beginning at sixteen I am present each year at eight to ten births and other obstetric and gynecological surgeries. By graduation I will welcome maybe thirty babies to the world, including two sets of twins.

            Even the preliminaries impress, the elaborate scrubbing, gowning, masking, and gloving. The scrubbing alone is a protracted affair, starting with a lathering of the forearms up to the elbows with surgical soap, followed by no less sudsy rubbing of cupped fingertips in opposing palms, and massage of each wrist by the encircling opposite hand. I’m reminded of it every time I witness the elaborate power shakes of today’s athletes. I copy Father’s ablutions with great fidelity—and wash my hands today in exactly the same way, in reflexive tribute, though I operate on nothing more sensitive than a computer keyboard.

            From these elaborate protocols I conclude that Father is a greatly venerated figure, served by a squadron of nurses attending his every move—holding up his green gown for the threading through of his freshly washed hands, fitting and fastening his mask and cap, assisting with his gloves. Thus invested, he appears as a secular priest presiding over a ritual occasion of transcendent significance. Father, I think, has more than a job. You’re a star, I tell him. Everybody does what you tell them to do. Father is quick to correct this impression. Don’t be fooled, he says. I’m a stagehand, a midwife with initials after my name. The leading lady enters on wheels, belly up. The star comes on last. It’s the greatest show on earth. You’ll see.

            For even the first of these occasions, Father opens in the dispassionate register of his Hawaiian lecture, but lifts to lyric in directing particular attention to the climactic instant when each newly arrived infant, shocked by the sudden shift from aquatic to terrestrial environs, puckers, grimaces, throws out a leg or arm, finally opens her or his mouth to breathe the big world. Look! Father says, cradling the glistening, just-clear-of-Mom form in his gloved hands. Listen!  Obedient, leaning as close as I dare, I gradually learn to view the moment through Father’s eyes, hear with his ears the tiny engine snort and splutter into life.

            Both sights and sounds are preludes, heralds to the cries that relax the whole delivery team into smiling praises of mothers and children. Routine is now quickly restored. Cords are clamped, eye drops administered, swaddling blankets unfolded, wrapped and quieted babies tucked to mothers’ arms.  But the instant itself, the move from insentience to animation, normalized by language as the crossing from embryo to neonate—for even the most experienced nurses and doctors it’s never wholly routine. For Father it stands as a cosmic pivot, the numinous core of matter’s messy welter. Here, bloody and blue, is his teaching’s capstone, high point of his practice. As a physician in training he’d mastered the science and language, and here, in Indiana’s heartland, he reaches teaching’s end.  There’s learning and more learning, he counsels, leading to knowing and more knowing. But here, at learning’s and knowing’s edge, luminous mystery flares. All the miracle I’ll ever need, Father says.

            I’m soon after this in Chicago for college, where Father’s dream of a son following in his professional footsteps is dashed by sophomore Cs in organic chemistry and embryology, but on visits home I caddy for him on the golf course where he asks about my literature and philosophy classes. Only later, after I’m off to Toronto for graduate school and Father trades in his clubs for a pilot’s license and turns to flying for recreation, do I come to understand both activities as substitutes for changes of address. His itinerant instincts curtailed by Mother’s insistence on their children’s needs, he turns first to golf’s pedestrian circumambulations before lifting to aerial sorties. When his first grandchild is born he flies to Nashville to celebrate, with Mother and housekeeper along, their eagerness to see daughter and baby overcoming for the only time their fear of his small plane. With characteristic sartorial flair, he orders the plane’s likeness on a custom-made tie bar—the single-engine Cessna, its 4902L license plate clearly legible, climbs skyward across his chest.

            Our talks on the fairways and greens revisit earlier topics when my studies occasionally unearth a nugget reminiscent of his lectures. Remember when you called yourself a midwife with a degree? I ask when I encounter obstetrix in a Latin reading. Did you know “obstetrician” comes from the Latin word for midwife?  He does. When I find vagitus in Samuel Beckett’s Murphy, this too is brought to the links. It means the newborn baby’s first cry, I say. Did you know that?  Yes again. Sometimes it happens early in difficult births, he tells me. It’s called vagitus uterinus. But Father is pleased by the story. It reminds him of a sermon.

            Speaking of vagitus, he says, your mother took me to hear a guest preacher,  some young hotshot fluent in Hebrew and Greek. Your mother’s like you, a sucker for the words. Turns out the hotshot put up slides (rare then in heartland Presbyterian sermons) focusing on the Hebrew name of God, teaching Father in the process that Hebrew writing reads from right to left. His central text came from Exodus, where God, addressing Moses, tells him His name simply asserts His existence. God’s name, Father learns, means I AM!  The preacher’s repetitions, the going on about Yahweh and Jehovah, eventually send Father off into his own line of reasoning. After awhile I’m remembering the delivery room, he reports. The babies’ first cries sound like this Hebrew word!  Waah!  Waah! Yahweh!  Yahweh!  I AM! I AM! 

            Father is initially shocked, worried his thought might be blasphemous, but the more he thinks the more he likes it.  I told your mother, he says. She liked it too. I also like it, there on the golf course, and we talk it over through several holes. He’s always understood infants’ initial cries as protest, Father says, as outrage. It makes sense, he adds—kid is without warning and with considerable rough handling hauled from a warm uterine Eden into a chilly OR, handled by strangers, slapped on the butt.

            But what if it’s sheer assertion? Father asks. What if that’s what’s happening?  Just tiny egos, insisting on limitless prerogative?  Yahweh! they shout. Yahweh!  I AM!  I AM!  I AM!

            Such exuberance from Father is uncharacteristic. He’s playing on my ground now, off and running with the visiting preacher’s cue, and triggering my own unbridled register. Dad, the hospital is church for you—it’s Bethlehem in Indiana, every kid the promised messiah. Clock in down at the manger, scrub up and wait on Mary!

            It’s not such a stretch, this little riff, the basic trope lifted from Brueghel’s relocation of his Adorations to Netherlandish landscapes, but Father glances over from his cart, absolutely delighted. That’s nice, he smiles. That’s really very nice. He gets it, understands these flights as my own epiphany portal, the closest thing I own to his midwife’s worship. Father sees he’s passed on his reverence, if not his profession. And this, he’s telling me, is altogether fine, a satisfaction.

            That’s half a century old now, with Father gone the last forty, taken out at fifty-one by kidney cancer. 4902L grounded, Bismarck and Honolulu and Atlanta and Nashville behind him, the restless West Virginian touches down for good. He’s buried in Muncie. The loss of him tears the roof from my world, lets wind and cold and storm crash in.

            His memory throngs back more often now, with me twenty years beyond the oldest age he knew—his office walls plastered with snapshots of everything from babies in cribs to high school graduates in robes and mortarboards, shopping cart encounters with mothers, shyly proud, introducing teenagers whose debut I AM! was uttered from his hands. At their age I mistook him for Mr. Big, recipient of deference and issuer of orders, but learned over time, thanks to his patient teaching, to see him find his deepest fulfillment as a privileged servant. Obstetrix. Stagehand. These days he visits most often as sentences heard in my head, and the surprise is this: shorn of visual presence, pared to pure sound, his voice carries even now the pitch and timbre of an awestruck boy. Look at this, son, he says. Look!  Listen!




Robert Cochran lives and works in Arkansas, where he most often writes, co-authors, and edits books for university presses. His essays, poems, and stories have surfaced in Black Warrior Review, Georgia Review, Kenyon Review, Michigan Quarterly Review, New Orleans Review, and The Quarterly, among others. Recent work: “Spinoza’s Landlady,” a runner-up for the Jeffrey E. Smith Editors’ Prize, appears in the Spring 2019 issue of The Missouri Review.

from The Work

Christian Barter

            I had this clearish vision of what to write:
            a portrait of a year, a love affair
            caught pivoting towards serious, and right
            at mid-life’s pivot, that ten-mile stare,
            my own decline and fall co-terminant
            with country’s and, perhaps, us all,
            as though the universe had heard me bawl
            and said, “I’ll give you something to cry about!”
            No small pickins for a poem of complaint.
            And yet it never has come truly clear,
            the vision, muddy as the life which yet
            may grant me one more useful metaphor
            at the expense of that which could confer it:
            if all this goes unread, it will be perfect.

So if you’re somewhere out there, passed out on the floor:
Oh, Joey, I’m not angry any more.

—Concrete Blonde


1

I have no problem any more with this small town.
I’ve stopped worrying if my neighbors wave—
though sometimes they do—and at forty-eight
I figure the friendships that didn’t take
when we had time to waste on them won’t now
and don’t take too long at Hannaford’s getting the low-down
on which vanished mutual companion
is climbing in Utah or dating an old ex.
For we are all old exes here,
our pearls built on the grit of one another.
It’s easy now to pull the brie right under
the nose of some ex-buddy who came by early
every night one winter to throw darts
and drink, and build up nacre for the bars.


2

I’m telling you this, Mariah, because you may
at some point come up here to live with me.
I don’t care any more about misdirection,
or lit-theory breakdowns of the unintentional.
My last long work of fragmented voices
pollutes back shelves of independent bookstores
everywhere, unread as Dickinson.
I’ve made my peace with that small-town shoulder,
or just using others’ words if they work better.
Oh Joey, I’m not angry any more,
as Concrete Blond once belted in high style,
and we, as though we’d scored it, sang right with her.
For we are all old exes here, my love,
and, even in theory, have one life to live.


3

Though lately I can’t seem to see the sky
the snow, the stream on Norway Drive, the tree
across the road, all thrust and knotty elbow
that once backgrounded all my verse like Fuji;
all I see are phone poles, the backyard trash
of distant interstates cutting the next ridge,
and the actual backyard trash—tipped car, old fridge,
bags piled for the truck like someone’s iPhone
ringing in the adagio, the mass,
the speech where Kennedy says we must go to the moon;
I keep seeing the charts, the line since carbon fuel
jumping up like a Superball that’s hit a stone—
always cut off at now like an intervention,
caesura, skyline, freak assassination. 


4

I’m going to try to write something anyway,
writing and inspiration often acting
as opposite strides, the light too bright
at the moment of seeing to see your way through
the dank passages—like love and passion,
which rarely operate in concert; or exertion
and strength, which every lifter knows go back
and forth, one laying track for the other
to glide on, as though under its own power,
days later.  Nothing is under its own power.
All that’s worth saying comes in a kind of dream:
a name coming after you’ve given up trying,
or you, when I’d become okay with being alone,
leaning forward, saying, “Mariah.”




Christian Barter works at Acadia National Park as a stone worker, rigger, arborist and trail crew supervisor. He has won a Hodder Fellowship from Princeton, and The Maine Literary Award. Recent poetry has appeared in Tin House, NewLetters and on poets.org. His latest book is Bye-bye Land from BOA Editions.

Uh-Oh, Love Comes to Town

by RJC Smith

We were on the roof, smoking pot.  Rena had a pair of binoculars.  It was the last summer, or any season for that matter, that I would spend with my father, the last before his unfortunate break.  Rena was only my friend, and possibly my only friend.  There wasn’t much else to do and we had no other means of emotional support save each other.  That and Rena was in love with me, and maybe I got off on it.

“Huh,” said Rena, and I suppressed the urge to roll my eyes at her coyness, which I found grating.  There was a lot about her that I found grating, yet she continued to spend time with me.  This was invaluable because I didn’t have a driver’s license.  

I had already hit the joint twice, but in light of her obliviousness, took one last extended toke, which sent me into a coughing fit.  My eyes reddened as I coughed and I pushed a wave of nausea back into my stomach.

“What,” I said, extending the joint towards her.  She didn’t notice me.  She was transfixed with whatever her binoculars were pointed at.  I looked down at the pool, visible along with a good portion of the wooden deck from where we sat on my house’s roof.  I watched its surface waver and reflect light.

My father had a routine for swimming in this pool.  It was the same every time, every day, every morning.  First, he’d walk, straight into the frigid shallow end, down the textured steps, into the water.  He’d rotate back and forth, the tips of his fingers gliding across the chlorinated blue.  Then he’d raise his arms up into a triangle and dive forward, transitioning into a measured butterfly stroke. 

“Where did you say your dad was,” Rena said, in a confused voice.

“Grocery shopping, I think,” I said. “Do you want any more of this joint or what?”

“Maybe you should take a look at this,” Rena said, motioning for me to come look through her binoculars, “Or maybe you shouldn’t.  I don’t know.”  

I swiped them from Rena’s hands.  I put them up to my eyes and moved back and forth, adding sarcastically, 

“What am I looking for?  What am I looking for?” before Rena guided me to the sweet spot with her right hand.  

“What is it,” I continued, “a blue-jay?  An ostrich?  Some kind of rare sparrow?”

Then I saw it.  It was a scene set inside my next-door neighbor’s, Richard Godsen’s, hot tub.  Inside were Richard and my father.  Richard was positioned over my father, hunched over somewhat, and my father, Pete, was leaning back, his eyes closed and his mouth hanging agape.  He was giving him a fucking handjob.  You could tell from the little splashes of water around my father’s crotch.

“Huh,” I said.

#

I’d rather not go into the scene where my father hit my mother repeatedly with a wooden spoon from 7:23 PM to 7:24 PM (I was looking away through most of it and staring at the stove’s LED clock), because I’m saving that for the therapist my mother will force me to see once they’re legally divorced and she has money.

“Why didn’t you do anything to stop him,” Rena asked, behind the wheel with red puffy eyes, turning a corner into the parking lot of a local playground and baseball diamond.  We were both high and would be getting higher in a minute.

“I guess at the time I wasn’t sure it was really happening,” I said, answering without thinking, a direct line between my mouth and my brain.  I felt a bit queasy because I knew a more honest answer might be something like, ‘I didn’t want to be hit with the spoon either’. 

“Yeah,” Rena said. “I guess I can sort of understand that.”  She enunciated each little word like they all had lives of their own.

We got out of the car and walked up past the playground and towards the baseball diamond, its outfield meshing indiscriminately with the larger grassy area.  We walked out and stopped ten or so yards from an ongoing little league game. I sat down on the grass cross-legged and Rena did the same.  Sometimes I wanted life to be something bigger than smoking pot in a field, but my life was often little more than that.  Five yards away an outfielder stood, his body twisted to eye us with suspicion. 

#

When we drove back, all I could imagine were buildings, warehouses let’s say, filled with little stationary cars where moving roads were projected onto windshield shaped screens.  Rena’s ever-present shoegaze played on the car stereo, somehow sending me farther into myself.

The only thing that separated my house from Richard Godsen’s was a few yards’ strip of dirt and pre-autumnal leaves.  I wanted it to be the last summer I spent there, smoking pot atop the pool diving-board or throwing a ball at the half-tennis court wall.

“I think I’m getting headaches,” Rena said, “headaches unlike those felt by other people.”

“Hmm,” I responded, “Interesting,” while continuing to stare alternatingly out the side window and windshield.

The headlights on passing cars shone through the windshield and I winced.  Rena glanced over at me and I continued looking forward.  This was the little thing we did, the talking without saying, avoiding the tension of her want.  No emotion resonated out from me.

“Maybe it’s a satellite,” she went on.

“Or maybe your rising planet,” I said.

“Rising sign,” she said.  “I think you mean rising sign.”

“Or ruling planet, maybe,” I said, as we curved onto my house’s road.  Rena snorted through her nose.

We pulled into my driveway and sat there in the parked car, outside of my garage.  A jetliner passed above, close enough for us to hear the sound, or me at least, as Rena’s ethereal music was blasting from the speakers, bouncing around the inside of the SUV.  Rena opened up the glove box to pull out her little acrylic pipe and proceeded to fill it with marijuana from a small glass box.  The windows of her car were open and I wondered if my father could hear us from inside over cable news squall.  Then we smoked more, back and forth, the rotating act of it almost better than the high.

“Can we put on something with, like, a beat,” I asked.  “I feel like I’m about to drift off into nothingness.”

“Like what,” she said, “what would you have me put on?”

“Something more pop/rock, I guess.”

“You take it, just put something on,” she said, throwing her iPod into my lap.

I scrolled through it.  She wasn’t the type of person that listened to music for a hook. I persevered and found something because I was high and didn’t want to agitate her further. 

We sat there quiet with just the music for a while.  It was fine.  I had become adept at thinking it was fine.

“You don’t have any cigarettes do you?” I said, finally.

She pulled a pack out from her cup holder and held it in the dark in front of her torso.  Rena looked up at me with a blank face and was silent, then smiled.

“Just the one,” she said,  “wanna split it?”

We passed it back and forth for a few minutes.

“Do you want the last drag?” Rena asked, displaying a cigarette that was little more than a cotton filter.

“Sure,” I said.

Rena pulled on it and grabbed my head with her free hand.  She moved closer and pulled me in, we met midway.  Though she was attempting to kiss me while blowing smoke into my mouth, the sensation I most remember is our teeth hitting.

“No,” I said, “no.”  I hadn’t wanted it.  Perhaps I pushed back a bit too hard.  She was looking at me with a face.  I was trying not to look at her.

#

I walked in the front door and closed it quiet enough so you couldn’t hear it click.  My father was passed out on the recliner with a can of coke held limply, resting on his stomach, the blue light from the TV coating him.  I wondered if he had slipped some whiskey into the can, but decided it wasn’t worth the risk of checking.

Then the TV started emitting a horrible beeping noise, and a gray box appeared over a pundit’s face.  ‘FLASH FLOOD WARNING: 1AM-9AM’ it said in bold lettering.  My father jolted awake and spilt some of his drink on himself.  He looked up at me, failing to recognize my presence for a good half-a-minute.  Behind us the television set continued to blare warning noises.

“I’m going to bed now,” I said to him.  I said it, loud, as if shouting over some swell.

“Did you remember to close the door and take your medication?” he asked.  It was nonsense.  I couldn’t fault him as he was only half awake.

#

I was lying down in my room, listening to the sound of the intermittent but heavy rainfall.  If you stare at a white plaster ceiling for long enough all of its little imperfections will become known to you.  Through my laptop speakers black metal was playing, which meant I was not quite ready for sleep.  It was close to two in the morning.  I’d always had trouble sleeping.

I got up from bed to turn the lights off, then I lay back down, switched my gaze from the ceiling to the standing, oscillating fan in the corner.  The rain picked up again, pattering against the window.  Outside, I could hear a car door open and close.  Its engine started.  I heard the sound of tires moving over gravel and onto dirt.  

I had thoughts of Richard until my thoughts were submerged.

#

Rena and I began to kiss.  She wrapped her hand around the back of my head and I pulled her pelvis into mine. Then she let go and pushed my hands away, falling back onto the bed.  She pulled off her sweatshirt and when that was off, her t-shirt.

I should have felt something different, I know.  Instead I felt coldness welling inside of me, enough that it scared me.  I slunk back like I was being rewound.  I crouched fetally on the floor for a minute.  From outside came the sounds of drunkenness and car doors.  Rena sat upright, took her head in her hands and began moaning like a deer whose back has been broken through car collision.  Her head began warping, though I couldn’t tell if it was just my vision failing me, if I was too high or something.  Little slits opened up in a ring around the top, columns formed along her forehead and across her temples.

I got up and walked out of my room, down the stairs and to the ground floor, where the garage and laundry room were.  I slid the glass door open and stepped out onto the gravel.  Richard and my father were leaning against the family sedan.  Richard was gripping a bottle of whiskey with a hand connected to an arm wrapped around my father’s neck.

“Pete?” My father whimpered.  “Is that you?”

It was raining and very dark out.  There were rumblings of thunder in the sky.  When I’m lit up and remembering being there, this is what I think it was: simply lightning.  But then there was the moaning and thumping I heard coming from up and behind me.  Looking back I saw Rena at my bedroom window.  Light was pouring from the northern hemisphere of her head as she banged it against the glass.  Her moaning was loud enough to make out from the gravel lot.  The light was bluish-white and almost blinding.  It was illuminating the three of us, the parked car, and the edges of the nearby woods.


RJC Smith lives in New York.  He has work published in X-Ray Lit Mag.