Post Road Magazine – Issue #02 | Fall/Winter 2001

CRITICISM:

“Old Man Your Kung Fu is Useless”: African American Spectatorship and Hong Kong Action Cinema By Tzarina T. Prater

ETCETERA:

THE DEVIL’S DICTIONARY, by Ambrose Bierce
The Strange, Entertaining, and Sometimes Behind-the-Scenes Story of Cleo Birdwell and Don DeLillo, by Alan Smithee (Chuck Bock

From Daughters & Sons to Fathers: What I’ve Never Said, Compiled and Edited by Constance Warloe
Excerpts from Letters to My Father (4 different letters), by Pablo Medina, by Naomi Shihab Nye, by Dawn Raffel, by David Shields

FICTION:

Becky, by Courtney Eldridge
V. F. Grocery, by Ben Miller
Homestay, by Rachel Sherman

NONFICTION:

It’s Like Being Raised in the Wild, but with More Style, by Peter Bird
How To Reach Me: A Manual, by Jeremy Simon
The Aperture Between Two Points, by Kathleen Veslany

POETRY:

For you, a poem + I see my grandmother again, by Annie Kantar
River In Dusk + Shooting Star, by Joanna Klink:
Mamma Didn’t Raise No Fools + A good idea, but not well-executed, by Rebecca Wolffe
Birth Mark + Cock Robin, by Miranda Field
Indian Song + Urban Renewal ix. To Afaa Michael S. Weaver, by Major Jackson
Adjacent + Glancing At, by Frances Richard

RECOMMENDATION:

A Boy’s Guide To Drinking And Dreaming — Jonathan Ames
Who I was Supposed to Be: Short Stories by Susan Perabo — Rebecca Boyd
Blaise Cendrars — Martha Cooley
Books For Readers and Other Dying People — Will Eno
Mendel’s Dwarf, by Simon Mawer — Tara Ison
Italo Svevo’s “Confessions of Zeno,” — Ken Kalfus
Irena Obermannova — Ivan Klíma
Little Boys Come From the Stars by Emmanuel Dongala — Tom Paine
William Bronk — Victoria Redel
Great Books — Jim Shepard
Maurice Blanchot’s L’entretien infini (The Infinite Conversation) — Mark C. Taylor
W.G. Sebald — Charles Wright
Aaron Fogel — David Lehman

Post Road Magazine – Issue #1 | Spring/Summer 2001

FICTION:

Eminence by Gary Lutz
A Love Transaction by Maile Chapman
Austin by Kelcey Nichols

NONFICTION:

Yamba by Joyce Lombardi
Plan of a Story That Could Have Been Written If Only I Had Known It Was Happening by Gail Hosking Gilberg
The Man Who Wasn’t There by David Manning

CRITICISM:

“I said I’m not yr oilwell”: Consumption, Feminisms, and Radical Community in Bikini Kill And “Riot Girl” by Hillary Chute

POETRY:

Hiatus by Mark Bibbins
Amber + Statuary by Nick Flynn
Black Lemons by Kathy Nilsson
Barcarole by Larissa Szporluk
Untitled + Untitled by Karen Volkman
The Effects of Sunset by C. Dale Young

ART:

Catherine Anthenien: Photographs

RECOMMENDATIONS:

Douglas Bauer on Keith Scribner
Sven Birkerts on Various
Susan Breen on Robert Creeley’s Collaborations
Austin Flint on Eeva-Liisa Manner
Amy Hempel on Pearson Marx
Pete Hausler on From Hell
Kristina Lucenko on Jane Bowles
Rick Moody on Michael de Montaigne
Julia Slavin on Maile Chapman
Charles Smith on Dan Shea
A Postcard from E. Annie Proulx
Mike Rosovsky on Tom Franklin
David Ryan on Luis Buñuel
Charles Smith on Dan Shea

ETCETERA:

Translation: Angel Station, by Jachym Topol – Translated from the Czech by Alex Zucker
Profile: Desperately Seeking Pacino, by Jaime Clarke
Document: The Great Gatsby Contract

THEATRE:

Technical Drawing I + II by Rocco van Loenen
Directing Grand Guignol by Dawn and Marty Fluger
Composing for Grand Guignol by Marty Fluger

COVER ART: Detail of “Car – Cuba 1998” by Catherine Anthenien (image courtesy of the artist)

A Love Transaction

Maile Chapman

It takes us hours to get everything cleaned up.  I do the lighter jobs.  He does the heavier jobs.  He does anything with lifting, anything with twisting, anything that I can’t do because I am prone to having cramps around the baby-thing.  The entire area is sore, and lifting is bad, it provokes the pains down there.  I have never told him about my health condition but I assume he must have guessed that I am not completely normal.  I know he makes it easier for me, and in exchange I let him hurry me through.  He has a standing plan for after work.  It is probably a girl, I don’t know, I almost don’t want to know, I never ask and he never volunteers.

            If he wants to know about it indirectly, he can find out from the office manager.  She’s the only one I’ve told, and I only tell her about my situation when it affects my job.  Even then I don’t tell her everything, not too many details.  So far I have only told the minimum, that it pinches inside when I have to lift the metal gates and drag the hose out.  I told her about the pressure from the baby-thing and the problems caused by the partial bones, because although they are small, and soft, it’s uncomfortable when I have to bend down to do the gutters in the indoor runs.

            We can have him do it for a while, she says.  She seems sympathetic, but people don’t really want to know the private story.  I am sure it makes her want to go home and get away, get comfortable.  She’s got a husband.  That’s what she says, she likes to go home on time so that she can see her husband.  But sometimes she stays a few extra minutes to check in with us.  With me, since he’s usually already started on something.  He doesn’t talk at all during the first part of the shift.  He sweeps, then turns on the waxer and guides it away from her, pretends he can’t hear when she says it’s time to have a word.  So I listen.  She tells me whether there are any overniters in the back, how many, what the special needs are.  Someone puts a towel over their doors before we arrive so that we don’t upset them with the equipment.  We never even see them.

            She slips on her belted raincoat while she goes over the details.  She takes her purse out of the bottom drawer of the file cabinet, takes her keys off the hook.  She wants to leave in her high-heeled shoes before the floors get wet.  I have tried to get him to talk about her, I thought that maybe there was an attraction there, I thought maybe that’s why she made the point to stay around a little, to see him, to try to talk to him over the hum of the waxer.  When I brought it up he looked at me like I was crazy.  Which was an answer that made me happy.

            We have a pattern of activity together.  While he does the indoor runs and the floor I go out back and dump the small boxes of waste.  I take the outdoor broom to the fenced area and flip any stools into the bushes.  After a while he comes out to smoke and I stand there a minute because he might say something, now that the worst part of the cleaning is over.  Then I go inside to bleach the exam rooms and do a general wipe-down.  When I’m almost done he gets on the phone.  He has a conversation with someone, with whoever it is that waits for him every night.  When he hangs up he says, are you almost finished?  By then I am checking on the overniters.  He won’t have anything to do with that.  He won’t go near the berths, doesn’t want to get that close.  I put an ear to each, making sure I hear the breathing.  We get ready to walk out the door together.  He waits while I set the alarm, and then we’re done.

            Depending on his mood he will let me give him a ride somewhere.  He likes to get out at a certain intersection midway between the clinic and where I live.  He points and I pull over.  At the intersection are a gas station, a tavern, and a dark apartment complex.  He waits until I pull away before he starts walking.  I’m sure he goes into the apartment complex.  It is a poor-looking place.  I think there’s a girl in there, waiting.  I know that he thinks I’m spoiled because I have the car.  He doesn’t understand the necessity.  I can’t do the walking that he does.  I try to tell him this while we drive but I want to keep it vague.  I always hope that when we talk he won’t ask openly about my health.  Saying too much about it would give the wrong impression, especially under the circumstances, he and I alone together in the darkness of the car.

            I have appointments I need to get to, I say.  I have to drive.  I can’t do the walking, for my medical reasons.  I really can’t.

            He looks away out the window.  He says, that’s probably not any of my business.

            I hope he won’t make me say more.  The best I can do is to think about my situation as hard as I can, and hope he picks up on it.  I picture the proteins, the spotty tissues all sealed together.  The baby-thing with hair and teeth comprising twenty percent of it.  I think about how much I don’t want to describe it to him just then.  How much I want to be natural and not suggestive with my details.  And he has mercy.  I think he sees how it is with me.  I think he knows that it isn’t my fault, that it was a sterile happening, and that despite everything, I’m still a very nice girl.  By this I mean that I have a good heart, and could be helpful.  He could ask me for anything, and I’d give it to him.

            The office manager waits and talks to me in private.  First she asks about my health, and I tell her that none of the doctors is telling me anything new, that it’s going to be surgery eventually.  Even though I don’t want to take the time off.  She says that I can cross that bridge when I come to it.  Then she asks how it’s working out to have both he and I doing our shifts at the same time.  I say that it works well.  She asks whether it isn’t too distracting and whether it isn’t taking us too long to finish.  Distracting?  Did he say that?  I am careful to be neutral.  I ask her whether he has made any comments about me.  Her kindness wavers and I see envy in her face.  Not in so many words, she says.  He’s concerned with getting out on time.

            We always get out on time, I say. 

            We’ll talk again later, she says, getting ready to leave.

            But I know that something is going on.  He’s been thinking it through on some level or he wouldn’t have said anything about me, one way or another.

            I stay out of his way, to make him wonder, to make him notice my absence when he goes out back to smoke.  In the exam rooms I listen for him.  I know that he is right there.  I know that he is being careful not to think about me.  My heart expands.  The baby-thing shifts with excitement so that I have to stop and steady myself against the stainless steel table.  I am almost sick with all of the possibility, all of the potential for happiness.

            Nothing changes for several days, except that I avoid him.  I find myself taking more time with the overniters.  Adjusting the draping over the recovery area, repositioning the green mesh over the heatlamps.

            Then I arrive and he is smoking outside in the parking lot.  When I walk in he follows and goes into the back.  The office manager is waiting.  She says, he won’t listen to me.  Can you make sure that he knows there’s a leak in the big room?  He simply won’t listen to me.

            Runoff water is coming from somewhere.  I can hear it hitting the floor.

            She says, for god’s sake get it mopped up.

            The concrete walls are painted white.  Water runs down them like glaze.  I hear him turn on the waxer in the back.

            He’s going to be electrocuted, she says.  I tell her that I will take care of the water.  I promise.  She wants to leave, and I want her to leave, to go home to her husband, to leave us alone.

            When she is gone I bring towels from the utility room, dirty towels from the bin, I’m touching them with my bare hands but I don’t care.  The water slowly accumulates in the corners.  I need more towels.  Just leave it, he says.  I’ll do it.

            There is a chill from the seeping water.  I listen to the overniters and check the controls on all of their heating pads.  I turn them each up by one setting.  Not too much, otherwise the overniters who can’t move will become dangerously overheated or even burned.  Sometimes they are too weak to shift themselves off the pad.  I hear him in the next room, moving towards the phone, making his usual call.  I don’t look under the toweling but I can hear stirrings behind the bars when I pause outside each berth.

            He is on the phone.  He says, did you find out?

            There is nothing but the sound of water, and then he says, I don’t believe it.

            There are jerky movements in the last recovery berth, the sound of nails against stainless steel.  I move the toweling a little.  I make larger movements than necessary, to catch his eye and remind him that I am here but he doesn’t notice.  He stares straight down at the phone.  He says, are you sure?  His voice gets lower; are you sure? Okay, he says finally.  Okay, but stop.  If you’re sure then crying won’t help now.  He hangs up.  I repeatedly adjust the toweling.  It is light pink, frayed around the edges.  I tuck it more securely around the frame of the door.

            I keep my back to him.  I am giving him the chance to make up his mind about something.  My fingers are between the bars for a long moment during which I hear nothing from him in the room behind me.  I try to maintain my calm.  I hear the nails again faintly and I am afraid that the overniter is about to touch my fingers.  Maybe bite my fingers.  But I know they are all delirious, not even aware of me.

            He pulls the waxer away from the wall.  Pauses.

            Can you give me a ride somewhere? he says.  It is the first time he has had to ask.

            Of course, I say.  Inside I feel a mounting pressure.  I slide my fingers further into the cage.  Labored breathing.  Delirium.

            He puts the equipment away, the floors undone.  He lines the corners and baseboards with rags to catch the seepage.  He is on his knees.

            I do the exam rooms, fast.  He is waiting.  He is nervous.  He can’t stand still and goes outside.  I step out of the building, lock the door.  Set the alarm.  Push the buttons.  He throws his cigarette into the gravel and we get into the car.

            I drive him to a cash machine where he withdraws the maximum allowed.  Then he asks me to take him to another cash machine nearby, where he attempts to make another withdrawal.  He has reached his daily limit.  He reads the screen, appears not to understand.  He tries again but can’t take out any money.  He gets back into the car, waits, and then asks me to drive him to another cash machine.

            By now it is dark out.  I tell him it’s no use, that no machine will let him take more.  He says he has to keep trying.  He won’t look at me.  I know he is thinking that I don’t understand, that I can’t understand the frustration.

            How much? I say.

            His hand twitches on his leg.

            I don’t know, he says.  Anything.

            I step out of the car with my purse, take out my debit card.  It slides neatly into the machine.  My fingers feel swollen when I press the numbers.  I know what kind of gesture this is.  I would take it all out, if it weren’t for the limit, and so I go that far, and will give it to him in crisp new bills.  I get back into the car and sit beside him.  Breathless.  My hand touches his when he takes the money.  His eyes look shiny and red.  I feel a pulsing everywhere, a throbbing even in my throat, because now I know that eventually I will have him.  Now I know that the girl in the apartment complex will be easy enough to forget, it will only take money to fix that situation.  And I never even had to bring up the baby-thing.  All of that has been left undescribed – there is still all of the telling to look forward to.  I’m thinking about the patience he will have to have, and the secret things he will do for me when we are alone together in a safe place.  I have to sit and hold it in for a second before I can drive, before I can even turn the key, because of the movement, the excitement, the hidden cartilage twisting in anticipation of him.

MY FIRST REAL HOME

by Diane Williams

In there, there was this man who developed a habit of sharpening knives. You know he had a house and a yard, so he had a lawnmower and several axes and he had a hedge shears and, of course, he had kitchen knives and scissors, and he and his wife lived in comfort.

Within a relatively short time he had spent half of his fortune on sharpening equipment and they were gracing his basement on every available table and bench and he added special stands for the equipment.

He would end up with knives or shears that were so sharp they just had to come near something and it would cut itself. It’s the kind of sharpening that goes beyond comprehension. You just lean the knife against a piece of paper.

Tommy used to use him.  Ernie’d do his chain saws. 

So, I take my knives under my arm and I drive off to Ernie’s and he and I became friends and we’d talk about everything. 

“I don’t sharpen things right away.  You leave it – and see that white box over there?” he’d said.  That was his office. It was a little white box attached to the house with a lid you could open and inside there were a couple of ballpoint pens.  There was a glass jar with change.  There were tags with rubber bands and there was an order form that you filled out in case he wasn’t there. 

He wasn’t there the first time I came back, at least I didn’t see him.  

I went up to the box and those knives were transformed. 

As I was closing the lid, he came up through the basement door that was right there and we started to chat and he has to show me something in the garden, so he takes me to where he has his plantings.  It’s as if the dirt was all sorted and arranged, and then, when I said he had cut his lawn so nice, he was shining like a plug bayonet. 

All the little straws and grass were pointing in one direction. 

“I don’t mow like my neighbor,” he said. 

Oh, and then he also had a nice touch — for every packet he had completed there was a band aid included.  Just a man after my own heart.  He died. 

I was sad because whenever I got there I was very happy.

Jerry Hunt: Four Video Translations

At the age of twelve, Jerry Hunt founded his first church, using a friend’s lithograph machine to print tracts, which he then sent to followers who responded to notices he had posted around suburban Dallas, Texas. In the pamphlets, Hunt combined lectures on alchemy with devotional exercises, simplified yoga, voodoo and the rituals of the pentagram and hexagram. Each month he answered letters from devotees who would send money to a post office box address, asking for additional informa- tion, none aware that they were dealing with just a kid. Which in a sense wasn’t true anyway. From early on Jerry Hunt seems greater than his years. in this case he meant everything he wrote, and responded to each letter with complete earnestness. The church was no scam; it was some- thing he believed in. His interests were in persuasion, and he believed he could help these people. Money had little to do with it. Already a member of every Rosicrucian order that existed at the time, he eventually attained initiate status–again, though he was underage.

He’d also shown a prodigious talent for the piano by then. Years later he studied music formally at North Texas State, and then pursued a career as a pianist, eventually experimenting with extended playing techniques, feeding into them his developed knowledge of electrical engineering and computer programming. He began building the appa- ratus for his performances when none existed to achieve the result he wanted.

It seems evident, going back to the mail order church, that his interest in music was simply an extension of the genius and devotion he held for religion, magic, alchemy, secret orders, electro-magnetic prop-

erties, the discourse of computer code. . . the vibration of the piano’s harp tapped by a row of coordinated hammers, invoking a certain combina- tion of vibrations per second, entering the air, and then the ear, altering processes in the brain. Sound is just another transmutation, yet another persuasion.

With this oversimplification we might approach the mind and art of Jerry Hunt: A general fascination with interaction within and without a system, of a presence one can’t always see, but must know, or at least believe, to exist. An orchestration of impulse. And then a million impossible specifics.

The following video stills are taken from Jerry Hunt’s Four Video Translations*–the only video release by the composer, and a late docu- ment of a remarkable, if far too brief, creative life. The stills serve as weak proxy to the actual video, maybe even irrelevant, given the sonic, choreo- graphic, and kinetic qualities offered on the video itself. Hunt’s composi- tions mutate with electronic, motion triggered sound, his intended acci- dents merging with the orchestrated score. Unpredictability was part of the event. The human ‘element’ in each of these–Hunt in solo, paired up, or reduced to a head on an Elizabethan collar, are each set against a black backdrop. Objects fly in and out of frame as his body convulses, twitches, spins, and inspects. When Hunt speaks, his prayers, invocations, non- sense, duologue, and poetic fragments seem both entirely off a point, and completely on. In the manner of the best surrealists (and religious practi- tioners), the unconscious mind of the work responds with an undeniable logic, even as it denies our identification of its surfaces.

In the first piece, Birome [zone]: plane (fixture), Hunt plays homunculus, using various objects to help‘dance’ to the music while his convulsing, entranced body plays off the ‘plane,’ responding to stimula seen and unseen, as in tropism.

Talk (slice): duplex, the second piece, is a duologue between Hunt and Rod Stasick—in essence a string of interruptions, whose length is determined by the slapping of a clave; occasionally a continuum of thought is created.

Third, in Bitom [fixture]: topogram Hunt plays a kind of sci- entist/investigator/exorcist to the subject/prisoner/victim, Michael Galbreth. Galbreth holds a metal grounding plate while Hunt probes his body for electrical conductivity with a device that simultaneously con- trols the pitch of a dominating whine, throughout.

Fourth, Transform (stream): core, severs Hunt’s head onto an Elizabethan collar, as with all the other sets, against a black backdrop. The head inquires from its platter, cocks, its eyes scan up, down, as Hunt’s vocal manipulations are answered from something from out of view.

Too weird, too transcendent of the usual and obvious, too ambiguous and too powerful to be denied a rightful place in the ongoing flux of contem- porary art, I hope the snapshots that follow are better than nothing. I can’t decide whether it is sad or fortuitous that this lifelong Texan’s most visible moment in the public sphere was probably his induction into the 1990s’ Forbidden Four. It brought him attention, as it did Karen Finley and the others. But today the reality of where it has brought us–the encampment of the religious right into a devolving squatter’s rights government, and the attendant glower on honest thought and expression–seems to have overwhelmed the initial, unintended consequence of simply turning the public on to a group of controversial artists.

And yet, for this reason alone, it is refreshing to see such a mind and its high regard for the billion impulses of potential in a single

–David Ryan, December, 2004

*(Available from oodiscs.com—catalog listing: videoO #1)

Drought

by Jensen Beach

Her great uncle Gerald had died. Amy just finished reading an email that contained a scanned photograph of his obituary clipped by her Aunt Mary Margaret from the Miami Herald. The obituary did not indicate cause of death, but Amy knew that he’d had some heart trouble recently. The news of his death did not surprise her. It also did not make her particularly sad. Still, she printed the clipping, watched the paper skulk from the printer on her desk. Then she held the obituary in her hand, the paper still soft from the ink, and looked at the small grainy black and white picture of Gerald in his service uniform in a way that she thought might indicate her grief if any of her employees happened to walk by her open office door.

            The obituary was mainly concerned with Gerald’s love of baseball. He’d also been a Sergeant in the Army, and he operated a bar in Miami Beach for forty years, and he’d left money to the Boys and Girls Club in Westview, which the obituary writer, who was probably Aunt Mary Margaret, seemed somehow equally proud of and disappointed by. Secondary to these topics was Gerald’s dislike for his home state of Wisconsin. He had lived in Miami for more than sixty years, and apart from infrequent visits and his life-long support of the Green Bay Packers, Gerald, the obituary made clear, wanted nothing whatsoever to do with his home.

            Amy was curious, frequently, about the notion of home. In her own case, she had tried but failed to move away and was increasingly convinced she’d end her life where it started. There were worse fates. She had been born in the small central valley town where her grandfather had arrived as a migrant in the 1930s from Wisconsin to work first on a dairy farm and then later start a well drilling operation that made him very rich. Her father took over this business when his father died. Amy had grown up, accordingly, in comfort. She went to the state university located fewer than twenty miles to the south in Fresno. Her junior year she had taken an art history course with a required travel component, and she spent two wonderful weeks in Florence and Milan where she visited countless museums and cathedrals. On her flight home she’d vowed to her seatmate, a sickly girl with vision so poor she needed a magnifying glass to read her textbooks, to spend at least the early part of her adult life traveling the world, seeing all that she could. 

            Not long after making this promise she graduated, summa cum laude, with a degree in accounting. Her mother threw a party for her to celebrate this milestone, and all Amy’s friends came and lingered about the pool and sipped cocktails mixed poorly by the nervous Mardirosian boy, the neighbor from three houses down, whom her mother had hired to play the role of waiter. He even wore a white suit coat. As the party wound down, guests trickling out of the gate on the side of the house as dusk began to settle, her father approached. He gave her a hug and presented her with a business card that read in ornate script: Amy Susanne Murphy, Chief Financial Officer. 

            “I had this mocked up for you,” he said. He grabbed her forearm at the wrist, a gesture of his she knew well. “Robert will be retiring soon enough. If you put in the effort and the hours, the job is yours when the time comes.” He smiled and leaned in to give her a kiss on her cheek.

            Over the years she made it to Mexico a number of times, was proud of the fact that she’d visited the Pacific and Gulf coasts, each frequently. For a short period, she even owned a one-sixteenth share in a condo in a small village outside Cabo, where she visited a few times before selling her share in order to finance a new car. But she never lived anywhere away from home. The house she bought was less than a mile from her parents’ place, and she saw them every day. She never married, but every two years or so managed to entangle herself into a complicated and usually painful affair with a man, often from work, once from church, and increasingly from the internet. 

            In addition to obituaries, Aunt Mary Margaret frequently sent holiday themed napkins and paper plates in the mail. All of these Amy kept on a shelf in her pantry, never opening a single package. Since Aunt Mary Margaret’s later than normal conversion to email, she had sent the decorative paper goods much less frequently, but the shelf in Amy’s pantry was still overflowing with floral Easter cake plates and glittery New Year’s cocktail napkins. 

            Apart from a minor car accident in Fresno in which Amy had broken the pinky finger on her left hand, nothing all that tragic had ever happened to her. There were breakups, minor heartbreaks, of course, but nothing out of the ordinary. She did not have a pet that would grow old and die, no children to risk childhood cancers, no husband to betray her singular trust. She worked out three times a week, rarely drank more than a glass or two of wine at a time, did not smoke, and enjoyed skiing and hiking equally. She was in good shape for her thirty-seven years, and had been given a diagnosis of perfect health at her most recent physical. Compare this to her employee Esmeralda, who was obese and could often be heard wheezing on warm days. Amy pitied her. In the last year alone, Esmeralda’s husband had left her for another woman, her son Orlando had been injured in the line of duty in Afghanistan and lost both of his legs, and her youngest daughter had spilled a pot of boiling water on her chest and thighs causing severe burns. Miraculously, Esmeralda had not missed a single day of work to attend to these tragedies. Though of course Amy would have allowed this if Esmeralda had only asked. 

            She read the obituary again, scanning for information on where to send flowers and curious to see whether she might uncover the architecture of some unspoken family drama regarding where Gerald should be interred. She supposed it would be Miami, where the funeral was to be held and where the address for the funeral home was located. Gerald had lived there so long. He attended Mass at St. Joseph’s, where the services were to take place in three weeks’ time, according to the notice at the bottom of the obituary. But Aunt Mary Margaret was stubborn, and Amy knew her father would do whatever his cousin wanted if this meant avoiding a conflict. Apart from Gerald, all of the Murphy family lived either in California or in Wisconsin. Aunt Mary Margaret might very well insist that Gerald be laid to rest in Wisconsin at the Murphy family plot. In this case, at least, a visit in his honor would not require travel to a place that meant nothing to any of them now that Uncle Gerald was gone.

            She’d tried to see Gerald only a year before. There had been a conference in Ft. Lauderdale for small business owners in the construction industry. Amy had arranged to go, hoping to meet other young professionals, perhaps discover some vision of her own for the company and its future under her leadership, new partners perhaps, or more exciting, new markets. The drought had brought some difficult years. Her guilt over the nature of the company had likewise become difficult. A day might be going along just fine when she would be on Facebook and run across one of those time-lapse videos of a lake up north that showed the dramatic effects of the drought on the water levels in the state. On those days, she’d need an extra glass of wine or two at night to find sleep. Her father had been gradually retiring from his position as CEO and Amy was stepping into this new role. He owned the building and most of the equipment and Amy would pay the lease on these items, at once funding her father’s retirement and also purchasing the business and its various holdings from him. They agreed that whatever balance was left by the end of a six-year period would be her inheritance, whether her father had died yet or not. 

            The day she arrived in Ft. Lauderdale, it was hot and she was sweating through her shirt before she’d even reached the curbside pick-up for the shuttle bus to the rental car facility. The conference was spread across two separate banquet rooms in a hotel near the airport. It rained the first day, a storm that arrived almost simultaneous to her checking in to the hotel. The second day was sunny, but wickedly hot, and Amy did not leave the hotel for longer than the few minutes it took to walk from one building to the other. She spent her evenings in the bar, making awkward small talk and failing to connect with anyone in a meaningful way. By ten-thirty on the second night, whatever vision she may have hoped to discover had been obscured behind the ill-fitting pants and crew cuts and obvious indentations on ring fingers where wedding bands normally sat. She emptied her half-full glass of wine into a potted palmetto by the elevator and went up to her room.

            On the third day, the heat broke and she decided to skip the conference events and drive to Miami to see Gerald. She didn’t bother to call him ahead of time. He lived in an assisted living facility in Miami Beach. Aunt Mary Margaret always made sure to send pictures whenever she visited, and Amy felt in some small way that she knew the place, though she herself had not ever been. There was a view of the water from Gerald’s bedroom window.

            On I-95 south, she hit traffic and was glad she’d paid the small fee to the rental car company for the toll pass when she saw the sign indicating that she could merge onto the express if she wanted. She did. In no time she was exiting the freeway and driving, by means of several bridges, to the east toward a hazy line of tall buildings on the horizon.

            Aunt Mary Margaret frequently wrote emails to Amy about her visits with Uncle Gerald. A major subject of these emails was the traffic problem in Miami Beach. Traffic was “a real nightmare, as you know, and it’s getting worse.” Her emails often affected that casual tone people use to indicate that they have more experience with a thing than might be assumed. But as Amy made her way across the island and experienced the wait at each stop light, the honking horns, the loud music from convertibles stranded in intersections, the motor scooters and throngs of people dragging coolers and beach chairs toward the water, she began to suspect that perhaps Aunt Mary Margaret had not been exaggerating. This made Amy nervous, and so she parked her rental car several blocks away from Uncle Gerald’s place, in the parking lot of a Walgreen’s housed in a building painted so white it hurt her eyes. 

            In the end traffic was no less complicated for her on foot, though she was more flexible in her options regarding one-way streets and a funny little section where the road had been torn up and large boulders of concrete and asphalt crowded onto the sidewalk directly in front of an erotic art museum. “Come delight!” the sign above the black-windowed front door read. 

            By midday it was oppressively hot, though thick clouds had begun to crowd the sky and there was a musty smell in the air as if rain was imminent. 

            Gerald’s apartment building was on the north side of South Beach, two blocks in from the water. It was a wide, six-storied building, decorated on the broad stucco wall above the entry way with a sunrise motif carved into the façade. As she entered the building, Amy tried to remember that she wanted to google art deco architecture when she got back to her hotel.

            Inside, the air conditioning was so powerful that she instinctively hugged herself, briskly rubbing her hands up and down her arms. There was an expansive lobby area with a shiny, reflective white tile floor and beyond that an open entrance to what appeared to be a hallway that led back into the building. This was obscured by a long, flowing linen curtain that shrugged in the air that the ceiling fan pushed about the space. Amy approached the reception desk, behind which a young woman was speaking loudly into a phone. When she saw Amy, the woman placed the phone on the desk and said, warmly, “Hello. Can I help you?”

            “I’m here to see my uncle,” Amy said.

            The woman pushed a guest registry book across the desk to Amy. “You have to sign in,” she said. “Is he expecting you?”

            “I’m only in Florida for a couple of days. I thought I’d surprise him.”

            “That’s sweet of you. Some of our residents don’t get any visitors.”

            Amy began to fill out the information the registry required. As she finished writing her cell phone number and home address, the woman said, “It’s a lot, I know. We’ve had some trouble with visitors. Mostly distant relatives looking for money or else drugs in the medicine cabinet.”

            “Of course,” Amy said.

            “You wouldn’t believe what people will do to their loved ones,” the woman said. 

            When Amy had finished with the registry, she replaced the pen and closed the book. 

            “Do you know your uncle’s apartment number?” the woman asked.

            “I’ve never visited before,” Amy said. 

            The woman opened the registry, scanned with a finger until she reached Amy’s entry and mouthed to herself as she typed into her computer, “Gerald Murphy. Gerald Murphy.”

            Amy smiled as she waited, kept her eyes on a large mole on the woman’s chest, below her collar bone.

            “He’s in 507,” the woman said. “I’ll let you surprise him. Gerry’s such a sweetie. I’m sure he’ll be happy to see his niece.”

            Apartment 507 was the door located closest to the stairwell. She remembered this detail from one of Aunt Mary Margaret’s emails, actually. Aunt Mary Margaret was always delighting in inconsequential details. Amy knocked. She waited for a few seconds and then knocked again. There was a single window in the hallway, a small frosted glass circle framed by a sunset motif, this one made out of metal, perhaps aluminum or chrome. The sunset reflected what little light there was in the hallway brightly. There was still no answer at the door. She had the number right. 507. Perhaps Uncle Gerald was sleeping, or perhaps he’d gone out. It occurred to Amy that she had almost no idea about his day-to-day life. 

            Downstairs, the woman behind the desk seemed unconcerned that Gerald had not been home. “He’s probably at the beach,” she said when Amy returned. “Most of the residents spend a lot of time at the beach if they’re healthy enough to go out.”

            “Right,” Amy said. 

            “And can you blame them?” the woman said. “It’s so beautiful down here.”

            “It’s gorgeous,” Amy said. “Really pretty.”

            “I’m from Georgia, but this is home for me. I’m in it for the long haul. I love Miami,” the woman said. She reached for her phone and held it up as if she were about to make a call. “Maybe they’ll even let me have a place here when it’s time to put me out to pasture.” The woman laughed at this. 

            “That would really be something,” Amy said, surprising herself.

            “I’m sure he’ll be home soon, if you want to come back. Take a walk. There’s plenty to do down here.”

            “I will,” Amy said. “Thanks.”

            She felt the first rain drops before she’d even made it a block from Uncle Gerald’s place. They were big, thick drops that in no time darkened the sidewalks. And then the wind picked up, and the rain came down heavily and loud, immediately filling the gutters with water and soaking Amy through. She took cover in the first shop she passed, a tourist place with an enormous display of jewelry made with shark teeth—necklaces, earrings, a ridiculous looking headband with the teeth arranged along the top in a way she assumed was meant to suggest a shark’s open mouth. 

            That was a year ago. In her office, she put Uncle Gerald’s obituary down on her desk. She wondered, briefly, if Aunt Mary Margaret was punishing her for not seeing Uncle Gerald in Florida before he died. It was odd that she hadn’t gotten an email at the least before the obituary was published, or that her father hadn’t called with the news. She didn’t think that anyone had known about her trip to Miami. It was reasonable to travel for business and be unable to make time to visit with distant family. No one would begrudge her that. And no one, as far as she knew, was even aware that she’d tried to see Uncle Gerald but then found herself exhausted from the storm and the little tourist shop and had decided to drive to her hotel and not wait for Uncle Gerald to come back from the beach or wherever he was. But she could not shake the feeling that the timing of the news of his passing had been planned by Aunt Mary Margaret to communicate something to her. The receptionist must have told Uncle Gerald that Amy had visited. And when she didn’t return, Uncle Gerald, offended, must have called Aunt Mary Margaret to tell her.  

            Amy was a nervous person, a fingernail biter, a fidgeter. She sat at her desk and ran her fingers along the edges of the obituary, pushed the paper back and forth, folded one of the corners, unfolded it. Outside her open office door, her employees passed on their way from one task to another, all of them there for her, and yet not a single one turned to look, no one said hello. She pulled the obituary nearer to her, determined to find some clue as to Aunt Mary Margaret’s motivations. Much loved father, she read, brother, and uncle, Gerald James Murphy passed from this life to his eternal home beside his beloved savior Jesus Christ. 


Jensen Beach is the author of two collections of short fiction, most recently Swallowed by the Cold, winner of the 2017 Vermont Book Award. His stories have appeared in A Public SpaceThe Paris Review, and the New Yorker. He teaches at Northern Vermont University, where he is fiction editor at Green Mountains Review. He lives in Vermont with his children.