Blood Covenant

Alice Hatcher

The morning she first saw the boy, the wind was blowing from the east, driving eddies of litter down the highway, past rutted fields and fence posts connected by strands of sagging barbed wire. She considered a distant pillar of dust bending in the atmosphere, casting shadow across the barren plain, shifted on the porch step, and touched the slight swell of her belly. As ghostly forms emerged from circling dust, she gathered a piece of baling wire from the dirt, looped it around her fingers, and observed a line of people trudging down the road, refugees, she guessed, in search of sanctuary or work. She was squinting at the procession when the screen door behind her opened. She slipped her fingers from the wire and hunched her shoulders.

            “Get me that pipe wrench,” her stepfather said. “I’m not asking again.”

            “Was about to get it,” the girl mumbled, without drawing her eyes from the road.

            “Don’t look like it.” He stepped up to the railing. “Any of these people stop and ask for something, you tell them to move on. I don’t care if it’s a goddamn glass of water.”

            The girl slipped the wire into her pocket and started toward the shed, turning around twice to make sure her stepfather had gone back inside. She quickened her pace past heaps of salvaged metal whittled by blowing dust and a fire pit glutted with charred garbage, and crossed a yard befouled by dung and the carrion dropped by circling crows. In the shed, she paused beside a workbench and considered a tattered magazine splayed open to a photograph of a naked woman lying on a bare mattress. The girl wondered how many times her stepfather had touched himself looking at the photograph, and why, with his magazines and her mother, he had never left her alone. She felt her own breasts, tender to the touch, and hated the woman for being pretty enough to make her feel ugly, but not enough to prevent her stepfather from seeking her out as often as he did.

            She swept the magazine to the floor, grabbed a wrench and left the shed, at first dazed and then mesmerized by the drone of a hymn rising on the wind. Near the porch, she paused to observe the stooped forms of men and women borne of swirling dust and detritus, and before them, a man wheeling a large wooden cross over cracked asphalt. She set the wrench on a railing, wandered to the road, and braced herself against a fence post, transfixed by the sweat darkening the man’s shirtsleeves, the sun scars covering his corded neck, and the worn plastic wheels at the base of the cross resting upon his shoulder. Behind the man, a flaxen-haired woman in a faded dress was pulling a wagon loaded with water jugs. Beside him, a young man walked deliberately, with a book pressed to his chest.

            When the procession reached the girl, the young man leapt over a ditch to meet her. The girl considered his smooth brown skin and his dark eyes with thick lashes that made her think of a deer.

            “Would you know how far it is to town?” he asked.

            “Two miles,” the girl said.

            He cradled his book in one arm and placed a hand on the post. “That isn’t so far.”

            “Maybe a little farther if you cross to the far side of town, but it isn’t so big,” she said. “What are you looking for?”

            “Souls. People seeking the Lord’s path. We’re setting up for a tent revival.”

            “You been walking long?”

            “We came from Texas. No so long. In God’s scheme.”

            “I’ve never been to Texas. Never been anywhere. Just here.”

            “It’s no matter. It’s what’s in your soul.”

            “Still, it’s a long way to walk.”

            “Only by suffering can we understand the sacrifices our Lord made to save us.” The boy fingered a tree ring visible in the post’s rough grain. “Are you a believer?”

            The girl looked into the boy’s eyes, and in that moment, she believed, would have believed anything, and nodded.

            “We’ll be in town tomorrow,” he said. “If you want to pray with us.”

            She felt her face grow warm. “It isn’t so far to walk. To town.”

            “I’ll look for you,” the boy said. “Won’t be hard to find you. There’s a special light around you. Like the Lord’s looking down on you.”

            When he started down the road, she strained to see over the heads of pilgrims passing in ragged dresses, dirty shirts, and worn shoes, and carrying bed rolls and pans, sagging tent poles, and canvas sacks filled with cans. After he vanished from her sight, she withdrew to the porch and twisted the baling wire around her finger like a tourniquet to stanch her longing.

            She was committing the boy’s eyes to memory when her stepfather emerged from the house. “What the hell you doing?” He looked at the dust roiling in the procession’s wake. “Just tent revival trash making a spectacle of themselves. Nothing to be wasting your time with.”

            That night, she lay on her mattress, listening to muffled voices beyond the wall.

            “If she’s going to disrespect me, she can move out of this house,” her stepfather said. “Problem is you spared the rod. That’s the only thing those religious freaks get right.”

            “She’s just tired,” her mother said. “Sick with something going around.”

            “Lazy, more like. Fifteen’s old enough to be doing more around the house.”

            “I can deal with her.”

            “Don’t seem like it. I hear her at night, sneaking out by herself.”

            “Who else would she be sneaking out with but herself?”

            She heard the creak of bedsprings and her mother crying and rested her hand on her belly. Soon, it would be impossible to hide a truth too monstrous for her mother to bear. Her mother would blame her—say that, at some point, a girl should be old enough to understand the difference between right and wrong, to stop certain things from happening and make herself ugly if that’s what it took. She would never be able to explain to her mother that, at that very point, understanding had given birth to shame, and silence. The girl clawed her neck until welts rose upon her skin and then drifted into dreams of the boy touching her face and sheltering her body with arms opened like splayed angel’s wings.


When she awoke the next morning, she found the house empty and her stepfather’s truck gone. She stood in the kitchen, listening to windows rattling in their frames and wind whistling beneath the eaves. Then she felt a breath moving like feathers across her neck and left the house, walking and then running down the highway, past empty cisterns, rusted windmills, and dead cell towers. In town, she made her way past shuttered thrift shops and bars with bricked-up windows, down a crumbling street to a withered fairground, where a small crowd was gathered beneath a circus tent. The preacher was standing on a small stage made of wooden risers, bearing a Bible aloft and gesticulating. The woman with flaxen hair stood behind him, holding the cross upright. When the girl reached the tent, she edged past sweaty bodies until she could see the beaded perspiration on the preacher’s brow.

            “We are all sinners, wretched and helpless,” the preacher shouted above the rattle of tambourines and the wind rippling the tent’s flaps. “Years ago, I trembled at the edge of a fiery gulf, stalked by drink and the ghastly forms of fallen women. But one night, Christ spoke to me and offered forgiveness.” He paused. “I wept in relief, but too soon. I had not yet wrestled with the temptations that bind the sinner’s heart.” The preacher set down the Bible and unbuttoned his shirt. “In the agony of a long night, the Enemy raged within me and sweat poured from my body until I lay on the floor, spent. I expected death, but at dawn, a voice commanded me to cast away my sins and accept the covenant sealed by Christ’s blood. I recognized the Lord’s voice and knew the transforming power of the cross.”

            The preacher stripped off his shirt and to reveal a patchwork of bruises on his shoulders. She touched the welts on her neck, and her breath caught in her throat.

            “I took up the cross to know how our Lord suffered,” the preacher continued. “To know the extent of his love. Once I knew his grace, I feared no evil.”

            She rose on her toes to better see and stumbled before a press of sweaty bodies, until the preacher was looking at her. Sickened and stirred, she took in the preacher’s prominent ribs, and the lesions and bruises on his shoulders.

            “One night,” the preacher said, “I met Satan on a dark road. I recognized him by his skin, black like charcoal, and his hair, twisted like snakes. When I rent my shirt and showed him my wounds, he saw the power of Christ and fled in terror. Dawn broke, and my eyes beheld a New Kingdom on Earth, a walled city where the faithful will multiply and God’s design will be made manifest.” The preacher looked up at the sagging canvas ceiling. “Once I groaned beneath the burden of sin. I now rejoice beneath the weight of the cross, knowing the Lord is guiding us to a land where Evil will never touch us, and we will drink the waters of everlasting life.”

            Trembling, the girl began to hum along with the voices rising around her and might have wept if a hand hadn’t brushed her shoulder. She turned to find the boy standing beside her, with glistening eyes and wisps of hair clinging to his damp brow.

            “I don’t know if I should be here,” she said. “I haven’t ever read the Bible.”

            “People come to the light in different ways. You been baptized?”

            “My mother never said one way or the other.”

            “We’re having a baptism in the river. Some people are being baptized their second time. To rededicate themselves.”

            “River’s high right now,” she said. “The rains came early. Flooded part of town.”

            “God always provides for his children. Provides signs. That’s what Preacher says.”

            As members of the congregation fell to their knees, the boy took her hand and drew her to the ground. One by one, penitents moved to the front of the crowd on dirty hands and bleeding knees, moaning and weeping and pleading as the preacher placed his hands upon their heads. Surrounded by prostrate bodies, she listened to shouted confessions and groans of submission and cries of supplication. Her lips grew parched, and sweat streamed down her face until she grew dizzy and her limbs grew light. She felt the heat building inside the tent and dreamed of rain cooling her face. Then she saw a heart engorged and aflame, and visions of angels crowded her mind. To the sound of fevered singing, she rose to her feet and walked unsteadily to the stage. The preacher took her in his arms, buried his face in her hair, and wept. When he released her, she stumbled backwards into the rising congregation and let herself be swept by a swell of bodies to the river beyond the fairgrounds.

            On a muddy bank, the preacher addressed the congregation. “We come here to be cleansed, to embrace Christ, who gave his blood so that we might escape the scourge of original sin.” He waded into the river until its sluggish current broke around his waist, nodded at the girl, and held out his arms.

            She slipped off her shoes and slid into the river. With water flowing around her hips, she gripped the preacher’s arm and let her gaze soften in the sunlight playing on his hair. He cradled her lower back and pressed his palm to her forehead, and with a firm hand, pushed her beneath the water. She let herself go limp, felt her body unfolding and growing light in his arms, and allowed the current to draw her limbs into fluid ribbons and ease streams of air from her nostrils until her last breath left her lungs. She felt grace washing over her and flowing between her legs, and then a cold sink drawing her into darkness. She clawed at the preacher and kicked the jagged edge of a can nestled in muck, broke through the water’s surface and into blinding sunlight, and crawled from the river, gasping, with her dress clinging to her body and blood seeping from her ankle.

            The woman with flaxen hair was waiting for her on the bank. She studied the slight swell of the girl’s belly and cupped the girl’s face in her palms. “You’re a child of God, and the fruit of your womb is his blessing.”

            The girl looked at the blood trailing from her foot and the mud oozing between her toes, and for the first time in her life, she felt clean.

            That evening, she stood beside the boy, watching the sun set. In the distance, congregants were pitching wooden tent poles into the river.

            “This was the last stop on our mission,” the boy said. “A friend of Preacher’s dedicated a parcel of land beyond Paxton. We’re building a church. Preacher wants to start a farm. We’ll call it New Canaan. It’s what’s been prophesied.”

            “A church,” she repeated, envisioning vaulted ceilings and walls painted white.

            “You could join us. We’re leaving at dawn.”

            She studied the boy’s face. “You don’t look like anyone else here. They your family?”

            “Preacher and his wife took me in fifteen years ago. When I was two.”

            “What happened to your parents?”

            “My mother was in prison. They wouldn’t ever tell me what she did. Then she got deported.” The boy twisted a piece of buffalo grass between his fingers. “Never knew a dad except Preacher.”

            “You ever try to find your mother?”

            “Preacher said it was best not to know her.”

            “I’m pregnant,” the girl stated.

            “It’s no matter,” the boy said, shrugging. “You’ve been baptized. Had your sins washed away. We’re all God’s children.”

            The boy brushed her palm with his fingertips, and when darkness settled, she knew she would see him again at dawn.

            That night, she knelt beside her mattress and prayed, and in moments of doubt, clawed at her skin and raged against the demons crowding her mother’s house. Then she touched her ankle, conjured the boy’s face, and felt the working of grace, a word and sensation as sweet and sustaining as honey dissolving on a tongue. The moon was still out when she started down the highway, carrying a backpack stuffed with clothing and a fold of bills her stepfather had kept hidden in the shed. She ran until her ankle throbbed and her ribs ached, thinking all the while about the wound in Christ’s side and weeping stigmata, about the kind of love sanctified by suffering.


Dawn was breaking when she arrived at the fairgrounds. She wound between indistinct forms folding blankets and loading water jugs onto wagons until she found the boy. Before she could speak, the preacher stepped onto a crate to address the congregation.

            “To build a new Jerusalem,” the preacher cried, “We will need the faith of Abraham, a man so obedient he was willing to sacrifice his own son at God’s bidding, just as God sacrificed his only son to redeem sinners.”

            She beheld the fiery sunrise behind the preacher and felt alive, and afraid.

            “As he provided for Moses in the desert, God will provide for his children and reward the faithful with everlasting life,” the preacher continued. “This was the covenant sealed by blood in Abraham’s time and renewed by Christ’s sacrifice. Let us now cast all doubt from our hearts.”

            The preacher stepped off the crate, assumed his cross, and started across the fairgrounds. Slowly, congregants fell in behind him, leaving empty soup cans and plastic bottles in their wake. The girl closed her eyes, remembered a house moaning in the wind, and sensed the movements of people brushing past. When she opened her eyes, the boy was standing beside her.

            “The Lord is with you,” he said.

            “I’m scared,” she answered.

            “I’ll be with you,” the boy said, and with newfound faith, the girl took her first steps.

            All morning, the boy walked beside her. When she confessed that she had never been more than a few miles from home, he pointed out gullies and the bleached skeletons of uprooted trees where levees had long ago broken, related the histories of towns memorialized on faded signs, and told her none of those histories mattered, for a new life was at hand. Still, when the congregation stopped to fill jugs with water from a gas station hose, she considered the vast plain behind her with a haunted expression.

            “I keep wondering how she felt waking up and finding me gone. I keep telling myself it would have broken her to know the way I’m in.”

            “God told Lot to never look back or he’d turn to salt,” the boy said. “That life’s behind you, now.”

            That night, the congregation camped in a field beside the highway. The boy sat beside her, just beyond the light of scattered fires and kerosene stoves. He brushed her cheek with his thumb when she cried, overcome by the alien landscape and the soreness of her breasts and feet. He held her hand and promised her flowering pastures and flowing waters.

            “We’ll have five-hundred acres, Preacher says.” He drew his knees to his chest and looked up at the stars. “There’s a creek, too. In two years, we’ll have a working farm.”

            She tried to envision a farm and saw only rutted earth and blowing dust. “What will we grow?”

            “Pecans. Dates, maybe. We’ll herd sheep. Have cows and bee hives.”

            “You ever raised bees?”

            “Preacher says we’ll learn how to do new things. Have allotted tasks.”

            “All the ranches were dead by the time I was born,” she said. “The ground got poisoned. The cattle got sick.”

            “God led his people out of Egypt. He sent plagues, but then he parted the sea. He tested his people before he saved them.” The boy unrolled a woolen blanket and draped it over her shoulders. “Preacher’s wife says what God knit together in your womb has been ordained. That your baby will be the first child born in New Canaan.”

            That night, the boy lay down beside her, and when the last campfires died, he ran his fingers through her hair, and she felt God’s love moving through his hands.

            In the days that followed, they wound into the desert. The sun ignited the air and covered the land in a molten glare. She grew disoriented, tormented by thirst, the twisted forms of stunted trees, and the unbroken expanse of the cloudless sky. She became unsettled by roadside memorials to the dead—plastic flowers warping in the heat and painted white crosses peeling—and the pink enamel chipping from the downcast face of the grieving virgin enshrined in cement grottos. When blisters formed on her feet, she counted each of her steps as an act of contrition. She berated herself each time she wavered and focused her thoughts on Christ’s flesh riven by nails, and the virgin’s delicate foot, as she had seen it, resting on the head of a snake straining to strike an exposed ankle. Every night, when she shivered with exhaustion, she imagined herself cloaked in celestial blue and crowned by stars, ascending to Heaven on a yellow crescent moon.

            “Preacher said we’re leaving the highway,” the boy said on the seventh day, gazing at a distant range of mountains. “There’s a pass, and Paxton’s on the other side.”

            “Looks like nothing’s ahead,” she said, running her fingertips over her cracked lips. “Just a dead valley.”

            “This is the trial Preacher talked about. And it isn’t so far to walk,” the boy said, wiping his brow.

            Placing her faith in the boy, she started down a trail littered with discarded cans and candy wrappers, following the tiny ruts of two plastic wheels marking a path through stunted scrub and into open country, and leading ever closer to the promised land.


Two days later, they beheld the wall, a rusted steel plane cutting through parched hills and spanning jagged clefts left by ancient rivers. Plagued by plumes of smoke rising from behind the wall and the stench of burning tires and trash, they covered their noses with bandanas, rubbed their stinging eyes, and prayed for salvation. That night, they camped in the long shadows cast by a burning landfill and buried their faces in blankets.

            With the moon rising behind him, the preacher climbed onto a flat rock and gestured at the tongues of flame twisting into the sky. “The Bible tells of those who defiled Gehenna by building pyres and sacrificing their children to false gods. The Lord punished them by making a wasteland of their valley and dragging the bones of their ancestors from their tombs.” The preacher coughed into his sleeve. “There are those who would place obstacles in our path. But the faithful do not weaken in face of adversity. Remember those who followed Moses through the sea, only to grow impatient in the desert and invite God’s wrath by embracing profane ways.”

            When the preacher sat down on the rock and lowered his head, the boy left the girl’s side, made his way past huddled forms, and took his place at the preacher’s feet. Alone, the girl curled up on the ground, drew a blanket over her face, and dreamed of waking beside the boy and dawn breaking in a clear sky. When she awoke, the wind had died, and smoke had settled upon the valley. The preacher was still sitting on the rock, and the boy was still sitting at his feet.

            At noon, the preacher guided the congregation to a line of cottonwoods along a dry riverbed to wait out the heat of the day. She sat beside the boy and considered traces of people who had passed before them—a shirt ground with dirt, flattened cans, and empty plastic bottles.

            The girl picked a laminated card off the ground and studied the photograph of a young woman, and the words beneath a heart encircled by thorny branches. “I can’t read it. Must be Mexican.”

            The boy considered the photograph. “It’s a prayer card. Can’t read it, either.”

            Without another word, he stood up and started down the riverbed. When he disappeared behind a line of creosote, the girl drew her foot from her sandal and examined her ankle. She looked up when a shadow passed over her leg to find the preacher’s wife standing above her.

            “God put a thorn in Paul’s flesh to torment him. To save him from conceit,” the preacher’s wife said. “Hardship is God’s gift, for it demands faith.”

            “I think it’s infected,” the girl said.

            “If you walk in faith, you will not grow faint,” the preacher’s wife said, before continuing along the riverbed.

            Chastened, the girl forced her swollen foot back into her sandal and went in search of the boy, following a path of trampled brush until she saw him standing beneath a tree, looking down at a small wooden cross. At his feet, shredded fabric surrounded a shallow pit containing a hollow rib cage half-buried in sand.

            “Animals got to it,” the boy said. “Coyotes, probably.”

            “We should say a prayer,” she whispered.

            “We don’t know what kind of person it was. And somebody probably prayed, already. In whatever way they do,” the boy said, turning from the grave and brushing past her.

            All afternoon, she walked several paces behind the boy, stalked by visions of disinterred bones, parched land soaking up blood, and sinkholes swallowing blistered flesh. That night, she curled up on her side, wracked by chills and thoughts of a desecrated grave.

            “I can’t stop thinking about it.” She rolled onto her back and looked up at the sky, terrified by its enormity. “There wasn’t even a name on the cross.”

            The boy propped himself on his elbow. “You afraid?”

            “What if I died?” She drew her blanket to her chin.

            “We would pray for your soul,” the boy said. “And you would be at the Lord’s side.”

            “I did things. And things happened. Things I didn’t know how to stop.”

            “You’re baptized, now. Washed clean,” the boy said. “And the Lord watches over his children.”

            He brushed her forehead with his lips, and when she drew his mouth to hers, he reached beneath the blanket and slid his hand between her legs. She pulled her dress above her hips, and when he moved inside her, whispering about redemption and God’s forgiveness, she shuddered with gratitude and something akin to grace.


At dawn, the boy left her and took his place beside the preacher. In her shame and confusion, she walked with her head down until the sky no longer existed, oblivious to the smell of smoke fading and the wall receding behind her, and indifferent to her dwindling water supply. She noticed the empty plastic jugs lying on the ground, rocking in the wind, only when the woman beside her spoke.

            “Border militia shot them.” The woman nodded at a gallon jug riddled with holes. “We could have used that water.”

            She considered the pink tinge to the whites of the woman’s eyes. “What are they?”

            “Was water somebody left for illegals,” the woman said, fingering a salt stain on her shirt. “Supposed to be natural springs out here. Cisterns in the rock, Preacher said. He must be heading us that way.”

            Nodding, the girl used her teeth to scrape saliva from her inner cheek. As hours passed, she felt herself growing unsteady and falling forward with each step, and thought about sitting on the ground and letting darkness wash over her. Then she heard a voice calling her name and saw a flaming heart materialize in the air and a trickle of blood seep from slit skin. She let the wind lift a prayer from her lips and guide her into a sea of tall grass that parted, just before noon, at the edge of a shimmering salt flat.

            She looked at the preacher, dragging his cross in the distance and dissolving in waves of heat convection. The valley’s distant rim blazed with white heat, and beyond, mountains seethed. She considered a palimpsest of footprints on the ground, drank the last water in her jug, and stepped onto a puzzle of crusted salt. Soon, her tongue swelled, and fire filled her lungs. Angels appeared and vanished behind veils of haze, and devils assumed their place. Black shapes massed in her mind, and her legs began to give way, and then the boy was walking unsteadily beside her, staring at the ruts of plastic wheels and using the cross as his compass.

            They were halfway across the flat when she heard the sounds of engines and saw a convoy of jeeps and pickup trucks on the horizon. As the convoy approached, several trucks veered from their course to circle the congregation, kicking up salt and closing in until she could see the features of camouflaged men clinging to roll bars and cradling rifles. She folded her face in her hands until she heard engines idling, and then beheld men in body armor standing beside a line of parked trucks, studying the congregation through mirrored glasses, and black dogs sniffing the ground. The boy had left the front of the line and was standing beside her.

            “Border vigilantes,” the boy whispered.

            One of the men adjusted a rifle slung across his back and approached the preacher. The preacher slid his cross from his shoulder and stood it upright, and, for several minutes, gestured at the jeeps. When he lowered his head, his wife started down the line of congregants, pausing while people searched their backpacks, the inner folds of bed rolls, and the insides of boots.

            “They said they’ll take us across the flat,” the preacher’s wife said, when she reached the boy. “Give us water. If we pay them.” Her face was drawn and her eyes were unfocused.

            The boy looked at the ground. “What about me?”

            “Preacher will tell them you’re his son.” The preacher’s wife turned to the girl. “How much money do you have?”

            The girl looked at the boy and drew the fold of bills from her backpack. “It’s all I got.”

            “I was never formally adopted,” the boy whispered, as they started walking toward the convoy. “I don’t have a birth certificate. Not that anyone saved. Or identification.”

            As they neared a pickup, the vigilante standing beside the preacher glanced at the boy. “What’s with the dark one?” he asked. “Thought you said you were all Americans.”

            “He’s my son,” the preacher said.

            “Don’t look like your son.”

            “He’s adopted.”

            “What’s going to happen if I ask for his identification?”

            “I raised him.”

            “He mute or something?”

            “We paid you what’s reasonable,” the preacher said.

            The vigilante spit on the ground. The girl placed her hand on her belly, and a moment later, sat down beside the boy in the bed of the truck. The preacher and his wife sat on opposite wheel wells with the cross wedged between their knees.

            Before climbing into the cab, the vigilante placed a jug of water at the preacher’s feet. “Lucky for you, we saved some. Was going to give it to the dogs.”

            When the truck’s engine roared to life, the preacher lifted the jug and unscrewed its cap. “The Lord never abandons his children.”

            He took a series of small sips and passed the jug to his wife. The girl rested her head against the cab’s window and waited. As crusted salt gave way to fissured clay and twisted creosote, the preacher’s wife handed her the jug. She lifted the jug to her blistered lips and felt her throat loosening, thinking even as it washed over her tongue, that the water tasted stolen.


In the days that followed, the boy walked beside her, told her their faith had been tested, and that they had proven themselves worthy of the Lord’s bounty. He pointed to the land’s slow softening, the purple sage sprouting from cracked granite where the ground rose to meet the mountains, and the cloudburst that drenched the earth one afternoon. They bathed in sunlit puddles, and when the water evaporated, they rested in the shade of mesquite. She felt her breasts and welcomed their soreness as a blessing, cradled her foot and felt its radiant heat. She tasted blood on her blistered lips and savored the pain that promised salvation. She imagined a steepled church rising at the edge of the desert and herself bearing the first child in New Canaan. That night, she told the boy she had envisioned herself standing on an altar, beneath a wall of stained glass, and bathing her child in a font of cool waters. When he touched her face, her fever rose beneath his fingers, and she felt healed by the balm of his semen and sweat.

            Before dawn, she awoke to a series of sharp spasms in her back. She placed her hand on her belly and watched stars grow faint with the coming of dawn. “I don’t feel good,” she finally said.

            The boy sat up and rubbed his eyes. “You sick?”

            “My back hurts. Like I was kicked,” she said. “Maybe from walking.”

            The boy considered the purple sky. “It’s not so far to go, now.” He stretched out again and drew his blanket over his shoulders. “Try to sleep some.”

            To the sound of the boy’s steady breathing, she drifted into dreams of sparkling streams, overripe fruit splitting in the sun, and worms burrowing into sweet flesh. An hour later, she stirred. The boy was crouched beside her, folding his blanket.

            “You ever eaten a date?” she asked.

            The boy shook his head and tied his blanket into a roll.

            “I haven’t,” the girl continued. “I wouldn’t know one if I saw it.”

            “They’re in the Bible,” the boy said. “They’re what the Lord intended us to eat.”

            They set off at sunrise, carving a trail over stony ridges bristling with cholla. As they gained elevation, she focused on the sound of the boy’s labored breathing to distract herself from her cramping back muscles. When her ankle throbbed, she imagined thorns piercing flesh, and a veiled woman pressing a delicate foot to the head of a snake; she prayed she might be as strong as the woman, and that no snake would ever strike her flesh and infect her with evil.

            At mid-morning, a cramp stopped her in her tracks. Cold sweat beaded on her face, and when it evaporated, she started walking again. When the pain grew too insistent to ignore, she pressed her hand to her back and lifted her face to the sky. The sun seemed to be orbiting the earth, leaving a fiery wake, and the world spinning too quickly in the opposite direction. She looked over her shoulder, across the valley, to regain her bearings and once again started walking, counting her steps and imagining pale stars circled in an airy crown.

            At noon, she pressed her hands to her belly, cried out, and staggered into a patch of shade beneath a mesquite. She collapsed on dirt and felt the warmth of viscous fluid trailing between her thighs and the pressure of hands on her knees. She heard voices rising in prayer and terror, drifted in and out of consciousness, and let herself drown in darkness. When she stirred again, a cloth bundle was lying on the ground before her. The preacher and his wife were standing above her, considering the bundle with dull expressions traced with sweat and streaks of dirt. The boy was crouched nearby, with his arms wrapped around his legs and his head lowered.

            “A seed can’t grow in polluted ground,” the preacher’s wife said. “Nurtured by pride. It was our failing not to see it. And his failing not to say anything before this. To join her in sin.”

            The girl slowly sat up, gathered the bundle in her arms, and stroked a fold of cloth until the preacher’s wife bent down and stayed her hand. “I want her baptized,” the girl said, pressing the bundle to her chest.

            “It’s dead.” The preacher wiped his brow. “It would be an abomination.”

            “You need to accept God’s will,” the preacher’s wife said.

            The girl shook her head. “This isn’t God’s will, unless God hates us.”

            The preacher’s wife stiffened. “Your heart has been hardened against God. This is your punishment.”

            As the preacher’s wife turned away, the girl lifted a fold of cloth and howled. The boy pressed his fists to his ears and rocked back and forth on his heels.

            She started digging late in the afternoon. She worked alone, breaking hard clay with the edge of a stone and loosening earth with her fists until her hands bled. When she had dug a hole, she pressed the bundle to her chest, whispered a name, and rocked back and forth on her knees for an hour. Finally, she lowered the bundle into the ground, covered it with earth, and lay down and wept. Moments later, the boy approached her.

            “Put a rock over it,” he said hollowly. “So it doesn’t get disturbed.”

            She sat up and looked at the boy. “It won’t get disturbed. I’m not leaving her.”

            The boy averted his gaze from the blood crusted on her legs “You need to clean yourself. They won’t wait any longer.” He set a jug of water on the ground. “You have to accept God’s will.”

            “We don’t know what God wanted. We don’t know anything about God.”

            The boy touched his face, as if he had been struck. “These are the trials that test our faith.”

            “My daughter didn’t do anything wrong. God could have left her out of it.”

            “It’s dead,” he whispered. “Preacher said it was too early to know what it was, even.”

            “He didn’t carry her,” she said. “He doesn’t know anything.”

            The boy’s features twisted in fear. He looked over his shoulder, at congregants falling into line behind the cross, and turned back to the girl. “I need to go with him. He’s my father.” He took a step backward. “You can’t stay here. Alone.”

            “You told me we’re never alone.” She raked the earth with her fingertips and fixed the boy in a hard stare until he started after the cross, leaving her to gather stones to place around her daughter’s grave.


The sun was setting when she drained the last water from the jug. Soon, her tongue swelled and dust settled in her lungs. When darkness fell, she leaned against the mesquite tree and watched clouds scudding across the moon and shadows shapeshifting upon the stones around her daughter’s grave. She considered her solitude with indifference, and then despair, as a falling star arced toward the desert.

            She touched her chapped lips, imagined the burned faces of angels cast from Heaven, and felt her fever as a tongue of flame licking at her rib cage, rising from her throat, and scorching the inside of her mouth. She imagined her heart blackened by ash, tore at her clothes to bare her neck and shoulders to the night air, and collapsed against the tree with her palms to the sky. The wind died, and in the quiet, her mind compassed a kingdom of reviled beasts condemned to burrow in dirt and slither across stony ground. She heard tarantulas padding across stones, lizards winding through scrub, and insects carving out subterranean nests; she watched, in wonder, a ministry of snakes slither from a bank of grass and, in slow succession, slide across her lap and caress her upturned palms, stretching and tensing in a shed of lucent skin. She stroked their scales, mesmerized by their graceful molt until dry lightning split the sky and drove them back into the grass. She fingered an envelope of brittle skin caught on her finger, stretched across the ground, and felt her bones sinking into the earth.

            She was curled into herself, nearly unconscious, when a gust of wind stirred her. Beyond the fetor of blood and urine, she smelled the delicate scent of the boy’s skin. She sat up, and the boy appeared to her, first as a flame, and then as flesh, as she had first seen him, untouched by the elements and almost angelic. He knelt before her, and with his tongue spun moonlight into silver threads and wound her heart in promises of everlasting love, but when she reached out to touch his face, his flesh and bones turned to dust and snaked away in the wind, leaving a darkness and deep more ancient than desert sands. A chill replaced her fever, and to the sound of distant coyotes, she stretched out beside the grave and waited to die.

            She woke at dawn, to the sound of a man’s voice, and thought the boy had returned, but when she lifted her head, she saw five men with small packs slung across their backs standing in the grass at the edge of the clearing. With her cheek to the ground, she watched the tentative approach of a young man in gym shoes and a baseball cap. When the man reached her, he crouched down and considered the dried blood on her legs, the disturbed earth encircled by stones, and the empty jug at her side. She took in the acne studding his cheeks and the downy hairs edging his upper lip. She saw the fear in his eyes.

            He pushed his cap back and settled on his haunches as an older man crouched beside him and uncapped a plastic jug. She turned to the old man and slowly registered the drape of a grey mustache and the creases in a face carved by the sun.

            Without a word—for there was no Word in his mind, or in her memory, that had ever driven out the consuming hunger ravaging the land and haunting them both—the old man touched her wrist, slid a hand beneath her arm and helped her sit upright. When he lifted the jug to her lips, she wrapped her hands around his wrists to steady herself and tasted her own blood in the water on her tongue. When she started to choke, the man rubbed her back and wiped her face with a bandana. When she could breathe again, he held the jug to her lips again until she pushed against his arm. Then he drew a bundle of wax paper from his backpack, fed her bits of sweet dough from his fingertips, and beckoned his companions.

            She looked across the valley and saw, at its far edge, the salt flat in the first light of day. She dug her fingers into the dirt and began to weep, and the older man placed his hand upon her shoulder. She looked into his face and became aware of her own smell, and the strained expressions of men looking anxiously at dissipating clouds and waiting for her. Slowly, she drew her fingertips from the earth and collapsed the circle of stones into a small pile on top of the grave.

            Wisps of cloud were burning off in the morning heat by the time she rose to her feet. The old man cupped her elbow to steady her, and for some time, they stood in silence, staring at the stones. She whispered a name that dissolved too quickly on her tongue and, at the old man’s urging, turned from the grave and into the wind, and in the company of strangers, took her first steps along the winding path leading ever closer to the promised land.


Alice Hatcher is the author of The Wonder That Was Ours (Dzanc Books, 2018), which appeared on the Center for Fiction’s First Novel Award long list. She has published short fiction and essays in numerous journals, including Alaska Quarterly ReviewPleiadesThe Masters ReviewFourth GenreThe Bellevue Literary Review, and Ellery Queen Mystery Magazine. She lives in Tucson, Arizona. More about Alice Hatcher can be found at www.alice-hatcher.com

The Story of “The Story of the Two Sisters”

Daniel David Froid

That the little girl answered the door seemed the first sign that something was off. I don’t know: she was so small, and her checkered pinafore and carefully curled, mouse-colored hair made her seem smaller still, doll-like, but also deliberately so, an effect that somebody (not she herself?) had planned. It surprised me how husky her voice was when she said, “Hello. Are you the investigator?” I nodded. Another surprise was how familiar she looked. She seemed like somebody I had met before, but where this child and I might have come across each other was an utter mystery. I have no children and do not associate with them except through my work, and that happens rarely.

            She made a small motion, a curtsy that didn’t quite land, for perhaps she didn’t fully grasp how or was simply unable to do it, and so she awkwardly bobbed, tilting a few centimeters too far forward—she lost her balance and hastened to thwart a fall, which she did with a snap in the opposite direction—and I watched, dazzled, as this complexity of motion unfolded in the space of just a few seconds, and then she gestured inward with her tiny hand and proffered an enigmatic smile. “Please come in.”

            And so I did, I came in, smiling in return and nodding in thanks, and that the house was so spotless inside seemed somehow another sign or alarm. Nobody’s house is this clean—nobody’s house who has children. Vinegar’s sharp bright odor flooded my nose. The room I had entered was an entryway, giving way to the kitchen on one side and, on the other, a closed door: the basement? This must be the back door; yes, I had entered through the back of the house. She said, “It is only my sister and I who are home.” Careful diction, prim and proper: who was this unworldly child? I decided to ask directly. I sank to my knees, in order to join her on her level, and asked, summoning up my most honeyed tone of voice, “What is your name?”

            She said, “Ernestine.” I thought I detected some hint of coolness. Did she sense condescension in my efforts at warmth? I don’t know how to modulate. I don’t know how to act around children, a daunting admission given my line of work and the fact that it is sometimes one of my duties to comfort or soothe them, and yet it is true. Somebody once said I should act like they’re people, like anyone else I might meet, and somehow that advice has always stuck in my head but I have never applied it. When faced with a child, I feel unstuck and overcome; they who have just begun to grasp the social contract can so easily see through the terms of agreement; they see how I struggle to meet them. Their ignorance grants them too great a share of perception, which one might call wisdom, though I would stop short of it. All this rushed through my head as I swayed on creaking knees, and I said, “How old are you, Ernestine?”

            She turned away and said, “Would you like coffee or tea?” Such an off-putting child, who imbued too great a density of meaning in her every move and word. I thought she must be the strangest child I’d ever met. I stood up unsteadily, placing one hand on a nearby stool to balance my weight, and said, “I would love some coffee. Thank you.”

            She turned toward the kitchen, and I followed. The kitchen was old, the age of its faded and scuffed wooden floor greater by far than my own three decades. She bustled around the narrow room; to reach the countertops, she used a little stool that she moved around and stood upon. Yes, there were stools everywhere in this house. Beyond her slight figure, I could see where the wooden floor ended and a burgundy carpet began, which indicated the threshold of the living room. I watched as she clutched a kettle in one small hand and moved toward the counter next to the sink. From a pitcher made of glass she filled the kettle and placed it on the stove, and then she began to fill the French press with coffee grounds, measuring inexactly with a spoon. Then again, it only seemed inexact to me; I cannot speak for her and any innate capacity to measure that she may have possessed. Next to the press were two delicate cups on matching saucers: floral print, green vines stretching across expanses of white.

            I took a seat at the table, on a chair adorned with a frilly pink cushion. It took me a moment to summon up the fortitude to speak once more. I said, “Ernestine, is your mother home?” She paused in her motion, spoon held aloft. “My mother hasn’t been home for a long, long time.” She laughed, a fairy tinkle that seemed at odds with the rasp of her voice, and said, “My mother is dead.”

            I said, “I’m sorry to hear that.”

            “She’s been dead for ages.” She had filled the press; now she placed the spoon in the sink. The sun shone through the window behind the sink and let in the most radiant light. The sky was a rich imperial blue. I wanted to be there, in it.

            “Did you say your sister was here? Is that—is that Millicent?”

            “I did say that, and she is my sister,” Ernestine said. She approached me now at the table, but she didn’t sit down. “Millicent is outside in the garden.” We remained in silence for several minutes. When the kettle wailed, Ernestine moved to pour its water into the French press. “It is very important,” she said as she poured, “to get the temperature right and to let the grounds steep for the correct amount of time.” Despite her comment, she did not set a timer, and no clocks in the room seemed at the ready for her watchful eye. Instead she clasped her hands in front of her and stared at the French press in silence. Several minutes passed until, according to the guidance of some internal clock, she deemed it ready. She poured the coffee into the cups and brought one to me. She took the other for herself and, at last, sat down. It occurred to me to wonder whether a child should have ready access to coffee.

            She held the coffee before her but did not drink; wisely, she chose to wait until it cooled. Unlike her, but like myself in the sense that I am not wise, I immediately sipped the coffee and scalded my tongue. It was far too hot but extraordinarily good. I said so, praised it, and Ernestine smiled. Then she said, “I was aware that you would come. But can you tell me why you’re here today?”

            I smiled and set down my cup. I spoke slowly, taking care to choose my words with precision: “I am an investigator, and one of your neighbors has let us know that Millicent, your sister, is missing. It seems that nobody has seen her for several weeks.”

            Ernestine sipped her coffee and looked at me, meeting my gaze. Then she repeated what she had said a few minutes ago: “My sister is outside in the garden.”

            “May I see her?”

            “Wouldn’t you like to finish your coffee?”

            “Sure. Yes. Of course.” We continued to sit in silence. It took only a few minutes for me to empty the cup, after which Ernestine glanced at it and said, “Let’s go to the garden.”

            Ernestine moved out of her chair and through the kitchen. I followed her into the living room with its plush burgundy carpet and heavy old furniture—armchairs, end tables, overflowing bookcase—and then into a short hallway, at the end of which loomed a door with inset glass, covered by a muslin curtain. Without a word, she opened the door into the garden.

            It was very small, less a garden than a tidy square with scant rows of flowers, tomato plants, some herbs. In the corner opposite the door stood a statue of the most exquisite marble. The statue was taller by far than Ernestine, the size of an adult human woman, and though the features resembled hers, they belonged to an older girl. My disquiet was obvious to Ernestine, who met my gaze with a kind of smirk and said, “This is my sister. I’m afraid she’s been frozen in place.”

            The statue was now only inches away. I reached out and touched it; the marble felt cold despite the warmth of the sun. “Your sister . . .” I began, but my words trailed off.

            “This is my sister,” she said again. All that Ernestine said was delivered in a solemn tone, even funereal. “It happened not long ago, and not far from here, when she came across another garden where there grew a certain herb that is prized above all others, which is said to grant eternal life. She saw the herb, which is unmistakable, for it grows in a spiral, and once she saw it was determined to have it for herself. And so she stepped into the garden and grabbed a fistful, tucking it into a pocket of her apron. But the woman to whom the garden belonged soon came out and saw my sister and cried, ‘Thief!’ Though my sister fled, the woman followed in pursuit, and soon she found her here, at home, where she froze her in marble. And now that is her you see here before you.”

            I stood amazed before the girl and the statue. The words that came out of my mouth seemed foolish as soon as uttered, utterly inept and inadequate: “And that’s why your neighbors thought she was missing . . .”

            “That is exactly why. And though the woman has promised to free my sister if I complete certain tasks for her, she made the tasks more difficult as well, having cast a spell on me, as Millicent’s abettor, to turn me into a child. I am unable to do these tasks myself, and so my sister will remain trapped, just like this, until I can find someone to help me.”

            At that moment I breathed in deeply. A rearrangement of the order of my life was in the air and highly palpable. I knew I would offer my help; why else would I be here? That I had stumbled into the story of these two strange girls was as clear to me as that the statue was made of cold white marble. We exchanged a glance that indicated she knew I would help her. Her face bloomed into a radiant smile.

            “What are these tasks you must do?”

            “The first is to find the world’s loveliest and most delicate flower and trap it in a gilded cage. The second is to weave the finest and softest silk from a certain silkworm that makes its home on a very rare tree. The third is to find the most beautiful and agreeable child in the world and cook it in a stew for the old woman’s delectation. After all, as many of us know already, the old woman is in fact an ogress who enjoys the meat of children. It is her wont and her pleasure to capture and destroy all the beautiful living beings who make their home in this world.” She stopped speaking and tilted her head, watching for my reaction. I met her gaze and said, “And after that the old woman will reverse the effects of her spells?”

            Ernestine nodded. She said, “Are you prepared to help me?”

            With a heavy heart, I nodded. It is not that I wanted to do these things, but, rather, that I saw my fate unfurl before me. It unfurled quickly. As she spoke, I could see it: this was my future. I do not wish to call it my destiny or fate. But I recognized the truth of it all, and the surety of my subsequent participation, with a force unlike anything I had ever known. It was simply, intuitively, unambiguously true, as the marble was ice-cold to my touch and the sky was free and clear.

            The child—though in fact, of course, no child at all—laughed her fairy laugh and said, “That’s good. Because we aren’t going to do any of those things. We’re going to kill the witch.”

            At that point Ernestine led me back into the house. She poured me more coffee and promised to cook us some eggs. As she went about the kitchen and gathered the requisite materials—pan, eggs, butter, plates—she continued to talk. I sat and listened. Ernestine described her plan and explained my role in her conspiracy. The plan was very simple, to the extent that I wondered whether the old woman had already anticipated something like it. Ernestine was going to supply the old woman with a series of fraudulent gifts: a regular flower of no remarkable beauty in a cage gilded by artificial means; fine and soft silk derived from an ordinary origin, an ordinary silkworm; and another meat—pork—cooked in a stew. She explained that, while the plan did seem altogether too simple, what the old woman wouldn’t expect was such a flagrant violation of narrative law. “You see,” she said, clutching the coffee cup in her delicate hands, “the old woman follows certain rules to the letter and expects us to follow suit. She is certain that she will find all thieving young girls whose curious eyes stray toward her garden and turn them to stone and that her requests will never be fulfilled. Or she must be less meticulously tricked, the tables turned in a different way. I believe that, if the requests were met, she would gladly do as she says. If things were to unfold another way—well, Solveig Nilsen would be shocked.”

            At this point I spoke in a low voice, leaning forward in my seat. “Solveig Nilsen,” I said. “Is that the old woman’s name?”

            “No,” Ernestine said. “It’s not.”

            “Have you considered meeting the requests?”

            “Well, of course I have, but I ask you to consider this. If they were met, she would simply be reborn the next time a hungry girl wandered too near to an old witch’s garden. I believe that you do not quite grasp the scope of our work. By surprising the woman, and killing her prematurely, we therefore destroy the cycle.”

            “The cycle,” I repeated.

            “Yes. It’s a story I’ve lived through many times. And you have, too. Does all of this not feel very familiar to you: my home, my childlike appearance, my missing sister? Do you not feel that you’ve encountered all of this before?”

            I agreed. She was right. It felt familiar. But it seemed to me that whatever mental picture I possessed of the situation remained clouded, fuzzy around the edges—the entire picture unclear.

            “Do you not even find it a little strange that you lack a name of your own? You are simply, after all, a conduit through whom the story is told. Our author hasn’t bequeathed you with very much more than that, I’m afraid.” At this point she stood up. She walked toward the sink and began to clean the dishes.

            It’s true; I have no name. When she said it, I recognized that she was right. What was my name? Had I ever had one? What was I doing here, really?

            Ernestine continued, “I am grateful, you know, that the story continues to be updated now and then. I appreciate these modern conveniences.” She held up the French press and gestured to her stainless-steel sink. “It doesn’t seem that long ago that we were drinking nettle tea in a wretched wooden hut.” She laughed. “I suppose I’ve had not a little practice in making fine coffee and eggs as we mull over our plans to save my poor sister—my poor sister who is always trapped in marble. That has been one constant from the beginning.”

            At the table, where I remained, I was silent.

            Then I spoke. “What am I doing here, really?”

            Now the girl sighed. “‘The Story of the Two Sisters,’ by Solveig Nilsen. That is the name of the story and its author.” Soon she’d returned to the table, the dishes clean. “You are simply a narrative device. You are not even, to tell the truth, a genuine a character—or, I’m afraid, not much of one. But to return to my plan: I wish to show Mrs. Nilsen that we are rather more than wooden pieces on a game board of her own design. If we break the cycle, what a surprise she will have! There will be no more story at all then, and my sister and I can at last live in peace.”

            At some point, she noticed my silence. She said, “Well? Can you speak? Can you tell me what you think of my plans?”

            I could not speak. I could not tell her, for I did not know. I knew she was right, and yet some reserve within me, of fear or self-preservation, if that was what it was, prevented response. The problem lay in my failure to understand the problem. No. The problem lay in my complete and total failure to gather resources both external and internal, resources that could conceivably aid or advance or improve my understanding. Understanding what. The problem lay in not knowing: what questions to ask, where to start, anything. The problem was the lack—yes, that’s right. The lack, the absence, the nothing. But these were not intractable problems, lacks and gaps and absences. All these many voids could be filled.

            But what if I did not want to leave the contours of this story, which, I had forgotten, did in fact form the borders of my life? What if I wanted things to remain as they are—to remain in place? Could I refuse now to rebel?

            I didn’t know. Remaining at the table, I didn’t say anything for a long, long time.

            *

            Ernestine Boggs chuckled to herself and then cursed. Her writing made her chuckle, and her cursing was her response to one finger’s inadvertent tap, which caused a growing length of ash to fall from her cigarette and spray onto her keyboard. “Isn’t that nice,” she muttered. She would clean it up later. Now, she stood up from her desk, let loose a hacking cough, and began to pace, cigarette in hand. Part of her wished to end the story there; she felt it had reached its conclusion, that she’d tied a neat enough bow—maybe a little bit crooked, she thought—on the narrator’s predicament. And yet another part of her wondered whether she should keep going, should go through with the little girl’s plan and develop a confrontation of some kind with Mrs. Solveig Nilsen. Ernestine Boggs told herself that that would be tedious and decided to make some lunch. After pulling on her favorite housecoat—pink leopard-print polyester—she opened the door and left the room.

            She had been having trouble with the story. She wanted to write a little bit about herself, her own life and experiences, and, in the process of writing, she found that she came out with a cockeyed fairy tale with no resolution and no moral: not at all what she had intended. And as she wrote she could not decide which of the characters were, in fact, herself, though she suspected that each of them might be: the girl, whose name she shared; the deeply perplexed and vacuous narrator, or the unseen old woman. A trio, sacred number. It occurred to her that there was another trio as well: statue, narrator, and author. The narrator remained in the center of both, the nexus, the point where the lines of the X converge. “I’m so full of shit,” Ernestine Boggs said out loud then, and once more she made herself laugh.

            All of these things jangled in her head as she left her office and descended the stairs to her kitchen. As she took one step and another, she absentmindedly patted her hair, a grey permed helmet that she regarded with inordinate and unreasonable vanity.

            Fiction was her latest challenge, and she did find it a challenge. She thought about the days on the set of Eagle’s Nest when she and Serafina Nicolls had screamed at each other for hours, debating the likelihood of this or that plot point. Those days had been easier, and more fun, than this morning. Over decades she had spent her time not just writing scripts but sparring with all those—other writers, producers, actors—who dared to question a melodramatic plot twist or a faulty line of dialogue. She preferred to get her own way at all costs, no matter that she was a writer, not an actor; she would revise only with spite and resentment. Yet now that all obstacles had vanished—rather, now that she had removed them, giving herself what she thought of as a gift of this new pursuit—she found that everything proved much harder than she’d imagined or desired. Her talent was for provocation, in her verbal spats and the endless streams of melodrama that she held deep within her like a volcano. Who would approach that rocky ledge and feel the scald? More to the point: now she was dormant, and however would she activate those deep reserves of magma again? She wanted to feel as if the top of her head were taken off. But she wanted to do it to herself, and so, unskilled in the art of trepanning, she fumbled with a blunted knife.

            In the kitchen, she was staring into space. She was lost in thought and dwelling on the nexus. It was not her first attempt at autobiography, yet somehow all of them seemed to turn out this way. She would announce to her empty rooms, “Now I will write a little something about myself,” and then she would sit down and come up with something utterly other. “No discipline,” she would tut. “No focus.”

            Now she startled herself out of reverie, grinding her cigarette into the enamel ash tray on her kitchen table and then moving toward the sink to wash her hands. She liked to watch as the gummy liquid soap turned to suds in her hands as she rubbed them together.

            As she scrubbed, she found that she’d boarded a new train of thought: time means becoming meat. What was she doing here—smoking her cigarettes, weakly attempting her fiction, cooking her lunch—except hurtling toward an end that would be both swift and decisive, as all ends are, the final transformation to a lump of dead flesh, metamorphosis that crazed and scared her. All that she wrote disappeared into ether. Here it was: one day, she would follow it there. That her consciousness would simply dissolve, having nowhere to go, was appalling. She couldn’t believe it. She did not believe in God but thought at times that something must wait beyond the dissolution, the wreck of the body and the vanishing of the spirit. Law of conservation of matter: it has an intuitive rightness and elegance and so, she thought, there must be a law of conservation of spirit. Her consciousness was not a tangible entity, but still it lived and flourished. It was, she was—I am Ernestine Boggs, for chrissake! It, she, I was there, here, alive and well. Her spirit had to go somewhere. Would she be reborn? Always, she thought, reincarnation seemed as dubious, perplexing, and annoying as anything else. I will not be an insect, she thought. Ego! She clung to a sense of conviction. No longer washing her hands, she had taken a seat at the small round kitchen table and begun to look listlessly fridge-ward. She was putting off the task of cooking her meal.

            It seemed to her that a human being had too great a share of vivacity, or vitality, or whatever it meant to be something—sentience—and to become something else, yet, at the same time, she thought, it was not just humans, and animals, too, had their own unique share of whatever-it-was. Right? Her old dear dead dog—Cheryl—had not been cursed with Ernestine’s churning self-consciousness, but hadn’t she had her own life? She did; she’d had thoughts, Cheryl had, and wishes and all the things she loved and despised. And where did she go when she died? Where did silkworms go once they had spun out of themselves the very shelters that would serve as the cause of their destruction? Vitality cannot be wasted.

            She thought, lost in thought, wouldn’t Mrs. Solveig Nilsen be surprised if I turned the tables on her? Where is my Solveig Nilsen? Now “fuck” she said aloud and approached the fridge, which, open, gave off a dim yellow light. She grabbed the eggs and a loaf of bread and transferred them from fridge to counter.

            The stove released its rich stink of gasoline and blue plume of fire. She slapped her pan on the burner grate and reached for the eggs. Clutching one in her hands, somehow she squeezed too tightly and cracked its shell. Startled, she dropped it on the floor.

            She paused for some seconds. And then, lowering herself to her knees, she inspected the floor, not clean, with a new covering of bits of shell and a thin layer of albumen. And the yolk, punctured in the fall, was now seeping across the albumen and shell and dirty tile. Ernestine Boggs put her hands on the floor and drew closer to the egg. Then she stuck one finger into the mess and swirled it around, feeling the egg-slime and prickle of shell-shards.

            What is the egg? Shell is host or vessel, and the egg the sacred body that the vessel receives and gently shelters. Or the vessel is an inextricable part of its being, vessel and body identical. And the thinnest skin that shelters the yolk—that invisible membrane that allows it to remain suspended, still, round, and whole. That the vessel itself had shattered, seeping its liquid across the floor, seemed like an instance of the great and only crime: the dissolution of life. There it goes!

            Her destiny could be atmospheric. When her own spirit fades away into that unknown wherever, her particles will be captured by air, sucked one day into lungs; she will be lived and breathed. Or her destiny could be interstellar. When her spirit goes at last, it will seep into the stars and puddle atop, alongside, within the black pool of space, one viscous fluid that cannot quite dissolve into another. It will resemble this wreck of egg on the floor, to be cleaned up by someone. She plunged a finger into the yolk now and smeared it around on the tile, picking up the dust and grime of months. The gasoline smell, thick, wafted to her nostrils. Above eye level, the flame continued to burn, ever-blue. It was scorching her little pan. To the empty kitchen and the egg and the gas and the flame, she said, “Where is my own Solveig Nilsen? How do I turn the tables on her?”

            With an abrupt and smooth motion that surprised her, even in the act of doing it, she stood up, switched off the gas, and set about cleaning floor and oven. The pan might be ruined. She placed it in the sink. Scrubbing it hard until it shone, she rubbed and rubbed the tile. She thought about going back upstairs now, to her office, about getting back to work and fixing the story.

            Instead she exchanged her housecoat for a gold lamé windbreaker, and, having first slipped an apple in its pocket, stepped outside into the cold bright day. She was heading for the woods behind her house. She passed her garden, identical in nearly every detail to that of the little girl in the story. She stopped by the statue and gazed at it with a longing that felt ever renewed. This was no statue of a sister, for Ernestine had no sister she wished to memorialize, but of Cheryl the dog. Ernestine said her name aloud and patted the marble head.

            She removed the apple and brought it to her teeth. Incisors punctured its thick red skin. Its liquid sprayed her face and stickied her hands and dribbled down her chin. She munched and walked into the forest. Eventually, the core of the apple fell from her hand to the ground; later, ants would throw themselves across its juicy crags and celebrate this gift of life.

            The light in the forest was several shades darker than the day. Trees huddled close, and Ernestine Boggs could see but little. She was thinking of waste and where her vitality would go. And what about the characters whom she imbued with traces of herself, her own vigor or essence or whatever she gave them? She inflated them with the breath of life, said: Live! and they listened. She could think something else into sentience; at times she really thought she could, and the capacity to be surprised by a character’s actions was a novel occurrence that was not unique to her. More energy that, it seemed, was not ultimately conserved. Energy she poured into dead ends that might cause some few minutes’ amusement or diversion but not much more than that. Is that how it worked? She thought: there ought to be a magistrate who passes judgment on the law’s transgression.

            The train of thought stopped in its tracks, hurtled to a halt. She saw something near her feet, the only spot of color that was not dingy green, dark brown, grey. It was a flower of stunning beauty. Its color neither pink nor purple but a luscious intermediate shade, it stood upright, shooting out of the ground in greeting. It looked like an orchid, despite the fact that, she thought, orchids don’t, can’t, grow in this region of the world.

            A thought resounded in her mind. She laughed aloud. Looking down at her shining jacket, she wondered if it could serve as a gilded cage. Then she knelt and tore the flower from the earth, slipping it into a pocket that, zipped, enclosed it.

            On she went. Of course she harbored some guilt about her previous action. She had snatched the flower’s vitality away, following a remorseless impulse to hoard its beauty for herself. It was true. But, if she were the narrator of the story she had tried to write, she would feel quite pleased that she’d gathered one of the materials that would, in theory, effect the rescue of the stolen sister. The thought made her vision sharper. She looked around to see what she could see. And so, there, of course, on some variety of mulberry tree—which she could only assume made its home here because of some unknown law, if not the laws of ecology that seemed to have been somehow suspended, the dictate of some unknown creator to whom she must one day offer her thanks—with its low stump and plump bouquet of leaves, she espied white writhing hordes of silkworms. Unskilled in the art of sericulture, she would not know how to cultivate cocoons that would have to be despoiled. And yet she collected a fistful of worms, and she slipped that fist into her other pocket and let them go. She zipped the pocket shut.

            And now she knew what was coming, what was left. She did not know who it was or what to call that unknown master—driver at the wheel, arbiter of the law, author of the story—but it did seem to her that someone was in charge and it was not and never would be her.

            She thought, I was trying to finish my story. I would write a little about myself. It turned out a different way, went askew or awry, as things in her experience tended to do. She didn’t know where she was anymore. But she could see, ahead of her, in a space that was too small to be a clearing, a rupture in the ceiling of the woods through which shone the moon’s soft light—no matter that the dark had not yet fallen when she left, unless time had passed too quickly, far beyond her capacity to measure its continual ticking—a child curled up on dirt and leaves.

            She glanced up at that pinprick rupture. The gibbous moon resembled an egg. She thought: damn the moon. She would like to crack its shell and watch the albumen and yolk gush out on that endless surface that was no surface. She would like to see whether it would be absorbed or suspended. This child may lose the vitality that Ernestine Boggs held so sacred. It would diminish or be consumed. It could be her who would breathe some miniscule particles of matter into her own lungs. She thought again of the gibbous egg that she would love to smash, whose insides would seep into night’s dark coverlet, to dampen or stain it. Take it! she thought. She wanted it gone. She wanted the child gone, too.

            Perhaps if she did it—claimed the child as part of her quest, did what it now seemed she might be fated to do—she would turn around and retrace her path and find, when she returned, a different house with someone else waiting in its garden. And perhaps that one would know what to do with her, though she doubted it. And perhaps that one would know where all that vitality or vivacity or whatever it was would flow in its own good time, though she didn’t think she could believe it. She was walking toward the child.

            From the clarity and brightness of the gibbous egg’s light, she saw the child and she knew who it was. It was the narrator of her story, that one to whom she had not bothered to give a face, much less a name, the narrator who was only a nexus, a plot point in some grander scheme.

            Born into a world that could never grant recognition, because there was nothing to recognize, because, once born, nothing was granted but confusion of mind and spirit, the narrator lies curled and sleeping on the floor of the forest. Ernestine Boggs approaches and gently rests her hands on a nondescript back. Her nails are tapping on flesh that is warm. She is playing a tattoo, calling you to action. She takes off her jacket and covers the body of this eternal unknown. She thinks: Who would eat you? Who would grant you your fate, and, having consigned you to its dark intentions, swell with the pleasure of a gratifying meal? And whatever you have of a soul would scamper—somewhere. The question whose asking I cannot stop; the future whose coming I can neither see nor bear. A deer in the woods, a babe in the woods, are you. In a dream I watched one beast eviscerate another for the simple pleasure of it. Neither hunger nor safety were at issue; it was merely the delectation of a perverse and beastly impulse obeyed and embraced. I couldn’t do it. I couldn’t do it to you. I have shorn myself of such impulses in the interest of life, the vitality I worship and refuse to consume.

            She stands up, walks further into the forest, shorn of her jacket, shorn of her treasures, surrendering to a narrative law she did not design, whose sudden arrival she couldn’t have seen, shorn of self and life but, still, becoming.


Daniel David Froid is a scholar, educator, and writer of strange stories who lives in Indiana. His scholarly research focuses on devils in eighteenth-century British literature, and his fiction appears in Lightspeed and Weird Horror, among others. He teaches at Purdue University.

Walking + The Ladder

Nathan Dragon

Walking

I walk a lot. I like walking.

            I took a walk today just to get out of the apartment. Came back with a six-pack that I didn’t really need or want. Then I walked from the door to the fridge to the living room to the bathroom to the living room, sat for a second, then walked back to the kitchen for a beer, and back to the living room. That’s one lap. There will be five more and each one gets faster.

            I’ve got blue pants on with a single dot of pink from a bleach drop, white socks, brown shoes. I change into the black shoes when I leave the apartment. This is how my grandfather dressed, plus he’d stuffed his breast pocket with smokes, lottery tickets, a lighter, and a little pencil.

            A kind of uniform, complete with pink bleach drops. He was a cleaner.

            I think I should get some scratch tickets next time I’m at the store if I remember.

*

            Walking earlier, I threw a couple shadowboxed punches. Had to stop and put the six-pack down for a sec. Looked at my reflection in some storefront window. I was thinking about a move, so I made the move, because I wanted to feel myself go through the motions and see myself make those motions. Felt self-conscious that someone on the other side of the window was looking at me like I was performing for them.

            This comes from the same part of my brain that allows me to talk to myself out loud in public: What should someone do when they over-squirt the appropriate amount of mustard onto the plate for the corn dog? What is their responsibility? Should the extra mustard, if clean and crumb free, be siphoned back into the mustard bottle?

*

            It’s kind of a boring place to walk. So I have boring thoughts. There’s nothing for me to connect with.

            Like a right hook connecting after a parry.

            At the grocery store late one night two weeks ago, I thought I was going to have to fight someone whose name seemed like it would be Timoly. Timoly said, “My bad,” so I said back to Timoly, “Definitely is,” and Timoly called me a pussy. I was just mad because it’s really not hard to be a person who goes unnoticed peacefully, but Timoly couldn’t and kept cutting me off, waving around a bag of whole wheat tortillas.

            After the exchange, I kept walking up the aisle towards the seltzer water, laughing, and I kept thinking,

            What?

            What?

            Imagine how dumb that would’ve been.

            Good to be safe walking around. Bundle up, hide most of your face. Hat and shades.

            Floating right through.

            The grass will be greener there. If this could hurry up and be over with.

            Go there or go back.

            I was walking up Main Street, with these sharp sneezes going on.

            Remembered getting my nose cauterized a dozen times. I’d be covered in my own blood after two or three rounds. Wipe it from my face and wipe it on my shirt with my red glove. Could never tell how much there was till after, cooling off and finding form in the mirror.

            I remember being covered in flour, breathing it in, sneezing, after dumping the 50lb bag into the dough machine. Don’t turn it on yet. Step back for a sec, let it settle, that thing will take your arm off repeating in my head years later.

            Fishing, it’s the same feeling as getting caught with the hook in the crook of my arm, trying to get it unstuck from the weeds.

            I want to want nothing.

            I want to take a nap. But I never do.

            Do you think it will turn out?

            Is this real or not? Frame it. Hang it up. Please tell me what this is.

            What am I doing?

            I’m trying to engage with myself. ?

            Walking. Talking. Thinking.

            Today I did wake up. I got out of bed and put the uniform on.

            Being good this month but not quite yet.

            I like to keep walking. Take a few laps.

            I’ve been adding some paprika to my breakfast. I keep forgetting to get the thing of Cavender’s and a lemon. I’m not sure if I like Cavender’s, but it’s been awhile, and it would be something to do to get some and try it again. Cavender’s and scratch tickets.

The Ladder

When I was maybe twenty-seven, twenty-eight, I was driving north with my panting dog in the back. At some point we moved over from 95 to some local street. But before that, with marshes below us, the highway elevated, my mind was blown. We drove by a ladder sticking up from below, just peeking up above the highway guardrail.

            “The top of the ladder, Vic,” I yelled, “would you look at that!”

            I’d gotten hired onto a roofing crew earlier in the season. I liked the work. I’d had an eye for ladders. My mind said: Stairway to Heaven. It wasn’t, though. It was I-95 North into New Hampshire.

            It was cloudless and hot that week, easy to remember that. It was always cloudless and hot, and I always felt wet and heavy.

            The ladder’d caught light in a way it shouldn’t have. It blinded me. Heaven. I was in heaven with my dog, so dogs do go there. I’d wanted to close my eyes and keep them closed but I opened them because I wanted to and because I wanted to live and I wanted my dog to live.

            I’d never told anyone about that ladder because it seemed, at the time, melodramatic and embarrassing.

            But years later when I thought of it, it made me feel hopeful. Someone who needed to escape, did. Climbed up to the highway. Lived. Keep living. I kept driving.

            I opened my eyes because my dog barked.

            There was a song I used to listen to every morning on the way to work about long hair and walking everywhere. I remember one time, listening to it, driving north with my panting dog Vic in the back. I had to bring Vic with me this time—I don’t remember why.

Nathan Dragon‘s work has been in NOONHotelFence, and New York Tyrant. Dragon is from Salem, MA. His collection, The Champ is Here, will be published by Cash4Gold Books in the Fall of 2024.

The River Roux

Tom Cowen

The jasmine rice sits like a baseball split down the middle, a tangle of cork and string hidden by what’s on the outside. The mound has been perfectly rounded not by hand but by a utensil or small bowl. I slide the plate from the bartender and my nostrils are consumed like I’ve dipped my nose in a warehouse-sized peanut butter jar. I know it emanates from the flour and fat that must turn the color of peanut butter before the chef stops stirring. The fragrance precedes the sight somewhere before the flour burns. I’ve heard it referred to as a two-beer roux. It’s a Rembrandt you inhale, I want to admire it, but my nose outvotes my eyes, and I reach for the white mound. I flip my fork over and rake at the pile as if they are leaves. The grains fall not in a clump, connected, but as individuals unencumbered by the others. I count them, there are eight.

            It is March, I’m in Orlando for a conference, it is 55 today back home in Connecticut heading towards the upper sixties on Friday. I’ve already looked at my calendar and seen when my last phone call of the day is, after that I will go fly fishing. My thoughts are wishful, after all, I am 56 and have never caught a fish. Not with a spinner and a worm, let alone a fly rod and dry fly. It will be my second time out, I don’t have the right fly, the right cast, don’t know what sections of the river to fish. But that is all fine, my Orvis equipment is still new enough to return.

            The first etouffee I cooked was five years earlier. The roux started with little hope, starting with a clump that could stick to a wall, saved by melted butter gathered from the edges to moisten the middle. The color remained for minutes, a sun-faded tan shoe, with little change. I paused and re-read the recipe before I noticed the quick burn of flour in the wake of the last stir. I stirred again, fast, quick, until the burn disappeared. Then, I placed onions, green peppers, and celery on my Boos cooking board. I looked forward to cutting vegetables, stirring the roux and relaxing in something slow, mindless, repetitive. I picked up my Santoku knife and made my way through the celery, feeding the stalk into the blade. Thin, even slices, almost transparent, then too thick. The peppers fell in quick order before I switched to the onions. Saved for last, I knew they would make me cry. Not the cry I needed but a cry, nonetheless. I slit lines horizontally, then across the top, before toppling the onion into small pieces, like a Jenga. The roux’s nutty fragrance beckoned, and I gave it a few stirs before returning to the onion for a finer chop. Left and right, through the mound, before I pulled far right and rolled the knife over my thumb. The skin tore and then the knife ground against bone. I looked down for the gusher. My thumb turned pale white, stayed like that, one one-thousand, two one-thousand, before it started surging. “Owww,” I yelled.

             “What did you do now?” my wife, Ronee asked.

             “I sliced my thumb wide open.”

             “There’s plenty of gauze in Justin’s bathroom.”

             “What an idiot,” I heard, my older son, Brandon chortle.

             I stood at Justin’s vanity, running cold water and applying pressure. I released it every minute to see if the bleeding was slowing. It wasn’t. What if it didn’t stop? Determined not to take the family to the hospital on a day off from Justin’s radiation treatment, I pressed harder. The bleeding slowed.

             “Dad?” Justin called from the bottom of the stairs, “Are you OK?”

            I looked at the mirror, shook my head and wondered how a child with a bone tumor in his neck could be the one asking if I was OK.

             “Yes, Justin, I’ll be OK. The bleeding has almost stopped. I don’t have to go to the hospital.”

             “I’m glad you’re OK, Dad.”

            I looked in the mirror and let out a long breath, overwhelmed by the person my son had become. I wrapped my finger with gauze, pulled it tight until the finger turned purple, then I loosened.

             The previous night’s crawfish etouffee was the best I’ve ever eaten and so I return to the restaurant the next evening. Landry’s is not a shack off a bayou, but a chain, owned by Tyler Fertito, who owns casinos and is a Shark Tank guest shark. I work an initial rake of rice onto the slurry of onions, peppers, celery, and crawfish. The rice sticks to my fork, falls in a clump. I fold the etouffee onto the grains, coating them in the liquid. Running my fork through the etouffee it is decidedly thinner, the taste off, I sense that the roux burned. Still, as the crawfish slide down my throat, I determine it is a top five etouffee.

             It takes 32 hours to fly home from Orlando, and so I don’t hit the Norwalk River until Saturday. The fog oozes from the rippling water, like pus from a scab. My legs and torso remain dry in the waders while a steady drizzle wets my upper third. Knots are more challenging to tie on the river than the couch and my hook finds my thumb. The hook slides like a knife and inflicts constant pain until I pull it out the same path it entered. My line ends up tangled, a drunken spider’s web, again and again. I catch five trees, my boot, but no fish. Still, in several casts, I sense that someday, the line will release from the water, slow, and deliberate in motion and thought, profound like a graduation tassel moved from left to right. And if those things happen, the rod will rise to midnight and pause as the line, leader, tippet and fly race for the trees. I will draw them back, following a heartbeat of delay.

             I begin following the weather, not in anticipation of a flight delay, but for the opportunity to fish. My return to the river is the following Saturday. My casts improve over the several hours I am in the water. I move to a section where the river widens, and the branches seem out of reach. I move towards the center of the river and let my casts air out. All disappears into the whistle of the line and the rush of the stream as I find a rhythm. I gain confidence, strip more line and cast further.

             My next fly never hits the waters as it snags on a tree. Pulling as I have done dozens of times before, left then right and still the fly does not release. My hands tighten, strangling the cork as I bear down. It’s an awful snap, the same crack a bird’s leg must make as it breaks. The bottom of the rod gives way, the butt handle jerks into my waders. I can tell it is a break without even looking. The rod is fractured between the first and second sections, jagged as a break appears on an x-ray. I cup my wounded rod in my hands, like a fireman holds a baby, walking to the riverbank, glancing through the trees, hoping no one sees my new waders, boots or busted rod.

             Bob at Orvis purses his lips as I hand him my rod. I sense he takes pity on me because we talked about Justin’s cancer as he taught me how to cast in the parking lot. He goes into the stockroom and returns with a loaner. “Orvis’ rod makers should have your rod as good as new within weeks,” he says. I nod, but doubt that the body broken, the roux burned can ever be truly fixed.

            I return to the Norwalk on Monday evening with Gerald from Trout Unlimited. We talk as Gerald attaches my line to leader, leader to tippet. He clinch knots caddis and stonefly to form a double nymph rig, explaining all. They are words, techniques, knots I didn’t know a month earlier. Gerald seems to be in his thirties, but as we talk I find out he has just graduated college, like my older son, Brandon. Gerald ties his own flies and knows knots and how the water flows and when and how a fish might rise. He has grown up on the Norwalk which widens, bends and ripples through his small town. He describes Trout Unlimited’s mission as we walk to one of his prime spots, explaining how will remove a dam, just upriver several months later. We fish a popular pool first and three fish bite. I am slow to set the hook. We proceed to a fast ripple of water formed where a stream meets the Norwalk.

            Gerald crosses the river the way I cross a street. I step with caution. My ankle pulls as I roll over a rock and my hip jams into its socket as another step is deeper than I expect. The ripple is no more than fifteen feet wide, two feet deep, but it churns like the rinse cycle in a washing machine. I am surrounded by trees overhead and on both sides, leafless, pre-spring, naked wood calling for my hook. A tree hangs lower on the opposite bank, it’s branches reaching for the water. There will be no cross-river shadow casts, not even a roll cast. Gerald shows me, it will be a simple palm down to palm up, as I move the rod across my bodyas if I am opening a gate. I get a bite on my second cast, but I am slow. My third and fourth casts are limp before I feel the rhythm on the following half dozen casts.

            The indicator goes down hard, the line pulls and this time, my hand shoots up as fast as a fifth-grade math student. I have the fish. The line runs through my fingers, I pinch the line, lead him upstream, then down. I reel in, the trout breaks the dark water line, the unmistakable pink streak of a rainbow. Gerald helps me shepherd the fish to the net. I take a picture as he releases the hook. This is the first fish I have caught in my life. A twelve-inch rainbow, caught in waters black as night, as the sun touches the horizon.

            A calmness invades my body, my ribs, arms, shoulders lowering into my waders. A reading of A River Runs Through It and resultant obsession in it’s every word has brought me to this point. A bloodied thumb, maybe to Landry’s two nights in a row. As I drive home from the river, I know this is just the first step. There will be a first time when I locate a fish without Gerald tying my line. Where he will not be there with his net, and I will be using my own rod. There will be a first time when the gills are clean and strong and the fish wild. When a fly I tied during the winter will present and a trout will rise as the sun hits the horizon.

            In life, there are few moments of perfection. Fleeting seconds when you stir your best roux or when the first rice grains fall into a master’s etouffee. Moments when the first forkful contains six grains of rice, the holy trinity, and a crawfish soft as a marshmallow. Bumps in time that can only be described by Norman Maclean’s words spoken in Robert Redford’s voice, Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Perhaps, I’ve only seen perfection once as my twelve-year-old son, four months away from his death, asked if I was OK. Times when all the hooked thumbs and burnt roux result in moments earned. Maybe, I’ve learned that somewhere there must be a perfect etouffee. Now envision how a trout might one day rise into the still of a crimson spring sky. For now, those pursuits take me one step closer to a place I’ve only known once.


Born and raised in New York City, Tom Cowen currently lives in the beautiful New England town of Ridgefield, CT. He is an above-average software sales engineer, retired amateur boxer, and barely serviceable hockey player. His work has been published in the Forge Literary Magazine, Montana Mouthful, and 2021 Connecticut Literary Anthology, amongst others. He is a graduate of New York University and the Newport MFA at Salve Regina University. He writes about courage and his incredibly brave son, Justin.

R. damascene

Irene Cox

There were botanists who claimed that Rosa damascena was among the most important species of rose. Other experts did not concur.

            On the pro side, R. damascena, or the damask rose, was firstly an ornamental plant. You could say it was objectively beautiful, with short, intertwined petals — a complex frontispiece, intemperate, that rested atop dense stems with their stiff bristles, their curved prickles. Its petals were generally a moderate pink, less pronounced than fuchsia, but they could also be white. And the petals were edible, most often used to flavor desserts such as marzipan or turrón.

            Secondly, R. damascena had a perfuming effect, provided the scent hadn’t been bred out of the line. The late Wilfred Sommerfeldt used to say that their perfume “was nothing to sniff at,” then laugh imposingly at his own wit.

            But R. damascena had a number of pharmacologic properties as well. A hypnotic! An antibacterial, antioxidant, antitussive, antidiabetic, and anti-HIV. It had a relaxant effect on tracheal chains (perhaps reminding artists everywhere that scientific processes, such as an “inflammatory cascade” or “ischemic myopathy,” were often described with luxurious words. No matter how pernicious the activity, the descriptive words were beautiful).

            It should be noted that the damask rose was a hybrid, derived from Rosa gallica (the gallic rose) and Rosa moschata (or musk rose). The Sommerfeldts’ next-door-neighbor Felicity Pearce liked to think that R. gallica was the mother and R. moschata the father, with the musk rose smelling like her late father Frederick. She wondered whether the grand rose bush that straddled the Pearce and Sommerfeldt properties had been bred right there on the spot from the two progenitors. But that’s not what her mother Loyce had to say.

            The story from Loyce Pearce went that the day great-grandmother Pearce traveled to pick out English damask to paper the walls and to be sewn into curtains, this grand lady determined she would plant a very British damask rose out front ‘to match.’ But that wasn’t the Sommerfeldts’ story. According to Sommerfeldt lore, great-grandmother Sommerfeldt carried an infant damask rose plant, together with her pale baby son, in her mother’s potato basket on a ship from Norway to the United States. It was planted the day they moved in, or so they said.

            This was the essence of the feud between the English Pearces at 33 Ferncliff Road and the Norwegian Sommerfeldts at 35 Ferncliff Road. Who owned the rose bush was a skirmish that had flared for two generations. On the Pearce side were four: the mother, Loyce, together with her sons Giffard and Hames, and her daughter Felicity, who were in their twenties. Opposing the Pearces in the Sommerfeldt camp were three: the mother Lyssa, along with her daughters Tillie and Blythe, also in their twenties.

            As for the literal roots of the rose bush, they were clearly on both properties, yet the Sommerfeldts contended that the bush belonged to them. The Pearces insisted that the bush had its inception in their own yard, but they conceded that it had spread and was now shared between the two properties.

            Felicity Pearce sat on her living room’s antique damask chair and her eyes ran up and down the damask curtains. Despite the strength derived from a hybrid of silk, wool, and linen woven on a Jacquard loom, the curtains were a good fifty years old, and faded. As a child, Felicity adored that both sides of the curtains had the same pattern. Loyce had explained that damask is woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced sateen weave.

            Later in childhood, Felicity had come to love her bedspread’s brocade, another patterned fabric that she understood to be woven on a Jacquard loom as well. Both damask and brocades were shiny, derived from either the damask’s satin weave or the brocade’s metallic threads. But brocades were not reversible because the pattern was embossed and raised. Ultimately Felicity preferred the reversibility of the opaque damask. It could be flipped without penalty, providing a cultivated solace against her skin.

            But it was Blythe Sommerfeldt next door in need of some type of solace. Circumstances found her pregnant, and Lyssa and Tillie Sommerfeldt were livid. They demanded the name of the father, but Blythe was not going to give that up. Blythe was showing, and it was obvious that the neighbors’ glances were resting on her midsection. To calm herself, Blythe used to go for drives in her old, lopsided Volvo, and it worked. She would return home feeling more peaceful.

            On the afternoon Loyce Pearce went outside to cut some flowers only to find an unfathomable scene — well, let’s just say that the Pearces would never forget July 10. Every rose on the Pearces’ side of the rose bush had been clipped. On the Sommerfeldts’ front-patio table were place settings for three. Damask placemats and napkins circled a vase resplendent with Pearce roses. And so the Sommerfeldts had desiccated the Pearces’ blossoms, after which they created a petty scene on their patio with damask accessories to mock their next-door-neighbors. Unreal.

            Loyce Pearce dashed inside and called her children to the picture window. “Don’t go outside and give them that satisfaction,” she cried. But Giffard and Hames stomped out, got in their “classic” (old) Land Rover, and peeled off. Neither was spending much time at home these days, and this incident was to propel their distance farther.

            The three Sommerfeldts came outside carrying food and sat at their table, eating from a gorgeous summer smorgasbord and laughing with their heads dramatically thrown back, eyes closed. As she ate, Blythe felt something give way. She ran to her bedroom, lay down on her bed, and lost her baby. Unimaginable loss. That night Blythe asked her mother to bring the vase of roses to her room. She held the roses to her nose, trancelike. In clinging to the sharp stems, the sting of these weapons against her skin delivered a release: pain attenuating pain.

            A month later, found under Blythe’s windshield wiper was a handwritten envelope. Loyce Pearce had written a note on behalf of her family: “Dear Blythe, We are so sorry to hear of your loss. Please know that we are thinking of you. Sincerely, Loyce, Giffard, Hames, and Felicity Pearce.” In fact, Loyce hadn’t heard of her loss, but had witnessed the change in Blythe’s shape. And for Loyce, it resurrected the devastating change in her own shape at about the same age.

            On October 12, the morning before Blythe Sommerfeldt left for good, Felicity Pearce went outside, only to witness her own patio table set for four, a symmetrical reversal of last summer’s table. A damask runner and napkins appeared to be carefully placed on the Pearce table. A vase held damask roses, this time cut from the Sommerfeldt side of the bush. In the center of the table was a handwritten envelope. Inside, the note read: “Dear Pearces, Please accept these gifts as a token of our regret. Sincerely, Blythe Sommerfeldt.” Felicity was bewildered by the power of these simple words.

            By March, there was word in the neighborhood that Blythe Sommerfeldt was living thirty-five miles away and was pregnant again. Apparently, she had not named the father.

            On July 10 (the anniversary of the summer patio fiasco), the Volvo pulled into the Sommerfeldt driveway, followed immediately by the Land Rover into the Pearce driveway. Blythe emerged from her car while Hames got out of his. Each rang the other’s doorbell, holding a single rose —hers yellow, his red.

            As the families came out their doors and onto the front lawns, Blythe pulled a carrier out of the backseat and Hames placed his arm around Blythe’s back. Blythe said, “We’d like you to accept us and our little girl, Rose.” The two families responded by bringing out their damask table linens, which they spread across the two tables along with an increasingly lavish meal. They also took turns gently running their fingers along the baby’s translucent skin, amazed.

            It seemed written words, along with loss and deliverance, had brought them to these tables. Or had it been the insurgence of roses? As they lifted the tables and placed them together, the meal’s aroma intermingled with the scent of R. damascena — fragrant, indeterminate, kind.


Irene Cox studied English literature at Queen’s University in Ontario. A former book editor and anthologist, she now works as a copywriter in advertising in New York City. She lives with her daughter in New York’s Hudson Valley.

Brock Clarke

Charlotte

Charlotte asked her mother for money. To buy chips. Or gum. Maybe a hat. Most definitely birth control. What did it matter? But Charlotte’s mother said that it mattered to her, and besides, she didn’t have any money.

            “You can’t get blood from a stone,” Charlotte’s mother told her.

             “No kidding,” Charlotte said. “That’s why I’m asking you for money.

             It was easily the least rude out of all the many rude things Charlotte had said to her mother. For instance: “You look really old this morning.” She’d said that just ten hours earlier, and her mother had merely yawned in response. But the heart is always surprised by what finally breaks it.

             Later that night, Charlotte found a piece of paper on the kitchen table. It read, “Charlotte, I’m sorry and I love you, but you’ll never see me again. Mom.”

             Charlotte had no one except for her mother, basically. She’d never had a father. Her father was a sperm donor. She didn’t have classmates. She used to have classmates. This was back when she was eight years old. But her classmates had been disappointing. So had her teachers. School had been just a joke. And Charlotte had always known that her mother’s dream was to spend as much time with Charlotte as possible. This was why her mother had wanted Charlotte so badly in the first place.

             “Would you homeschool me?” Charlotte had asked, already knowing by her mother’s gross happy face what the answer would be.

             Charlotte was fourteen years old now. Oh, the awful things Charlotte had said to her most over those six years!

             Do you suck at everything? I hope I’m not fat like you when I grow up. Don’t you think some people deserve to end up alone?

            Those sentences now bounced around the house, the house that had seemed so claustrophobically small because they were always in it together but which felt huge now that Charlotte was in it alone. “Come back!” Charlotte said out loud, to the house. “Come back, I’m sorry, I’ll be better!” It was feeble, talking to an empty house. Feeble was the thing her mother had always been. No one tells you how quickly you turn into your parents. And no one tells you, once you’ve driven a parent away, that you’ll want them to come back, so you can say something to them that will make you forget the awful things you said that drove them away in the first place.

            Charlotte did have one friend, Therese, who was also being homeschooled. Charlotte and Therese would convene regularly to gripe about their homes and homeschools, their mothers and teachers. Charlotte called Therese and explained the situation.

             “Well, God,” Therese said, “do you even care that she’s gone?” After all, this was exactly the situation they’d been dreaming about since forever.

             “I care,” Charlotte said. “I care, I care, I care.”

             “She’ll probably come back.” .”

             “I don’t think so,” Charlotte said. There was the matter of the note. The note was serious business. Her mother had left her many notes before—where she was going, what time she’d be home—and she had always done exactly what the note had promised.

             “’You’ll never see me again,’” Therese repeated. “What does that mean?”

             Charlotte, who was afraid to think too hard about what it meant, said, “It means that she’s run away.”

             “So go find her then.”

             “I don’t know how. I’ve never tried to find anyone before.”

             Therese considered this. Charlotte could hear her breathing over the phone. God, why do you have to breathe so loud? That was another rude thing she’d said to her mother.

             “You should start small and then work your way up to finding your mother,” Therese finally said.

             “Small how?”

             “Slick just went missing,” Therese said. Slick was Therese’s cat, a surly Maine coon, liked by no one. “You could start by finding him. I’ll help you.”

             And that’s right, now you know who Charlotte is: Charlotte Vandeweghe, the internationally famous private investigator who started off by finding missing pets in her neighborhood, and who then went on to hunt down a stolen original copy of the Magna Carta, the war criminal with a new face on a new continent, the Fabergé egg snatched from the Hermitage, so many people with amnesia, so many missing nuclear warheads, the sole survivor of the plane crash deep in the Amazon, the man who went out for a soda and just kept going, the woman who went out for milk and just kept going, the 2011 Calder Cup trophy, Prime Minister Iyer and his entire cabinet, and so on and so on, hundreds of cases and all of them successfully solved, including the Alami twins, abducted by their deranged taekwondo instructor, and returned to their grateful parents, here in Chefchaouen, Morocco.

             “How did you find the twins?” one reporter wants to know, at the hastily thrown together press conference. This is the first time Charlotte has agreed to speak to the media. Until now, she’s seemed content to be known only for her results, and her genius.

             “Using the method,” Charlotte says, “by which I find everything.”

             “What is that method?”

             “I take things too far.”

             “Too far? What does that mean?” .”

             In front of Charlotte, three dozen reporters, crammed into a courtyard, and between her and the reporters, a microphone; behind her, a stone wall painted brilliant blue. Charlotte is wearing clothes identical to those she was wearing when her mother disappeared: a blue and gray horizontally striped long-sleeve shirt, and blue jeans that stop just above her ankle, and low-cut blue sneakers. She wears no socks because socks are an abomination. She is an even five feet tall, and thin and wiry, like a straightened-out paperclip. Her hair is blonde, short, untamed, curly to the point of combativeness.

             “Don’t forget to brush your hair,” Linus’s mother always told her, back when she was around to tell her things.

             “Then I would look like you,” Charlotte always said back. “And why would anyone want to look like you?”

             “It means,” Charlotte says, “that I don’t know when to stop.”

             “Well, it apparently works,” another reporter says. “Another case solved. Do you ever get bored? What keeps you going? What drives you?”

             “I think of the cases as practice. Each case is more difficult than the last. With each one, I get better. And when I’m good enough I’ll finally find my mother.”

             “Your mother?” the reporter says. Her eyes are huge, her voice hungry. Usually, one has to manufacture a backstory. “What happened to your mother?”

             “She left me twenty years ago. She’s been missing for twenty years.”

             “Why did she leave you?”

             “I don’t like to say,” Charlotte says.

             “But we’d like to know,” the reporter points out.

             “Think of the reasons your parents might leave you, or why they did leave you,” Charlotte says, and the reporters do, and then they don’t ask any more questions about that, because now they know.

             “How do you know you’re not good enough to find her?”

             “Because I haven’t found her yet.”

             “And why are you telling us this now?”

             “Because I haven’t found her yet. Maybe she’ll read your articles, listen to your podcasts. Maybe if she knows I’m looking for her, she’ll let me find her.”

             “And what will you tell her if you do find her?”

             “That I’m sorry. And that I love her. And that things will be different. And to please come home.

             The reporters nod, they nod. Yes, they think, that sounds about right. That’s what they would tell their parents. That is what their parents would want to hear.

             “But what if your mother is dead?” another reporter asks. He is standing in the back, and everyone turns to look at him, and to hate him. There is always someone who takes things too far. Charlotte should know. It’s how she’s become the world’s most famous private investigator, and also why she’s needed to become the world’s most famous private investigator. And even that hasn’t been enough. What if it’s never going to be enough? Charlotte wonders, and then wants to take the microphone and ram it through her eyeball and socket and into her brain, and then scape or rub out everything that makes her who she is.

             “She isn’t dead,” Charlotte says, instead.

             “How do you know?”

             “Because if she were dead,” Charlotte says, “then I would know it, and I would know it because I would want to die.”

             Charlotte pauses to let the reporters think about that, and while they do, let’s go back twenty years. Charlotte’s mother has written her note, and left her house, and has walked out to Buttermilk Falls. She is wearing many-pocketed pants and a many-pocketed jacket and all of her pockets are full of rocks. Over her head she has tied a plastic shopping bag. This is a woman who does not want to take any chances.”

             Charlotte’s mother looks up. Through the plastic the moon looks blurry and cheap. I’ve tried so hard and wanted this so much and failed so completely and I’m so tired and I just want to go away forever, Charlotte’s mother thinks, for the millionth and now the last time, and then she jumps, and sinks, and dies, and is stuck, still and possibly forever, possibly never to be found, wedged under that big rock at the base of the falls as the water roars on and on all around her.

             “But I don’t want to die,” Charlotte tells the reporters. “I want to live, so I can find my mother.”

             Someone to Charlotte’s left clears their throat. It is Therese, Charlotte’s oldest and only friend, and now her faithful assistant. Therese has a bud in her ear, through which she receives news of who or what has just been reported missing. Therese taps her wristwatch, twirls her index finger. There is always someone who needs you. There is always someone or something that needs finding. There is always someone who needs Charlotte.

             So please, if you ever meet her, please don’t tell Charlotte the truth about her mother.


Brock Clarke is the author of nine books–most recently the novel Who Are You, Calvin Bledsoe? and the essay collection I, Grape; or the Case for Fiction. Clarke’s individual stories and essays have appeared in the New York TimesBoston GlobePloughshares, Virginia Quarterly ReviewOne StorySouthern Review, The BelieverNinth Letter, and the New England Review, and have appeared in the annual Pushcart Prize and New Stories from the South anthologies and on NPR’s Selected Shorts. He lives in Portland, Maine, and is the A. LeRoy Greason Chair of English and Creative Writing at Bowdoin College.