Post Road Magazine – Issue #1 | Spring/Summer 2001

FICTION:

Eminence by Gary Lutz
A Love Transaction by Maile Chapman
Austin by Kelcey Nichols

NONFICTION:

Yamba by Joyce Lombardi
Plan of a Story That Could Have Been Written If Only I Had Known It Was Happening by Gail Hosking Gilberg
The Man Who Wasn’t There by David Manning

CRITICISM:

“I said I’m not yr oilwell”: Consumption, Feminisms, and Radical Community in Bikini Kill And “Riot Girl” by Hillary Chute

POETRY:

Hiatus by Mark Bibbins
Amber + Statuary by Nick Flynn
Black Lemons by Kathy Nilsson
Barcarole by Larissa Szporluk
Untitled + Untitled by Karen Volkman
The Effects of Sunset by C. Dale Young

ART:

Catherine Anthenien: Photographs

RECOMMENDATIONS:

Douglas Bauer on Keith Scribner
Sven Birkerts on Various
Susan Breen on Robert Creeley’s Collaborations
Austin Flint on Eeva-Liisa Manner
Amy Hempel on Pearson Marx
Pete Hausler on From Hell
Kristina Lucenko on Jane Bowles
Rick Moody on Michael de Montaigne
Julia Slavin on Maile Chapman
Charles Smith on Dan Shea
A Postcard from E. Annie Proulx
Mike Rosovsky on Tom Franklin
David Ryan on Luis Buñuel
Charles Smith on Dan Shea

ETCETERA:

Translation: Angel Station, by Jachym Topol – Translated from the Czech by Alex Zucker
Profile: Desperately Seeking Pacino, by Jaime Clarke
Document: The Great Gatsby Contract

THEATRE:

Technical Drawing I + II by Rocco van Loenen
Directing Grand Guignol by Dawn and Marty Fluger
Composing for Grand Guignol by Marty Fluger

COVER ART: Detail of “Car – Cuba 1998” by Catherine Anthenien (image courtesy of the artist)

A Love Transaction

Maile Chapman

It takes us hours to get everything cleaned up.  I do the lighter jobs.  He does the heavier jobs.  He does anything with lifting, anything with twisting, anything that I can’t do because I am prone to having cramps around the baby-thing.  The entire area is sore, and lifting is bad, it provokes the pains down there.  I have never told him about my health condition but I assume he must have guessed that I am not completely normal.  I know he makes it easier for me, and in exchange I let him hurry me through.  He has a standing plan for after work.  It is probably a girl, I don’t know, I almost don’t want to know, I never ask and he never volunteers.

            If he wants to know about it indirectly, he can find out from the office manager.  She’s the only one I’ve told, and I only tell her about my situation when it affects my job.  Even then I don’t tell her everything, not too many details.  So far I have only told the minimum, that it pinches inside when I have to lift the metal gates and drag the hose out.  I told her about the pressure from the baby-thing and the problems caused by the partial bones, because although they are small, and soft, it’s uncomfortable when I have to bend down to do the gutters in the indoor runs.

            We can have him do it for a while, she says.  She seems sympathetic, but people don’t really want to know the private story.  I am sure it makes her want to go home and get away, get comfortable.  She’s got a husband.  That’s what she says, she likes to go home on time so that she can see her husband.  But sometimes she stays a few extra minutes to check in with us.  With me, since he’s usually already started on something.  He doesn’t talk at all during the first part of the shift.  He sweeps, then turns on the waxer and guides it away from her, pretends he can’t hear when she says it’s time to have a word.  So I listen.  She tells me whether there are any overniters in the back, how many, what the special needs are.  Someone puts a towel over their doors before we arrive so that we don’t upset them with the equipment.  We never even see them.

            She slips on her belted raincoat while she goes over the details.  She takes her purse out of the bottom drawer of the file cabinet, takes her keys off the hook.  She wants to leave in her high-heeled shoes before the floors get wet.  I have tried to get him to talk about her, I thought that maybe there was an attraction there, I thought maybe that’s why she made the point to stay around a little, to see him, to try to talk to him over the hum of the waxer.  When I brought it up he looked at me like I was crazy.  Which was an answer that made me happy.

            We have a pattern of activity together.  While he does the indoor runs and the floor I go out back and dump the small boxes of waste.  I take the outdoor broom to the fenced area and flip any stools into the bushes.  After a while he comes out to smoke and I stand there a minute because he might say something, now that the worst part of the cleaning is over.  Then I go inside to bleach the exam rooms and do a general wipe-down.  When I’m almost done he gets on the phone.  He has a conversation with someone, with whoever it is that waits for him every night.  When he hangs up he says, are you almost finished?  By then I am checking on the overniters.  He won’t have anything to do with that.  He won’t go near the berths, doesn’t want to get that close.  I put an ear to each, making sure I hear the breathing.  We get ready to walk out the door together.  He waits while I set the alarm, and then we’re done.

            Depending on his mood he will let me give him a ride somewhere.  He likes to get out at a certain intersection midway between the clinic and where I live.  He points and I pull over.  At the intersection are a gas station, a tavern, and a dark apartment complex.  He waits until I pull away before he starts walking.  I’m sure he goes into the apartment complex.  It is a poor-looking place.  I think there’s a girl in there, waiting.  I know that he thinks I’m spoiled because I have the car.  He doesn’t understand the necessity.  I can’t do the walking that he does.  I try to tell him this while we drive but I want to keep it vague.  I always hope that when we talk he won’t ask openly about my health.  Saying too much about it would give the wrong impression, especially under the circumstances, he and I alone together in the darkness of the car.

            I have appointments I need to get to, I say.  I have to drive.  I can’t do the walking, for my medical reasons.  I really can’t.

            He looks away out the window.  He says, that’s probably not any of my business.

            I hope he won’t make me say more.  The best I can do is to think about my situation as hard as I can, and hope he picks up on it.  I picture the proteins, the spotty tissues all sealed together.  The baby-thing with hair and teeth comprising twenty percent of it.  I think about how much I don’t want to describe it to him just then.  How much I want to be natural and not suggestive with my details.  And he has mercy.  I think he sees how it is with me.  I think he knows that it isn’t my fault, that it was a sterile happening, and that despite everything, I’m still a very nice girl.  By this I mean that I have a good heart, and could be helpful.  He could ask me for anything, and I’d give it to him.

            The office manager waits and talks to me in private.  First she asks about my health, and I tell her that none of the doctors is telling me anything new, that it’s going to be surgery eventually.  Even though I don’t want to take the time off.  She says that I can cross that bridge when I come to it.  Then she asks how it’s working out to have both he and I doing our shifts at the same time.  I say that it works well.  She asks whether it isn’t too distracting and whether it isn’t taking us too long to finish.  Distracting?  Did he say that?  I am careful to be neutral.  I ask her whether he has made any comments about me.  Her kindness wavers and I see envy in her face.  Not in so many words, she says.  He’s concerned with getting out on time.

            We always get out on time, I say. 

            We’ll talk again later, she says, getting ready to leave.

            But I know that something is going on.  He’s been thinking it through on some level or he wouldn’t have said anything about me, one way or another.

            I stay out of his way, to make him wonder, to make him notice my absence when he goes out back to smoke.  In the exam rooms I listen for him.  I know that he is right there.  I know that he is being careful not to think about me.  My heart expands.  The baby-thing shifts with excitement so that I have to stop and steady myself against the stainless steel table.  I am almost sick with all of the possibility, all of the potential for happiness.

            Nothing changes for several days, except that I avoid him.  I find myself taking more time with the overniters.  Adjusting the draping over the recovery area, repositioning the green mesh over the heatlamps.

            Then I arrive and he is smoking outside in the parking lot.  When I walk in he follows and goes into the back.  The office manager is waiting.  She says, he won’t listen to me.  Can you make sure that he knows there’s a leak in the big room?  He simply won’t listen to me.

            Runoff water is coming from somewhere.  I can hear it hitting the floor.

            She says, for god’s sake get it mopped up.

            The concrete walls are painted white.  Water runs down them like glaze.  I hear him turn on the waxer in the back.

            He’s going to be electrocuted, she says.  I tell her that I will take care of the water.  I promise.  She wants to leave, and I want her to leave, to go home to her husband, to leave us alone.

            When she is gone I bring towels from the utility room, dirty towels from the bin, I’m touching them with my bare hands but I don’t care.  The water slowly accumulates in the corners.  I need more towels.  Just leave it, he says.  I’ll do it.

            There is a chill from the seeping water.  I listen to the overniters and check the controls on all of their heating pads.  I turn them each up by one setting.  Not too much, otherwise the overniters who can’t move will become dangerously overheated or even burned.  Sometimes they are too weak to shift themselves off the pad.  I hear him in the next room, moving towards the phone, making his usual call.  I don’t look under the toweling but I can hear stirrings behind the bars when I pause outside each berth.

            He is on the phone.  He says, did you find out?

            There is nothing but the sound of water, and then he says, I don’t believe it.

            There are jerky movements in the last recovery berth, the sound of nails against stainless steel.  I move the toweling a little.  I make larger movements than necessary, to catch his eye and remind him that I am here but he doesn’t notice.  He stares straight down at the phone.  He says, are you sure?  His voice gets lower; are you sure? Okay, he says finally.  Okay, but stop.  If you’re sure then crying won’t help now.  He hangs up.  I repeatedly adjust the toweling.  It is light pink, frayed around the edges.  I tuck it more securely around the frame of the door.

            I keep my back to him.  I am giving him the chance to make up his mind about something.  My fingers are between the bars for a long moment during which I hear nothing from him in the room behind me.  I try to maintain my calm.  I hear the nails again faintly and I am afraid that the overniter is about to touch my fingers.  Maybe bite my fingers.  But I know they are all delirious, not even aware of me.

            He pulls the waxer away from the wall.  Pauses.

            Can you give me a ride somewhere? he says.  It is the first time he has had to ask.

            Of course, I say.  Inside I feel a mounting pressure.  I slide my fingers further into the cage.  Labored breathing.  Delirium.

            He puts the equipment away, the floors undone.  He lines the corners and baseboards with rags to catch the seepage.  He is on his knees.

            I do the exam rooms, fast.  He is waiting.  He is nervous.  He can’t stand still and goes outside.  I step out of the building, lock the door.  Set the alarm.  Push the buttons.  He throws his cigarette into the gravel and we get into the car.

            I drive him to a cash machine where he withdraws the maximum allowed.  Then he asks me to take him to another cash machine nearby, where he attempts to make another withdrawal.  He has reached his daily limit.  He reads the screen, appears not to understand.  He tries again but can’t take out any money.  He gets back into the car, waits, and then asks me to drive him to another cash machine.

            By now it is dark out.  I tell him it’s no use, that no machine will let him take more.  He says he has to keep trying.  He won’t look at me.  I know he is thinking that I don’t understand, that I can’t understand the frustration.

            How much? I say.

            His hand twitches on his leg.

            I don’t know, he says.  Anything.

            I step out of the car with my purse, take out my debit card.  It slides neatly into the machine.  My fingers feel swollen when I press the numbers.  I know what kind of gesture this is.  I would take it all out, if it weren’t for the limit, and so I go that far, and will give it to him in crisp new bills.  I get back into the car and sit beside him.  Breathless.  My hand touches his when he takes the money.  His eyes look shiny and red.  I feel a pulsing everywhere, a throbbing even in my throat, because now I know that eventually I will have him.  Now I know that the girl in the apartment complex will be easy enough to forget, it will only take money to fix that situation.  And I never even had to bring up the baby-thing.  All of that has been left undescribed – there is still all of the telling to look forward to.  I’m thinking about the patience he will have to have, and the secret things he will do for me when we are alone together in a safe place.  I have to sit and hold it in for a second before I can drive, before I can even turn the key, because of the movement, the excitement, the hidden cartilage twisting in anticipation of him.

Eminence

by Gary Lutz

There was a time I would not hear of women, and a time I looked to them as my betters, and months when my heart went out to anyone done up as a person, but it was usually men I suited: men who liked to keep their words a little stepped back from their meanings and mostly wanted to know whether I was still in school or was hard on shoes. I would awaken to the poundings of one or another of them taking his elbowing ease in the shower stall. The bedside table would of course hold quarters, and a lone dime, out of date and valued-looking, and no doubt a patched-up, gadabout ten-dollar bill—I guess the test was simply how much I would be just the sort of person to take. So I would let pocket change of my own drop to the floor in what I counted on adding up to an answering reproof, then top it with a spruce twenty. I would usually think better, though, and pick everything up, his and mine both, and disappear into my clothes and be gone before he was dry. Still, I suspect that I went unrepresented in much of what I ever did, if I get my drift even now. 

There was a father, for instance, who wanted me to help save his daughter from him, or else he wanted to be saved from her—at some point I gave up keeping track of the ones I had been a party to keeping spared. There was a drumble of TV noise from the apartment below; that much is still with me. And he ticked off the points of nervy resemblance: upraised veinage, standout nose, teeth looking stabbed into the gums, arms unfavorable for even the joke sports. A broth of sweat came off him, and I hate it when they talk right into your mouth, but he kept it up until convinced there was nothing set out between my legs other than whichever mishmash he figured on being all hers. (At the time of which I write, circa my youth, there still were glories to be brought out in people behind their backs.) Weeks later I was introduced to the girl at some function I showed for. She was clean-lined, nothing new or unearthly—a desponding thing in a shirtdress, looking care-given and sided with beyond her years. The father was at the steam table, turning over the local foods. He had a tousled smile. “It’s like you never left,” he said. 

I had been staying with four or five others thriving compliably on the top floor of a three-story sublet. Freaks of drapery to keep us from the morning sun, double-strength cosmetics and pills of the moment in handbags nailed shoulder-high to the wall—it hardly helped that this was in one of the little cities that had been thrown down at the approaches to a much bigger one once enough people were pinched for time or too moody for the commute. The town had already run afoul of its original intent, and there was a misgiven majesty to the newer, upstrewn architecture that left people flimsier in their citizenship, less likely to put their foot down. So we walked ourselves into recognizability in and around the plazas, the pocket parks, the foremost shrubberied square. You could run your feelings over one unrested person and get them to come out on somebody else a little distance off. There was no need to even come face to face to be stuck in failing familiarity forever. 

People eventually answered any purpose or were no skin off my nose. 

There was Joeie: clean-tasting but a trace too saline. Colored easily, needed his full eight hours, believed in taking each of his meals in public. His loves were drugstore luxuries and the fitting instant you knew for sure that something was finally finding its way down the wrong pipe. But sometimes the rope I woke up with around my ankles and wrists was only laundry line and the knots weren’t even serious. 

And Tarn: He was either off doing somebody a wonder or having something further burned away from his complexion—you looked for the underlying advisory in his motions and let the whole of it lounge in your understanding for a while. Nights I found the key to his car, there was a minor toll bridge I could have just as soon avoided, but I liked surrendering the warmed quarter to the collection attendant in the booth, his arm a sudden, perfected thing of the open air. 

It was the night Tarn was first threatening to move out that another came across with a car trunk’s worth of guitars. These were junk guitars, folk-singer styles, with the strings raised penalizingly high above the fretboard. He wasn’t satisfied until one was strapped onto me and he had his hand spread over mine to depress my fingers and get a few dud chords going steadily. When he started to sing, the better part of the lyrics reminded you that with a stepmother and a stepsister, the prefixes alone, if you bothered to do even any of the thinking, made it all but expected of you to walk all over these women and, if you were still up to it, climb them stairwise to a height from which their originals might at least look easier to buy for, easier to mistake for two good eggs. It’s not that I mind it when a pack of lies with real effort behind it gets pitched way over my head to somebody reliably cruel at a remove. But the song was going on and on, with too much yellow smile between verses. He later offered to make it up to us by driving everybody to a party in the city. There was a kid there with an isolating refreshment, something he alone had been given to eat. His fingers kept bringing it up from a plastic sandwich bag opaque with condensation. I was among the least encouraged to get an arm landed lankly on his. One or another of us stayed in touch with him months afterward in notes that amounted to mostly “More soon.” 

Some nights, though, we just dosed it out among ourselves. Kept it going round and around our thinned and souring circle. It was illucid and weighed on our speech. There was so much to decide against as one with mouths that stickied! The others would have to doze off before I could begin poring over an iridescence at the inner bend of an elbow, I hoped, or some delicate hingework behind a knee. It was usually Tyner who never fell asleep. I would guide his fingers onto my arm, try to interest them anew in moles so blurry they looked loose, then re-intimate that they were his to slide about to advantage. I was with him the day he won with the instant ticket. I let him use the rim of my bracelet to scratch out the gray antic ellipses, my arm dragging subordinately along. We took the bus to an odd-lots furniture concern for the glass-top coffee table he figured could do the trick. We walked the thing home stretcherwise: there was delight to find in catcalls from the thick civic traffic. The table went to his room, and a tenderness took over in his voice to get the favor finally asked of me. So I got undressed on top of it and tried to be sleepy and unmindful of my petite bowels and bladder while he worked himself up for drawn-out disappointment below. 

I do not want to make it seem as if this is all we ever did. There was a neighbor lady’s dog we agreed to feed when employments she could no longer postpone called her far from where she otherwise would have had no reason to keep speaking to us so brightly half the time. It was one of those full-natured, kerchiefed dogs that liked being bossed around. Days it fell to me to fill the dish, I did not so much call his name as thin it out to the scanty inner vowels, but the thing would still put in a complete, gladdened appearance. I would watch him eat, take advantage of his company, draw myself out about things, any part of life I no longer was any part of, just to get listened to without bias or retention. There were also some weak-willed plants to be doused if I thought of it and dresses that were all too tight on me and seemed to smell of more than just one person, though I wasn’t an authority on who all she thought she might be. But I must have liked it over there—I know I liked mooning over the little that came in her mail, even the same circulars that came to our place but which, withdrawn from her box, seemed to enjoy much more shimmer on the type. 

As for women overall, though, I went along with what Lorn said about how they were set deeper within themselves and moved about reproductively in a world spaciously different from ours but sharing the same sorry places to meet up for a bite. And it’s not as if I had never at least got myself arranged around one of them, though all I was probably doing was trying to show her out of her body and then not act surprised when my hands slipped right off wherever I tried to unload the things. (Even the older ones are truly as smack-smooth as they are made out to look.) But there was nothing to be held against any of them, either singly or in the dissastisfied aggregate, even if you now and then had somebody’s sister coming forward with rundown makeup and a mugginess to her arms to tell you the only reason you were a waiter instead of a grill man was so you could stand over and above people in couples and make a living looking down your nose. (There were only so many things you could say in return that would come across as both the truth and a dig. I had worked up enough of them to put into conservant, fallback rotation, but lately I just pointed to my groin and explained that if we give them names it’s because they spring from us, we bring them up, we’re forever wiping their snotty little mouths.) 

So what’s left? The only other question still worth entertaining should not have to keep being only “Who else?” 

Which I take to mean that the answer can’t be parents, or even brothers and sisters, because we all were done with practically the exact same ones. Mother would signal the end of a conversation by saying she could feel inside her skull the precise contours of the space a headache would require, though she did not yet have the actual headache. Father had grown a beard that was more like a black cloud loitering in front of his face. (The beard was purposely mostly air.) The sister or brother was younger and had to have it drilled into the head again and again that it was one house if you came into it from the back and a different one altogether if you came in from the front: the people were the same, they were nice to you to your face, but nobody was being fooled: no one was living here everlastingly. 

They were all of them buried neck and neck, so help me, in anything left for us to root against when we set ourselves afresh upon the days. 

So that leaves who else to never let you forget the spirit and slants of whichever humidifying proximity must have been solely his? Kittrick? Reese? Malin? 

Kittrick: There was a fine-drawn signature of dark hair on the backs of his hands that I had been after him to let me chase away with a razor, on the ground that there should be such a thing as seeing too much spelled out on people. He was a cherisher, true, but there was always something probationary in his regard for whatever he cherished, and he never let you in on how soon he might be through. It was up to me to hold the pocket lighter when he did the bust-ups of his acne with the pin of the name badge he had to wear for work. 

And Reese: He went about in low-hanging sweaters and was quick to disappear from whatever he understood of one person and then get going in what might be likelier of the next. I saw some valiance in how he raked us all over the coals. He pointed out the ruthless valedictory business I apparently did with my hands at the close of a meal, something he claimed I brought off under clever cover of separating myself from the napkin and getting up from the table. (I have yet to figure out what he might have meant. I have always believed in rectitude and inexertion as long as any food is still set out.) 

But Malin I knew first from only the phone. He had been calling most nights from a wide agricultural county to the north, a modest rural torment in his voice, the voice of a downtaken, suitorly man married full well. My only duty was making sure he dropped off before I finished any cradlesong synopsis I could come up with of a tricky, frugal workshift without deodorant, maybe, or a self-chaperoned tour of the dashier glory holes. But one night he was all revolt and filthied principle. It was suddenly a bone to pick with me that he had married fresh from a haircut, slashes of gloomful hair still on the forehead, down the front of the neck, and that no sooner was the wedding over with than he was less sure than ever of just exactly how he was cut out to be pitted against her, so the two of them had to live first as brother and sister, then as mother and banged-up son, then as women both, with a cuticular bloodiness to whichever hand set the table when neither’s motives were of the best. He must have been making out an invitation in the way I held my tongue, because the next morning he arrived with vague teeth and a tremolant ascension at the end of every sentence: I trailed him to his car when he went for the change of clothes. But before the day was even out, there was a let-up in how he had gone weak around the gauzy waves of my sleeves. I was already expected to shampoo his eyebrows with a tar extract, then see that the minced and runny things he barely ate would crest just so on his plate. 

So is that the one time the question stopped being “Who else?” and became only “What other bones do you have in your body?” or “Where are you going to go with all those clothes?” 

Because the answer could then be nothing more personal than that at the rebounding municipal college I was a figure of considerable scholastic mystique because I looked over my notes before the quiz and tried not to get cross when the chairs had to be pushed back into a circle. The late-afternoon section of the summer course in speech was mostly boys, because it was mostly boys—repeaters, sweet-naturedly tardy, brush-burned in their undershirts—who had trouble sticking to their points and making it even as far as the middle minute of the three-minute impromptus. But when my turn came, I was slower-hearted in walking them all through how I saw it: 

  • that I was not the good listener everyone kept insisting I was, but I liked hearing people out the way I expected balloons to be quick about losing their air—I wanted the breathy, informative smell on their mouths right afterward; 
  • that the busy signal doesn’t really have to sound like bleedbleedbleedbleedbleed, but even if it does, you can always fall back on the variety of brightwork and wrong-endedness in a day already taking after the night before; 
  • and that I could kick myself every time it did not come out to even so much as a syllogism no matter how often I got it stacked up onto the three needful tiers: 
  1. You go with what’s most available on people. 
  2. On men it is an eminence that luckily never lasts. 
  3. The mess it leaves is nothing that ever bespoke too much or took up any room in what you knew of people a pale day later. 

Except there was a farmers’ market open only a couple of nights a week, and I could pick out the one to follow from a produce stand and into the men’s room. There was just the one stall, and the latch was broken: it was up to me to lean against the door to keep up the privacy. Then the unzipping, and we were standing a polite foot apart, my arms retired now behind my back the way his had been first, his eyes already more wishless than mine. We let the things shy off from ourselves, bumble out the way they always did, twinge and dodge and dither a little, until they were kissing unassisted. It was out of our hands, or none of our doing, and then afterward I was at my very best all over again, witnessing the differences from me amassing in him almost instantly.

Periphery
by Bradley Clompus
from Post Road 36

As though stuck at thirteen,
as though mother were
fixed in mid-forties. Beside,
an uncomposed demolition
of sounds, iron ball slowly
arcing into the top level ruins,
muddled whump of impact, girders
shearing, tumbling, concrete fists,
shoulders, joints staggering
down to cutters and torchers,
massed pushers, haulers. Building
guts spilling from pre-crash fruition
of 1920s: lawyers, insurance agents,
accountants pale from overwork, hopeless
hoarding of others’ assets, plaster
a sickly mint green granulating
from every exposed, torn off
room, secrets mixed with
unaccustomed white, newly
opened to wind, to light.

From one of those half
de-created spaces, floor jigsawed,
dust billowing, paint chips mothing
down, a thin object falls, twists
while falling, hits ground
noiselessly, lost behind a drift
of debris. I say Something just
fell from a building. Mother
doesn’t answer, keeps walking.
Next day the news allots
a name, a past, a truncated
present. He was working
the 11th floor, wore a yellow
hard hat. If we stayed, we might
have seen a crowd assemble,
a few lance-like arms pointing.
There could have been a subsonic
hum of frightened bees, a plea
for reckoning. Try to remember
this, I remind myself. Mother says,
not to me, not to the watchers,
That poor guy, that poor, poor
guy. Rubble is piling on the ground,
a minor mountain, its peak unstable,
sloughing off the hard and soft
stuff we’ve made, the brownish
scarlet rusts, dirty beige, broken
Wedgewood blues. The man waits
for his pickup, his arrangements.
Verging toward mourning,
the crowd might have huddled
a bit, leaned in tentatively,
sheltering an absent core.
And two of us who’d partly
seen, partly known, left it
all behind, kept walking.

Dear Readers,
We’re hoping that everyone is taking care during this difficult time. While our office at Boston College was closed when classes were moved online on March 11, we’re continuing to update the website and maintain our existing production schedule. Until our staff is able to return to campus, though, we won’t be able to send out copies of Issue 36. We’re very sorry for the delay, but we’ll fill all existing orders as soon as we’re able to. In the meantime, we’ll be running new featured content here on a weekly basis. Thanks very much for your patience and understanding.

Recommendation for Claudia Dey’s Heartbreaker
Emily Carr

Lately, I’ve been asking writers I respect if they’ve read anything in the last year that they think everyone should read. A book that, given our limited amount of time on this planet, simply Must Be Read—regardless of whether everyone’s going to like it, learn from it, etc. I’ve been asking this question partly because I have an answer: Claudia Dey’s Heartbreaker: a Novel, which broke my heart open in all the right ways.

Why? To explain why I love this novel so much would be reductive: like saying I love my partner because he’s smart, has a good sense of humor, and is willing to clean up after me. These things are true, but as we all know, you can’t quantify love. For the purposes of this recommendation, however, I will attempt to get specific, and list four reasons you should read Heartbreaker. (But before I do: please, please, just read the novel and see for yourself. I promise it will be better that way.)

#1: A recent LitHub article titled “11 Books for Adults Featuring Talking Animals” inspired me to curate a reading list composed of literary fiction that incorporates an animal perspective in a way that’s nuanced, complex, and three-dimensional—novels that let the animals speak for the animal, that get at what Joy Williams really means when she lists “an animal within to give its blessing” as the fourth essential attribute of the story. Claudia Dey’s Heartbreaker was #7 on Lithub’s list; Emily Temple writes: “This novel has three narrators: Pony, a girl; Supernatural, a boy; and Gena Rowlands, Pony’s dog. The three live in the Territory, a place no one leaves—until someone does. It is, as is also true in everyday life, the dog who knows the most about what’s really going on.”

 The novel is, indeed, broken into three sections, and told from three perspectives: Billie Jean’s pre-teen daughter, Billie Jean’s dog, and Billie Jean’s teenage lover, who turns out to be her husband’s illegitimate son. The perspectives layer, like a palimpsest or film that’s been exposed twice. We figure out what’s happened—why Billie Jean first fled to and then fled from the Territory—as one perspective builds on another. As Temple explains, the dog’s point of view is crucial, and an important reminder that, while we assume we are alone when spending time with our pets, they are in fact paying attention and we are never, in fact, truly alone.

#2: You might be wondering “what is the Territory?” The Territory refers to the legendary far-northern reaches of Canada, those places you can only reach by driving a hundred miles or so over a frozen lake. The Territory is populated by a cult that settled there in the 1980s. The story takes place as the first generation is exiting middle age; the leader has died (mysteriously, of course); and the cult members have had to improvise to keep the community afloat fiscally (via selling their children’s blood to the outside world). No one comes out. No one comes in. As a consequence, there are plenty of love triangles, love affairs, incest, and illegitimate children. Despite this premise, the people, the place, the compromises, the affairs, and the children have depth and breadth and Dey treats the situation without judgment; she draws us into the community so we can experience it from the inside out.

In a recent Instagram post, Dey writes: “I read many FLDS [Fundamentalist Church of Jesus Christ of Latter-Day Saints] cult survivor accounts when I was writing Heartbreaker. This photograph is from Rachel Jeffs’ ‘Breaking Free.’ The pastel line up of girls, soon to be made wives, under a neutral sun. It is one of the most sinister images I have ever seen. What is left when you are forced to give up your moral and physical agency in the name of God? Lorrie Moore writes: ‘Terrible world. Great sky.’”

#3: My recent reading spree has also, purely incidentally, involved contemporary fiction that focuses on mothers and their estranged daughters, or mothers who estrange their daughters, or mothers who have, with all of the best intentions, done motherhood “wrong,” or mothers who have, without quite meaning to, failed their daughters. I’ve been suffering from work-related stress and indulging in genre fiction, so most of these plots have all of the melodramatic gracelessness of reality television. Most of these mothers were abused, and in turn, become abusers, often of the passive-aggressive sort. Mostly, I (though my own relationship with my mother is, for reasons both personal and systemic, fraught) empathize with these mothers. Mostly, I get angry because I think that reductive narratives of blame and abuse don’t help us daughters, as we try to be both ourselves and mothers in our own rights. Mostly, what I want is story that turns this narrative INSIDE OUT.

The plot of Heartbreaker, for example, hinges on a thirty-three-year old mother who ran away from mostly absent, wealthy parents as a teenager, re-named herself Billie Jean, had a brief but intense love affair with the eighteen-year-old boy Supernatural whose true origins are unbeknownst to her, gets pregnant, has the baby, gives up the baby, deals with some more baby- and lover-related tragedy, and, in utter despair, flees, abandoning her fourteen-year-old daughter, Pony Darlene. (The names! Oh, the beautiful, heartbreaking names!) Later, Billie Jean recounts the story of nearly hitting a bison in the night. “You know the truth when you look into the eyes of something wild,” she concludes.

Despite this technically accurate yet completely misleading and melodramatic summary, Heartbreaker is, in fact, a nuanced exploration of mother-daughter relationships: all of the ways we get it right and get it wrong and have to be willing to start over, again and again.

#4: Advance praise on the dust-jacket of the hardcover includes Leslie Feist, who writes, “I want Van Halen to write the soundtrack and the Coen brothers to make the movie.” Lauren Groff is a “giant fan” of “Claudia Dey’s wild brain” and Sheila Heti says that Heartbreaker gave her “chills all of the way through. “Also,” Rivka Galchen writes, “it has one of the most awesome dogs in literature…”

All of this is true, and all of it is, necessarily, reductive. If I were invited to write an endorsement, I would say, “this novel is for the heartbreakers and the heartbroken, for the new hearts and the old hearts, the hearts we sometimes have to hold together, and the hearts that hold us together. By which I mean: this novel is for EVERYONE. Please read it immediately.”