Big Mouth

Rachel Aydt

There’s a woman in my neighborhood named Big Mouth. That’s what I call her, anyway. I see her walking down the street, talking to everyone like she owns the joint. It’s deeply annoying, because of course she doesn’t. It’s not like she’s the freakin’ mayor of the East Village. You’d think she was in charge of the whole show. When I see her leaning on her walker, against the wall, I wonder if she’s a drug spotter. When she sees the cops, she runs her hands through her hair or makes a loud noise, Hey, Papa, she yells to the window with the lovebirds sitting in their cage on the balcony. Hey! And the drugs get flushed down the toilet or stowed on the roof from the back fire escape or maybe even under the oven. Or some other place I wouldn’t think about— certainly not the toilet, because they do that so much in the movies.

            She’s not the only big mouth. Big Mouth number two walks with a limp (what is it with all of these limps and walkers anyway?). She wears big glasses and has frizzy hair that goes on forever. She tries to be cool, like when she wants to say something took a long time, she’ll say it took her a minute. Which is confusing to me, but then I realize she must have heard it on a sitcom and it must make her feel better for her pathetic existence which involves some fat cats, and one of them has diabetes and the medicine is expensive, and I wonder what kind of miserable life is that cat living anyway, holed up in a tiny apartment with horrible tasting vet-prescribed food, a litter box, and Big Mouth as a minder, one who has to give you shots?

            And there’s a woman who I used to call the crack whore. She wears tattered clothes and hangs around the non-working phone booths that remain, and she’s kind of dirty and has a bad dye job—brassy and tangled and fighting with extensions so none of it looks real. She walks fast and has an edge to her. Her hands are dirty and she talks to herself. I started saying hi to her and she would smile and stop and say hi, and then move along on her merry way. Over the years, her face began to look older, her smiles tighter and radiating with lines. She didn’t bother to put on makeup anymore. Her clothes went from tacky to dirty. Our conversations got longer. She knew me and would ask how my family was, and I’d say Fine, thank you. And a year later, she would ask me the same thing, but she would hold out her arms and embrace me. Except, it was really me holding out my arms to embrace her, but she was a willing recipient. And her hugs felt so good! She was strong, and she hugged me like she meant it with an intensity in her eyes that proved too much for me to bear. I would look back at her, and ask her with my voice dropped a half an octave, How are you? Like I understood her plight. And she would start telling me how there was some bitch down the street who she didn’t want stepping to her anymore, and she knew the way some people were, and didn’t I know, too, and I agreed, like I knew what she was talking about. In the moments when she went on and on, her stories grew more and more paranoid but I felt honored that she was sharing these paranoias with me. I almost asked her over for dinner. But I don’t even know her name, and I can’t believe in these years and years I’ve never bothered to ask her. Is it Natalie? It’s not Crack Whore. At least it’s not anymore.

            What’s upsetting is that sometimes I think I might be turning into one of them. By them, I mean, someone who uncontrollably talks to strangers. Who can’t stop talking to babies, like every one who’s pushed by in a stroller. Ooh, she’s so cute, I’ll say, without knowing whether it’s a he or a she, and I’ll make the snap judgment based upon their outfit, which is ridiculous, though eight times out of ten I’m right. Or, I’ll be on a train and I’ll sit next to an old woman with fancy, red, sparkly shoes and I’ll tell her how much I love her sneakers, and she’ll smile and thank me, and I won’t stop. I’ll say, They’re like Dorothy’s! Which is so annoying and obvious. But before I know it, she’s telling me about her life and how her son was shot and I touch her arm and ask her if she’s okay and she says Oh yes, it was years ago, but of course I still miss him, and I start weeping and tell her my stop is coming up, and then I tell her to have a good day before getting off at 42nd Street, which is actually one step beyond where I had intended to get off.




Rachel Aydt (rhymes with light) teaches writing at the New School University and The Writing Institute at Sarah Lawrence College. Her published essays and fiction can be found online at The White Review, HCE Review, and more. She lives in New York City. Twitter: @Rachelrooo / Website: rachelaydt.com.

The Girl I Hate

by Mona Awad

So I’m eating scones with the girl I hate. The scones are her idea. She says eating one of them is like getting fucked. Not vanilla-style either, the kind with whips. She’s eating the scones and I’m watching, sipping black tea with milk but no sugar. Actually, she hasn’t quite started yet. She’s still spreading clotted cream on each half of the split scone, then homemade jam on top of that. As she does this, she warns me she might make groaning noises. Just so, you know, I know. That’s fine, I shrug, feeling little bits of me catch fire. I’ve got the teacup in my hand, my finger crooked in the little handle that’s too small for it so the circulation’s getting cut off. I watch her bite into the scone with her little bunny teeth. I watch gobs of clotted cream catch in either corner of her lip. She tilts her head back, closes her eyes, starts to make what must be the groaning noises. I pour myself more tea and cup it in both hands like it’s warming them, even though it’s gone cold. Then I pretend to look out the window at the dismal view of the Grassmarket. I say, “Busy in the office this morning,” and try not to think Cunt.

She is after all, a friend and colleague.

“What?” She says, her mouth full of scone. She hasn’t heard me because of her groans.

I repeat that it was busy in the office this morning, loudly, over-enunciating, then I do think Cunt.

“Mm,” she says. But she’s too high on scone to really carry on a conversation. She’s so high, she’s swinging her little stick legs back and forth underneath her seat like a child and doing this side-to-side dance with her head like the one she did when she ate the fried porkchop in front of me at Typhoon a few weeks ago.

There’s her groaning and there’s her stick legs and there’s her aggressively jutting out clavicle. There’s the Cookie Monster impression she does after she describes food she loves (Om-Nom-Nom!). There’s how the largeness of the scone seems only to emphasize her impossible smallness. Mainly, there’s the fact that she exists at all.

There’s also her outfits, which she buys from vintage shops, and which are usually a cross between quirky and whorish. Today, she’s wearing this spandex playsuit like something out of a Goldfrapp video, which she’s paired with sheer tights that have a backseam of little black hearts. Over that she’s wearing a red bell coat like the ones little girls wear when they ice skate in picture books. I had a coat like this when I was five but in pink. There’s a picture of me in the coat, holding my father’s hand in a frozen over parking lot somewhere in Michigan. In the picture, my dad’s got an Afro and he’s looking down at this small thing holding his hand as if he can’t believe how small this thing—me—is. In the picture, I’m about the same size as the girl I hate is now, except that I’m a child and she’s a full grown woman, and I guess I’m looking at her now with my father’s same unbelief, except without love.

She catches me looking at her and she says, “What?” and I say, “Nothing.”

She looks at my cup of cold tea and at my lack of scone. “How come you didn’t get one? Aren’t you hungry?”

“I’m going to have a salad later,” I tell her. “On the afternoon fifteen.”

I’m already picturing it: me in the blissfully empty break room, my M&S lettuce, the dated copy of Hello! I’ll pretend to read if anyone comes in. I won’t turn on the lights.

She shrugs, eats more scone. Then she sort of squints at me like a pirate attempting to gauge the whole of someone’s soul with one eye.

“You’re very salad-y,” she says.

“Am I?”

After she’s done, she sinks back in her chair, pats her non-existent stomach through her playsuit, and says she’s feeling sleepy. She sighs, faux pouts.

“Wish we didn’t have to go back to work.”

“Yeah,” I say, signaling for the check and grabbing my purse from the back of the chair. She reaches over and pats the fuzzy leopard print like it’s a pet of hers.

“Pretty,” she says.

On the walk back to the office, we discuss our worst temp jobs. Hers was the one before this one. The boss kept trying to fuck her. Also they had this photocopier she’s pretty sure was possessed by Satan. Also it wasn’t near any good lunch places.

“What about you?”

“The one before this one.” Actually, it’s this one.

“Satanic photocopier?” she offers.

“Fax,” I say, looking at how the long white line of her neck is offset by a cheap black choker.

“Ooh,” she says. “Worse.”

When we reach the office, before we head to our respective cubicles, she turns to me, her lips and her cheeks still flushed from scone, and says, “text me later okay?”

“Okay,” I say. Then she trots off a little ahead of me, and I see how her little heart back seams are perfectly aligned down both calves.

All afternoon, I have the waking dream where she gets so fat on scone, she explodes.

At home, I eat the other half of my M&S salad with the other half of the honey Dijon dressing it came with. I make sure to draw the curtains first. I didn’t used to, but then I caught the owner of the Turkish restaurant next door staring at me from his upstairs window, smoking, just as I had finished my post-salad ritual of dragging all my finger pads over and over again across the empty plate and sucking them one by one. It used to be he would say hello when I walked past him in the street. Now he looks at me like he’s familiar with the details of my most unfortunate pair of underwear. Has fingered the fraying, scalloped edge. Waggled the limp pink bow. Held the Made in Cambodia tag between his teeth.

Post-salad, I try on the French Connection bodycon, followed by the Bettie Page pencil skirt and the Stop Staring! halter. In all cases, I’m no closer but I’m also no further, which is not news at all. Then I just sort of stand in front of the mirror in my bra and my French cuts and attempt to come to grips with certain irrevocable truths. Then I eat several handfuls of flax cereal and 15 raw, unsalted almonds.

Later, while I lie awake in bed, I think of the perfect come back to the salad-y remark. I put us both back in the teashop and I make her say that I’m salad-y with clotted cream in each corner of her lip. But instead of replying, Am I?, I lean in and in a low voice I say Listen, you little skank! Not all of us can eat scones and have it turn into more taut littleness! Some of us are forced to eat spring mix in the half-dark of our bachelors and still expand inexplicably. Some of us expand at the mere contemplation of what you shovel so carelessly so dancingly into your smug little mouth. And the way I say it, leaning in like that, with all this edge and darkness in my voice garnered from years of precipice-induced restraint, makes her bow her head in genuine remorse.

On my way to work the next day, I make a promise to myself. I promise that when the girl I hate asks me out to lunch I’ll say No, I’ll say No, I’ll say No. Then, at around 11, when she sends me a text that says, Weird Swedish Pizza!! Omnomnom!, I text back ☺. We go to the Scandinavian café she loves. She orders a sausage-lavender-thyme pizza square the size of her head plus a Kardemummabullar for later, for what she calls Secret Eating. I get the fennel-pomegranate-dill salad, which comes undressed in a diamond-shaped bowl. While she’s eating the pizza, she watches me forage through limp dill fronds for fennel quarter moons. I try to distract her by making a comment about the weather, how I thought it was supposed to rain today, something to make her look skywards, but her eyes are on me, my fork, the bowl.

“That salad’s small,” she says.

“Not really,” I say, bringing the bowl closer to me. “It only looks small.”

But she won’t let it be. She lifts her heart-shaped sunglasses, leans forward and peers down into the bowl and sort of wrinkles her nose like she’s just smelled something awful.

“It looks small because it is small,” she says, sitting back. She cocks her head to one side, like I’m curious. “How come you got that?”

I say something about how I just like pomegranate seeds, how they’re pretty like rubies.

She stares at me until I feel heat creep up the back of my neck. Then she shrugs. She’s wearing this strappy tank that exposes how her shoulders are all bone. She opens her mouth wide and takes a pointedly large bite of pizza then leans back, chewing, and tilts her tiny face towards the sun.

“I love shun,” she says.

That night, while I’m having dinner with Mel at the bistro with the fun salads, I bitch to her about Itsy Bitsy, which is what I call the girl I hate when I’m being funny about how I hate her. I don’t even wait until we’ve gotten our drinks, I just start in while we still have the oversized menus in front of us. I tell Mel about the scones and the Swedish pizza. I tell her about the salad-y remark. I tell her what I wished I could have told Itsy Bitsy, about scones turning into more taut littleness for some, while others are forced to grow fat on salad. I figure Mel, who’s fat, fatter even than I am, will appreciate how hate-worthy she is. It’s what I love most about Mel.

Mel says, “Itsy Bitsy. Is this the girl who kept eating the lemon slices off your vodka sevens?”

“That was Soy Foam. The anorexic from my old work. This is another one, from my new work. And I don’t hate her so much anymore.”

“Itsy Bitsy?”

“Soy Foam.”

Soy Foam was annoying, really annoying, but at least I got her. I didn’t at first. At first all I saw was this terribly small woman from accounts who, whenever we’d go to lunch, would order an Americano with steamed soy milk on the side, then eat the foam with a spoon, like soup. Then one night, during Happy Hour, after devouring all my cocktail garnish, she drunkenly confessed she hadn’t had her period in two years and that, as a result of premature menopause, she’d had to start shaving her face. After that, I hated her less. But it’s different with Itsy Bitsy.

“Sorry. So who’s Itsy Bitsy then?”

“The super thin one? With the bunny teeth? Who makes the Cookie Monster noises?”

“Oh,” she said. “Right. Why do you go to lunch with her if you hate her so much?”

“We’re friends. She’s actually nice aside from this.”

She is nice, sort of. My first week, she sort of took me under her wing. Showed me how to use the photocopier. Got me out of a printing jam by banging her little fist repeatedly on the lid until it belched out the other half of my report. Once, when I had a tension headache, she pinched my palm between her thumb and forefinger super hard for five minutes because she’d read online that sometimes that helped. Also, she was the only one at the office who bothered to talk to me. We even have a girl we hate together: Probiotic Yoga Evangelist, this whore from HR. After we caught each other making gag-me faces at her Bikram-Changed-My-Life speech, which she made between spoonfuls of Oikos, we sort of bonded.

“Yeah,” Mel agrees. “I guess that makes it awkward.”

The waitress comes and I order my heart salad with the poppy seed dressing on the side.

“Heart salad?” Mel asks.

“This salad that has heart everything,” I say. “Artichoke hearts. Romaine hearts. Hearts of palm. I love it.”

Mel orders the roast beef and havarti scroll with the sweet potato fries. She suggests sharing the baked camembert appetizer but when I refuse, she doesn’t push like she used to. Maybe she’s starting to understand how I can’t afford to lose what is at best a tenuous, hard won momentum. I tell her she should get it though. For herself. It sounds good.

“I can’t get it for just me. I’m not that much of a pig. I hope.”

“I’ll have a bite,” I offer.

Mel says she shouldn’t get it anyway. She should, you know, be good. “Like you,” she gives me a half smile.

I tell her I’m honestly not that good. Really, I’m—

“You are,” she says. “I wish I had your discipline.”

“You did for a while.” I say looking away.

For a while Mel was pretty committed. Using her mother’s old exercycle, living on Diet Coke and Michelina’s Light. In fact, for a while there, Mel began to look very much the unstoppable force of nature she was when she was seventeen, the girl who wore black bras you could see through her white Catholic school blouse and who blew all the boys I ever professed to love in her bedroom, while I played solitaire in the downstairs den with her mother.

When Mel started losing weight, I tried to be supportive. I kept telling her things like, “You look great, but you don’t want to go too far.” You know, things a friend would say to a friend. But Mel would just sip her Diet Coke sort of smug like she had a secret, leaving half her salad for the waitress to clear away. She lost steam after a few months, though. Couldn’t keep it up. Gained it back plus plus. It was really really sad.

“I guess I kind of went too far,” Mel says now.

“I did tell you not to go too far,” I remind her. Then I realize that’s kind of harsh. Surely she’s suffered enough?

“You still look beautiful though,” I add. I search for something about her to compliment. It isn’t easy. She’s still beautiful but since she gained all that weight back, she’s really let herself go grooming-wise. Usually she’ll wear at least lipstick for me because she knows it depresses me to see her without it, but today her lips are all bare and crackly.

“I love your top,” I say at last. It’s hideous. One of those tent-like horrors from the plus size store. There are some iridescent baubles along the neckline, some frothy bits of lace trailing from the cap-sleeves to lessen its resemblance to a shroud.

“I love the sleeve-detail.”

Mel looks down at the froth, frowning. “It’s okay, I guess.”

“I think it’s nice. They clearly have way nicer things at that store than they did back when I had to shop there.”

“It’s still the same crap,” she spits. “They just have more selection is all.”

We stab at our ice.

“I love your top, though,” she says, eyeing my bustier. “Siren?”

“Hell’s Belles.”

“I thought that place closed.”

“Nope. Still open. New owner though.”

“I used to love shopping there.”

“I remember.”

Waiting outside the change room while she tried on PVC corsets and velvet, empire- waisted dresses. The former owner, a corpse-like woman named Gruvella, regarding me with eyes the color of skim milk as though I were about to steal something, not that anything she had would’ve fit me then, not even the fingerless gloves. Mel finally coming out from behind the white and black striped curtain, twirling for me while I sat in the chair with the clawed armrests, saying “Great, that looks great.”

“I still remember that black bell-sleeved dress you got there. The one you wore to the prom with the spider tights.”

“The Bella. I forgot about that dress. God, good memory.”

The waitress brings our food. She’s forgotten to put my poppy seed dressing on the side which often happens with this waitress and sometimes, honestly, I think maybe she does it on purpose just to fuck with me. I tell her about it and she says oh, well, she could change it for me, and I say, could you? And I tell Mel, you go ahead and start without me.

“She sounds pretty annoying,” Mel says. “Sadistic even.”

“Itsy Bitsy? She is.” In fact, I tell Mel that I’m starting to think she befriended me to make herself feel good. To feel extra bitsy. That I think she actually gets off on it, eating copiously in front of me while I eat nothing, and pointing out how I’m eating nothing while she’s eating copiously.

“I guess that’s possible,” Mel says. She picks up her fork and knife, then lowers them. “I feel bad about starting without you. You sure you don’t want at least some fries while you wait?”

I tell her I better not. I’ve been on such a slippery slope lately.

Mel bites into her scroll. “You look the shame to me,” she says. “Shkinnier even.”

“Are you kidding? I’m huge.”

Mel gives me a look like if I’m huge, then what the hell is she?

It’s awkward for a bit.

“So, anyone you hate these days?” I ask.

Mel cuts a large piece of scroll. Then she says there are people who annoy her. Who seriously, seriously annoy her. But no, no one worthy of hate. Hating requires a lot of energy; she’s so tired these days.

“I know what you mean,” I say. “I’m tired, too.”

But I get her going. I can always get her going.

We talk about the girls we hate on television and in the movies. We talk about the one who started out almost fat but then got thin after she swore she’d never lose the weight, she’d stay sort of fat forever and fuck them, them being The Industry. We talk about how we hate her so much for that, for caving to Industry Standards. But we hated her when she was fat too, for her skin. For her defiance of norms which we guess we’re still slaves to. Also, because boys seemed to love her either way, which is rare for boys. We talk about how it is that the boys we love always seem to love the girl we hate most. It makes us want to know every detail about her. What her sign is, if she is a vegetarian, whether she ever did porn or at least posed topless. And if she did, we’ll hunt for it on the net. We’ll download it by whatever means necessary, and as we watch it our hatred will glow, intensify, become something like an emergency and we’ll have to call each other up just so it doesn’t sit there, this lump in our throats. We half-laugh about how we’re masochists.

Then Mel remembers she has an early day tomorrow.

I ask her if she’d like me to drive her home, but she says it’s fine. Really.

I tell her I’m happy to at least drive her to the bus station closer to her house, that I’d really hate for her to have to take two buses at night, both such long rides, and besides, I never see her anymore.

“Okay,” she says, and I try not to hear that it’s sort of half-hearted.

On the ride over, to make her laugh, I tell her all about Aggressively Naked, this woman who works out at my gym who does all of her post-workout grooming naked. She brushes her hair naked. She uses her straightening iron naked. Eyelash curler and mascara naked. Rings necklace and even bracelets naked. Trouser socks and even shoes naked. Only after she’s got herself totally primped will she put on her clothes.

“Isn’t that annoying?”

“It is,” Mel agrees.

“I can’t believe I forgot to tell you earlier. Also, she’s got this body you wouldn’t believe. Like I knew just by her body she didn’t speak English. I knew that when she opened her mouth, something like Danish would come out.”

“Oh my god, stop,” she says, mock-covering her ears. “Just stop.”

Once we get to the bus station, I insist on holding Mel in the car until the bus comes. She takes her bus pass out of her little change purse to be at the ready. I tell her I love her change purse, even though there is really nothing distinctive about it, it’s just a change purse. Black leather with a little zip.

I ask her if she’s sure she doesn’t want me to take her home, it’s a long ride. She says actually she doesn’t mind it, that ever since she started living with her mother, she uses the bus time for Me Time. Me Time for Mel has always been a dark fantasy novel and some Norwegian darkwave on her ipod. It comforts me so much that this has never changed.

I ask her what she’s been reading and listening to lately, but she’s spotted the bus in the distance, so I say okay, good-bye, and tell her I’ll text her later, but she’s already out of the car, running toward the stop.

I go home and do my assessment in front of the mirror. Tonight, it seems there are more truths to come to grips with. Sometimes this happens. How many there are often depends on lighting. Not on how much, but on how it’s hitting me, on how it’s hitting certain parts. I eat a 100 gram bar of 70% dark chocolate square by square. As I lie in bed, I picture Mel in her house, spiky with all of her mother’s strange breeds of plant. I picture her walking up the creaking steps toward her bedroom, surrounded by walls of obscure fantasy and even more obscure CDs. I think of her lying on her back in the too-small bed of her childhood, the twin mattress sagging beneath her, a moon through the window silhouetting her, the gentle rise and fall of her vast stomach, her slight snore, until my eyes close.

At work the next day, Itsy Bitsy is secret eating a Kardemummabullar at her desk. She’s pretending to secret eat for my sake, to make me laugh, like, at look what a pig she is, she can’t even wait until lunch. She over-crackles the paper bag, does shifty eyes before each super-bite. She’s wearing this sixties mini dress with matching white go-go boots like something stitched out of my nightmares. Seeing me watch her, she waves, her cheeks plump with Kardemummabullar. I wave back, and the hate I feel is bottomless. The hate could drown us both. She swallows and mouths Lunch at me like it’s a question and I nod in spite of myself.

Then she texts me:

Banana orgy at Kilimanjaro! Om-nom-nom-nom!!!! }8D

I’ve eaten there with her before. It’s this sandwich and cake shop that has nothing to do with Africa, despite its name and décor. Under a black and white still of Serengeti cranes, I’ll watch her eat a vast ham and gruyere Panini with apricot chutney, slurp down a peanut butter and banana smoothie, then scarf a slice of banana cake. By the time the waitress sets that slice in front of her, I’ll have done eating half of my veggie delite wrap, even though I will eat as slowly as possible. By the time she cuts into her cake, my hands will be empty. And with her mouth full of cake, she’ll say something about how I’ve only eaten half the wrap. She might even point. She might even reach across the table and point at it, my sad, uneaten other half. And I’ll have to say something awkward about wanting to save this other half for later, which we’ll both know is a lie. I might even ask the waitress for a to-go bag, but she won’t be fooled. She’ll look at me like, Huh, and take another bite of banana cake. And I’ll know that once again my bearing miserable witness will have increased the flavor of her food somehow, like salt. I text back ;D, and as I do this, the hate shifts, spreads its wings in me, becomes almost electric, like love.

Mona Awad‘s fiction has appeared in McSweeney’s, The Walrus, Joyland, St. Petersburg Review, and Two Serious Ladies. She holds an MScR in English literature from the University of Edinburgh and is currently pursuing an MFA in fiction at Brown University.

Post Road Magazine – Issue #1 | Spring/Summer 2001

FICTION:

Eminence by Gary Lutz
A Love Transaction by Maile Chapman
Austin by Kelcey Nichols

NONFICTION:

Yamba by Joyce Lombardi
Plan of a Story That Could Have Been Written If Only I Had Known It Was Happening by Gail Hosking Gilberg
The Man Who Wasn’t There by David Manning

CRITICISM:

“I said I’m not yr oilwell”: Consumption, Feminisms, and Radical Community in Bikini Kill And “Riot Girl” by Hillary Chute

POETRY:

Hiatus by Mark Bibbins
Amber + Statuary by Nick Flynn
Black Lemons by Kathy Nilsson
Barcarole by Larissa Szporluk
Untitled + Untitled by Karen Volkman
The Effects of Sunset by C. Dale Young

ART:

Catherine Anthenien: Photographs

RECOMMENDATIONS:

Douglas Bauer on Keith Scribner
Sven Birkerts on Various
Susan Breen on Robert Creeley’s Collaborations
Austin Flint on Eeva-Liisa Manner
Amy Hempel on Pearson Marx
Pete Hausler on From Hell
Kristina Lucenko on Jane Bowles
Rick Moody on Michael de Montaigne
Julia Slavin on Maile Chapman
Charles Smith on Dan Shea
A Postcard from E. Annie Proulx
Mike Rosovsky on Tom Franklin
David Ryan on Luis Buñuel
Charles Smith on Dan Shea

ETCETERA:

Translation: Angel Station, by Jachym Topol – Translated from the Czech by Alex Zucker
Profile: Desperately Seeking Pacino, by Jaime Clarke
Document: The Great Gatsby Contract

THEATRE:

Technical Drawing I + II by Rocco van Loenen
Directing Grand Guignol by Dawn and Marty Fluger
Composing for Grand Guignol by Marty Fluger

COVER ART: Detail of “Car – Cuba 1998” by Catherine Anthenien (image courtesy of the artist)

A Love Transaction

Maile Chapman

It takes us hours to get everything cleaned up.  I do the lighter jobs.  He does the heavier jobs.  He does anything with lifting, anything with twisting, anything that I can’t do because I am prone to having cramps around the baby-thing.  The entire area is sore, and lifting is bad, it provokes the pains down there.  I have never told him about my health condition but I assume he must have guessed that I am not completely normal.  I know he makes it easier for me, and in exchange I let him hurry me through.  He has a standing plan for after work.  It is probably a girl, I don’t know, I almost don’t want to know, I never ask and he never volunteers.

            If he wants to know about it indirectly, he can find out from the office manager.  She’s the only one I’ve told, and I only tell her about my situation when it affects my job.  Even then I don’t tell her everything, not too many details.  So far I have only told the minimum, that it pinches inside when I have to lift the metal gates and drag the hose out.  I told her about the pressure from the baby-thing and the problems caused by the partial bones, because although they are small, and soft, it’s uncomfortable when I have to bend down to do the gutters in the indoor runs.

            We can have him do it for a while, she says.  She seems sympathetic, but people don’t really want to know the private story.  I am sure it makes her want to go home and get away, get comfortable.  She’s got a husband.  That’s what she says, she likes to go home on time so that she can see her husband.  But sometimes she stays a few extra minutes to check in with us.  With me, since he’s usually already started on something.  He doesn’t talk at all during the first part of the shift.  He sweeps, then turns on the waxer and guides it away from her, pretends he can’t hear when she says it’s time to have a word.  So I listen.  She tells me whether there are any overniters in the back, how many, what the special needs are.  Someone puts a towel over their doors before we arrive so that we don’t upset them with the equipment.  We never even see them.

            She slips on her belted raincoat while she goes over the details.  She takes her purse out of the bottom drawer of the file cabinet, takes her keys off the hook.  She wants to leave in her high-heeled shoes before the floors get wet.  I have tried to get him to talk about her, I thought that maybe there was an attraction there, I thought maybe that’s why she made the point to stay around a little, to see him, to try to talk to him over the hum of the waxer.  When I brought it up he looked at me like I was crazy.  Which was an answer that made me happy.

            We have a pattern of activity together.  While he does the indoor runs and the floor I go out back and dump the small boxes of waste.  I take the outdoor broom to the fenced area and flip any stools into the bushes.  After a while he comes out to smoke and I stand there a minute because he might say something, now that the worst part of the cleaning is over.  Then I go inside to bleach the exam rooms and do a general wipe-down.  When I’m almost done he gets on the phone.  He has a conversation with someone, with whoever it is that waits for him every night.  When he hangs up he says, are you almost finished?  By then I am checking on the overniters.  He won’t have anything to do with that.  He won’t go near the berths, doesn’t want to get that close.  I put an ear to each, making sure I hear the breathing.  We get ready to walk out the door together.  He waits while I set the alarm, and then we’re done.

            Depending on his mood he will let me give him a ride somewhere.  He likes to get out at a certain intersection midway between the clinic and where I live.  He points and I pull over.  At the intersection are a gas station, a tavern, and a dark apartment complex.  He waits until I pull away before he starts walking.  I’m sure he goes into the apartment complex.  It is a poor-looking place.  I think there’s a girl in there, waiting.  I know that he thinks I’m spoiled because I have the car.  He doesn’t understand the necessity.  I can’t do the walking that he does.  I try to tell him this while we drive but I want to keep it vague.  I always hope that when we talk he won’t ask openly about my health.  Saying too much about it would give the wrong impression, especially under the circumstances, he and I alone together in the darkness of the car.

            I have appointments I need to get to, I say.  I have to drive.  I can’t do the walking, for my medical reasons.  I really can’t.

            He looks away out the window.  He says, that’s probably not any of my business.

            I hope he won’t make me say more.  The best I can do is to think about my situation as hard as I can, and hope he picks up on it.  I picture the proteins, the spotty tissues all sealed together.  The baby-thing with hair and teeth comprising twenty percent of it.  I think about how much I don’t want to describe it to him just then.  How much I want to be natural and not suggestive with my details.  And he has mercy.  I think he sees how it is with me.  I think he knows that it isn’t my fault, that it was a sterile happening, and that despite everything, I’m still a very nice girl.  By this I mean that I have a good heart, and could be helpful.  He could ask me for anything, and I’d give it to him.

            The office manager waits and talks to me in private.  First she asks about my health, and I tell her that none of the doctors is telling me anything new, that it’s going to be surgery eventually.  Even though I don’t want to take the time off.  She says that I can cross that bridge when I come to it.  Then she asks how it’s working out to have both he and I doing our shifts at the same time.  I say that it works well.  She asks whether it isn’t too distracting and whether it isn’t taking us too long to finish.  Distracting?  Did he say that?  I am careful to be neutral.  I ask her whether he has made any comments about me.  Her kindness wavers and I see envy in her face.  Not in so many words, she says.  He’s concerned with getting out on time.

            We always get out on time, I say. 

            We’ll talk again later, she says, getting ready to leave.

            But I know that something is going on.  He’s been thinking it through on some level or he wouldn’t have said anything about me, one way or another.

            I stay out of his way, to make him wonder, to make him notice my absence when he goes out back to smoke.  In the exam rooms I listen for him.  I know that he is right there.  I know that he is being careful not to think about me.  My heart expands.  The baby-thing shifts with excitement so that I have to stop and steady myself against the stainless steel table.  I am almost sick with all of the possibility, all of the potential for happiness.

            Nothing changes for several days, except that I avoid him.  I find myself taking more time with the overniters.  Adjusting the draping over the recovery area, repositioning the green mesh over the heatlamps.

            Then I arrive and he is smoking outside in the parking lot.  When I walk in he follows and goes into the back.  The office manager is waiting.  She says, he won’t listen to me.  Can you make sure that he knows there’s a leak in the big room?  He simply won’t listen to me.

            Runoff water is coming from somewhere.  I can hear it hitting the floor.

            She says, for god’s sake get it mopped up.

            The concrete walls are painted white.  Water runs down them like glaze.  I hear him turn on the waxer in the back.

            He’s going to be electrocuted, she says.  I tell her that I will take care of the water.  I promise.  She wants to leave, and I want her to leave, to go home to her husband, to leave us alone.

            When she is gone I bring towels from the utility room, dirty towels from the bin, I’m touching them with my bare hands but I don’t care.  The water slowly accumulates in the corners.  I need more towels.  Just leave it, he says.  I’ll do it.

            There is a chill from the seeping water.  I listen to the overniters and check the controls on all of their heating pads.  I turn them each up by one setting.  Not too much, otherwise the overniters who can’t move will become dangerously overheated or even burned.  Sometimes they are too weak to shift themselves off the pad.  I hear him in the next room, moving towards the phone, making his usual call.  I don’t look under the toweling but I can hear stirrings behind the bars when I pause outside each berth.

            He is on the phone.  He says, did you find out?

            There is nothing but the sound of water, and then he says, I don’t believe it.

            There are jerky movements in the last recovery berth, the sound of nails against stainless steel.  I move the toweling a little.  I make larger movements than necessary, to catch his eye and remind him that I am here but he doesn’t notice.  He stares straight down at the phone.  He says, are you sure?  His voice gets lower; are you sure? Okay, he says finally.  Okay, but stop.  If you’re sure then crying won’t help now.  He hangs up.  I repeatedly adjust the toweling.  It is light pink, frayed around the edges.  I tuck it more securely around the frame of the door.

            I keep my back to him.  I am giving him the chance to make up his mind about something.  My fingers are between the bars for a long moment during which I hear nothing from him in the room behind me.  I try to maintain my calm.  I hear the nails again faintly and I am afraid that the overniter is about to touch my fingers.  Maybe bite my fingers.  But I know they are all delirious, not even aware of me.

            He pulls the waxer away from the wall.  Pauses.

            Can you give me a ride somewhere? he says.  It is the first time he has had to ask.

            Of course, I say.  Inside I feel a mounting pressure.  I slide my fingers further into the cage.  Labored breathing.  Delirium.

            He puts the equipment away, the floors undone.  He lines the corners and baseboards with rags to catch the seepage.  He is on his knees.

            I do the exam rooms, fast.  He is waiting.  He is nervous.  He can’t stand still and goes outside.  I step out of the building, lock the door.  Set the alarm.  Push the buttons.  He throws his cigarette into the gravel and we get into the car.

            I drive him to a cash machine where he withdraws the maximum allowed.  Then he asks me to take him to another cash machine nearby, where he attempts to make another withdrawal.  He has reached his daily limit.  He reads the screen, appears not to understand.  He tries again but can’t take out any money.  He gets back into the car, waits, and then asks me to drive him to another cash machine.

            By now it is dark out.  I tell him it’s no use, that no machine will let him take more.  He says he has to keep trying.  He won’t look at me.  I know he is thinking that I don’t understand, that I can’t understand the frustration.

            How much? I say.

            His hand twitches on his leg.

            I don’t know, he says.  Anything.

            I step out of the car with my purse, take out my debit card.  It slides neatly into the machine.  My fingers feel swollen when I press the numbers.  I know what kind of gesture this is.  I would take it all out, if it weren’t for the limit, and so I go that far, and will give it to him in crisp new bills.  I get back into the car and sit beside him.  Breathless.  My hand touches his when he takes the money.  His eyes look shiny and red.  I feel a pulsing everywhere, a throbbing even in my throat, because now I know that eventually I will have him.  Now I know that the girl in the apartment complex will be easy enough to forget, it will only take money to fix that situation.  And I never even had to bring up the baby-thing.  All of that has been left undescribed – there is still all of the telling to look forward to.  I’m thinking about the patience he will have to have, and the secret things he will do for me when we are alone together in a safe place.  I have to sit and hold it in for a second before I can drive, before I can even turn the key, because of the movement, the excitement, the hidden cartilage twisting in anticipation of him.

Eminence

by Gary Lutz

There was a time I would not hear of women, and a time I looked to them as my betters, and months when my heart went out to anyone done up as a person, but it was usually men I suited: men who liked to keep their words a little stepped back from their meanings and mostly wanted to know whether I was still in school or was hard on shoes. I would awaken to the poundings of one or another of them taking his elbowing ease in the shower stall. The bedside table would of course hold quarters, and a lone dime, out of date and valued-looking, and no doubt a patched-up, gadabout ten-dollar bill—I guess the test was simply how much I would be just the sort of person to take. So I would let pocket change of my own drop to the floor in what I counted on adding up to an answering reproof, then top it with a spruce twenty. I would usually think better, though, and pick everything up, his and mine both, and disappear into my clothes and be gone before he was dry. Still, I suspect that I went unrepresented in much of what I ever did, if I get my drift even now. 

There was a father, for instance, who wanted me to help save his daughter from him, or else he wanted to be saved from her—at some point I gave up keeping track of the ones I had been a party to keeping spared. There was a drumble of TV noise from the apartment below; that much is still with me. And he ticked off the points of nervy resemblance: upraised veinage, standout nose, teeth looking stabbed into the gums, arms unfavorable for even the joke sports. A broth of sweat came off him, and I hate it when they talk right into your mouth, but he kept it up until convinced there was nothing set out between my legs other than whichever mishmash he figured on being all hers. (At the time of which I write, circa my youth, there still were glories to be brought out in people behind their backs.) Weeks later I was introduced to the girl at some function I showed for. She was clean-lined, nothing new or unearthly—a desponding thing in a shirtdress, looking care-given and sided with beyond her years. The father was at the steam table, turning over the local foods. He had a tousled smile. “It’s like you never left,” he said. 

I had been staying with four or five others thriving compliably on the top floor of a three-story sublet. Freaks of drapery to keep us from the morning sun, double-strength cosmetics and pills of the moment in handbags nailed shoulder-high to the wall—it hardly helped that this was in one of the little cities that had been thrown down at the approaches to a much bigger one once enough people were pinched for time or too moody for the commute. The town had already run afoul of its original intent, and there was a misgiven majesty to the newer, upstrewn architecture that left people flimsier in their citizenship, less likely to put their foot down. So we walked ourselves into recognizability in and around the plazas, the pocket parks, the foremost shrubberied square. You could run your feelings over one unrested person and get them to come out on somebody else a little distance off. There was no need to even come face to face to be stuck in failing familiarity forever. 

People eventually answered any purpose or were no skin off my nose. 

There was Joeie: clean-tasting but a trace too saline. Colored easily, needed his full eight hours, believed in taking each of his meals in public. His loves were drugstore luxuries and the fitting instant you knew for sure that something was finally finding its way down the wrong pipe. But sometimes the rope I woke up with around my ankles and wrists was only laundry line and the knots weren’t even serious. 

And Tarn: He was either off doing somebody a wonder or having something further burned away from his complexion—you looked for the underlying advisory in his motions and let the whole of it lounge in your understanding for a while. Nights I found the key to his car, there was a minor toll bridge I could have just as soon avoided, but I liked surrendering the warmed quarter to the collection attendant in the booth, his arm a sudden, perfected thing of the open air. 

It was the night Tarn was first threatening to move out that another came across with a car trunk’s worth of guitars. These were junk guitars, folk-singer styles, with the strings raised penalizingly high above the fretboard. He wasn’t satisfied until one was strapped onto me and he had his hand spread over mine to depress my fingers and get a few dud chords going steadily. When he started to sing, the better part of the lyrics reminded you that with a stepmother and a stepsister, the prefixes alone, if you bothered to do even any of the thinking, made it all but expected of you to walk all over these women and, if you were still up to it, climb them stairwise to a height from which their originals might at least look easier to buy for, easier to mistake for two good eggs. It’s not that I mind it when a pack of lies with real effort behind it gets pitched way over my head to somebody reliably cruel at a remove. But the song was going on and on, with too much yellow smile between verses. He later offered to make it up to us by driving everybody to a party in the city. There was a kid there with an isolating refreshment, something he alone had been given to eat. His fingers kept bringing it up from a plastic sandwich bag opaque with condensation. I was among the least encouraged to get an arm landed lankly on his. One or another of us stayed in touch with him months afterward in notes that amounted to mostly “More soon.” 

Some nights, though, we just dosed it out among ourselves. Kept it going round and around our thinned and souring circle. It was illucid and weighed on our speech. There was so much to decide against as one with mouths that stickied! The others would have to doze off before I could begin poring over an iridescence at the inner bend of an elbow, I hoped, or some delicate hingework behind a knee. It was usually Tyner who never fell asleep. I would guide his fingers onto my arm, try to interest them anew in moles so blurry they looked loose, then re-intimate that they were his to slide about to advantage. I was with him the day he won with the instant ticket. I let him use the rim of my bracelet to scratch out the gray antic ellipses, my arm dragging subordinately along. We took the bus to an odd-lots furniture concern for the glass-top coffee table he figured could do the trick. We walked the thing home stretcherwise: there was delight to find in catcalls from the thick civic traffic. The table went to his room, and a tenderness took over in his voice to get the favor finally asked of me. So I got undressed on top of it and tried to be sleepy and unmindful of my petite bowels and bladder while he worked himself up for drawn-out disappointment below. 

I do not want to make it seem as if this is all we ever did. There was a neighbor lady’s dog we agreed to feed when employments she could no longer postpone called her far from where she otherwise would have had no reason to keep speaking to us so brightly half the time. It was one of those full-natured, kerchiefed dogs that liked being bossed around. Days it fell to me to fill the dish, I did not so much call his name as thin it out to the scanty inner vowels, but the thing would still put in a complete, gladdened appearance. I would watch him eat, take advantage of his company, draw myself out about things, any part of life I no longer was any part of, just to get listened to without bias or retention. There were also some weak-willed plants to be doused if I thought of it and dresses that were all too tight on me and seemed to smell of more than just one person, though I wasn’t an authority on who all she thought she might be. But I must have liked it over there—I know I liked mooning over the little that came in her mail, even the same circulars that came to our place but which, withdrawn from her box, seemed to enjoy much more shimmer on the type. 

As for women overall, though, I went along with what Lorn said about how they were set deeper within themselves and moved about reproductively in a world spaciously different from ours but sharing the same sorry places to meet up for a bite. And it’s not as if I had never at least got myself arranged around one of them, though all I was probably doing was trying to show her out of her body and then not act surprised when my hands slipped right off wherever I tried to unload the things. (Even the older ones are truly as smack-smooth as they are made out to look.) But there was nothing to be held against any of them, either singly or in the dissastisfied aggregate, even if you now and then had somebody’s sister coming forward with rundown makeup and a mugginess to her arms to tell you the only reason you were a waiter instead of a grill man was so you could stand over and above people in couples and make a living looking down your nose. (There were only so many things you could say in return that would come across as both the truth and a dig. I had worked up enough of them to put into conservant, fallback rotation, but lately I just pointed to my groin and explained that if we give them names it’s because they spring from us, we bring them up, we’re forever wiping their snotty little mouths.) 

So what’s left? The only other question still worth entertaining should not have to keep being only “Who else?” 

Which I take to mean that the answer can’t be parents, or even brothers and sisters, because we all were done with practically the exact same ones. Mother would signal the end of a conversation by saying she could feel inside her skull the precise contours of the space a headache would require, though she did not yet have the actual headache. Father had grown a beard that was more like a black cloud loitering in front of his face. (The beard was purposely mostly air.) The sister or brother was younger and had to have it drilled into the head again and again that it was one house if you came into it from the back and a different one altogether if you came in from the front: the people were the same, they were nice to you to your face, but nobody was being fooled: no one was living here everlastingly. 

They were all of them buried neck and neck, so help me, in anything left for us to root against when we set ourselves afresh upon the days. 

So that leaves who else to never let you forget the spirit and slants of whichever humidifying proximity must have been solely his? Kittrick? Reese? Malin? 

Kittrick: There was a fine-drawn signature of dark hair on the backs of his hands that I had been after him to let me chase away with a razor, on the ground that there should be such a thing as seeing too much spelled out on people. He was a cherisher, true, but there was always something probationary in his regard for whatever he cherished, and he never let you in on how soon he might be through. It was up to me to hold the pocket lighter when he did the bust-ups of his acne with the pin of the name badge he had to wear for work. 

And Reese: He went about in low-hanging sweaters and was quick to disappear from whatever he understood of one person and then get going in what might be likelier of the next. I saw some valiance in how he raked us all over the coals. He pointed out the ruthless valedictory business I apparently did with my hands at the close of a meal, something he claimed I brought off under clever cover of separating myself from the napkin and getting up from the table. (I have yet to figure out what he might have meant. I have always believed in rectitude and inexertion as long as any food is still set out.) 

But Malin I knew first from only the phone. He had been calling most nights from a wide agricultural county to the north, a modest rural torment in his voice, the voice of a downtaken, suitorly man married full well. My only duty was making sure he dropped off before I finished any cradlesong synopsis I could come up with of a tricky, frugal workshift without deodorant, maybe, or a self-chaperoned tour of the dashier glory holes. But one night he was all revolt and filthied principle. It was suddenly a bone to pick with me that he had married fresh from a haircut, slashes of gloomful hair still on the forehead, down the front of the neck, and that no sooner was the wedding over with than he was less sure than ever of just exactly how he was cut out to be pitted against her, so the two of them had to live first as brother and sister, then as mother and banged-up son, then as women both, with a cuticular bloodiness to whichever hand set the table when neither’s motives were of the best. He must have been making out an invitation in the way I held my tongue, because the next morning he arrived with vague teeth and a tremolant ascension at the end of every sentence: I trailed him to his car when he went for the change of clothes. But before the day was even out, there was a let-up in how he had gone weak around the gauzy waves of my sleeves. I was already expected to shampoo his eyebrows with a tar extract, then see that the minced and runny things he barely ate would crest just so on his plate. 

So is that the one time the question stopped being “Who else?” and became only “What other bones do you have in your body?” or “Where are you going to go with all those clothes?” 

Because the answer could then be nothing more personal than that at the rebounding municipal college I was a figure of considerable scholastic mystique because I looked over my notes before the quiz and tried not to get cross when the chairs had to be pushed back into a circle. The late-afternoon section of the summer course in speech was mostly boys, because it was mostly boys—repeaters, sweet-naturedly tardy, brush-burned in their undershirts—who had trouble sticking to their points and making it even as far as the middle minute of the three-minute impromptus. But when my turn came, I was slower-hearted in walking them all through how I saw it: 

  • that I was not the good listener everyone kept insisting I was, but I liked hearing people out the way I expected balloons to be quick about losing their air—I wanted the breathy, informative smell on their mouths right afterward; 
  • that the busy signal doesn’t really have to sound like bleedbleedbleedbleedbleed, but even if it does, you can always fall back on the variety of brightwork and wrong-endedness in a day already taking after the night before; 
  • and that I could kick myself every time it did not come out to even so much as a syllogism no matter how often I got it stacked up onto the three needful tiers: 
  1. You go with what’s most available on people. 
  2. On men it is an eminence that luckily never lasts. 
  3. The mess it leaves is nothing that ever bespoke too much or took up any room in what you knew of people a pale day later. 

Except there was a farmers’ market open only a couple of nights a week, and I could pick out the one to follow from a produce stand and into the men’s room. There was just the one stall, and the latch was broken: it was up to me to lean against the door to keep up the privacy. Then the unzipping, and we were standing a polite foot apart, my arms retired now behind my back the way his had been first, his eyes already more wishless than mine. We let the things shy off from ourselves, bumble out the way they always did, twinge and dodge and dither a little, until they were kissing unassisted. It was out of our hands, or none of our doing, and then afterward I was at my very best all over again, witnessing the differences from me amassing in him almost instantly.

Periphery
by Bradley Clompus
from Post Road 36

As though stuck at thirteen,
as though mother were
fixed in mid-forties. Beside,
an uncomposed demolition
of sounds, iron ball slowly
arcing into the top level ruins,
muddled whump of impact, girders
shearing, tumbling, concrete fists,
shoulders, joints staggering
down to cutters and torchers,
massed pushers, haulers. Building
guts spilling from pre-crash fruition
of 1920s: lawyers, insurance agents,
accountants pale from overwork, hopeless
hoarding of others’ assets, plaster
a sickly mint green granulating
from every exposed, torn off
room, secrets mixed with
unaccustomed white, newly
opened to wind, to light.

From one of those half
de-created spaces, floor jigsawed,
dust billowing, paint chips mothing
down, a thin object falls, twists
while falling, hits ground
noiselessly, lost behind a drift
of debris. I say Something just
fell from a building. Mother
doesn’t answer, keeps walking.
Next day the news allots
a name, a past, a truncated
present. He was working
the 11th floor, wore a yellow
hard hat. If we stayed, we might
have seen a crowd assemble,
a few lance-like arms pointing.
There could have been a subsonic
hum of frightened bees, a plea
for reckoning. Try to remember
this, I remind myself. Mother says,
not to me, not to the watchers,
That poor guy, that poor, poor
guy. Rubble is piling on the ground,
a minor mountain, its peak unstable,
sloughing off the hard and soft
stuff we’ve made, the brownish
scarlet rusts, dirty beige, broken
Wedgewood blues. The man waits
for his pickup, his arrangements.
Verging toward mourning,
the crowd might have huddled
a bit, leaned in tentatively,
sheltering an absent core.
And two of us who’d partly
seen, partly known, left it
all behind, kept walking.