Dora Malech: Two Poems

Face For Radio

As usual I am unusually tired.
All night my fingers double-crossed me,
tangled up in someone else’s hair.
Breakfast is sand with a promise of pearls.
If I were an operation, I’d be fly-by-night
and very bloody. If I were a sow,
I’d be hog-tied. I was born under
the sign of the toy breed, the yapper,
if you will—and I will—on the cusp
of bikini season. Somersaults,
cartwheels. Call me poorly executed.
Call me late for dinner and a regrettable
houseguest, wet towel on the bed.
Call me go-getter, meaning going going gone.
If anyone needs me I’ll be at the arcade
across from the fire station, shooting
the teeth off the cardboard clown.
If you give me a dollar I’ll take
my top off and let you see my heart.

Quick Study

Put a hold on the have and to hold’em’s a game,
bets half-cocked at the big dogs, one shoe
on and running, chicken’s a nickname
and nick’s just a cut. Let me get you

where you want me, paint on some tight pants
and varnish the town. Call means I’ve got
your number. Fold means no chance,
each night cut from the same bolt

of cloth. Never say never mind,
never turn your back to back or show
your hand in mine. What’s mine
is minor but it still feels good to know

you and I could be big blind and small blind,
Adam and odds and even Eden this time.

Post Road Magazine – Issue #13 | Fall/Winter 2007

FICTION:

Alabama, by Murray Dunlap
Famous Cake, by Kim Drain
From Rune to Ruin: An Alphabet (Excerpts), by Miranda F. Mellis
Dream Trailers, by Julia Slavin
Nothing to Look at Here, by Richard Hoffman

NONFICTION:

Ghost of Ten, by Shara Sinor
A Hundred Years at 15, by Xujun Eberlein
Down in the Valley, by Kevin Lutz
Cut to the Chase, by Sophie Beck

CRITICISM:

One Hundred Demons and Self-Representation, by Vincent Trivett

POETRY:

Gerhard Richter’s Motor Boat (First Version) [Motorboot (erste assung)] + Nine Rhythms in Nine Days: A-Frame Near Sisters, Oregon, by Anthony Swofford
My Mayakovsky + Crime Spree, by Michael Dumanis
All the Trees of the Field Shall Clap Their Hands + Our Completion: Oil on Wood: Tino Rodríguez: 1999, by Eduardo C. Corral
Face For Radio + Quick Study, by Dora Malech

ART:

David Spiher: A New York Painter Frank Holliday

THEATRE:

The Dorsal Striatum, by Trish Harnetiaux

ETCETERA:

Journal: Erasing Gender: A Woman’s Journey through Men’s Lockup, by Tracy Slater
Fictional Essay: John Berryman, b. 1914, by Baron Wormser
Conversation: Mark Strand Michael O’Keefe
Index: First Publications
Twenty Questions: David Mamet

RECOMMENDATIONS:

Eudora Welty’s The Golden Apples — Lowry Pei
Reading the Future: Twelve Writers From Irelandin Conversation with Mike Murphy edited by Cliodhna Ni Anluain — Suzanne Strempek Shea
The Long March — Xu Xi
Almost Paradise: New and Selected Poems and Translations by Sam Hamill — Fred Marchant
A Good Man is Hard to Find by Flannery O’Connor — Alyson Hagy
The Moviegoer by Walker Percy — Alan Davis
Sex and [Auto] Genocide: The Sluts by Dennis Cooper & Swimming to Cambodia by Spalding Gray — T Cooper
“Are we not of interest to each other?”: the Sublime in Elizabeth Alexander’s American Sublime — Shara McCallum
The Prime of Miss Jean Brodie by Muriel Spark — Brock Clarke
We Need to Talk About Kevin by Lionel Shriver and George Eliot’s Later Novels — Monica Wood
Marilynne Robinson’s Housekeeping — A. Manette Ansay
Richard Yates’s The Easter Parade — Jessica Treadway
Kill Fee Lit—After Reading George Gissing’s New Grub Street — Mike Albo
On Haruki Murakami’s A Wild Sheep Chase, or How I Got “Sheeped” — Peter Rock