The Dog Doesn’t Die

L Favicchia

I had nightmares long after Father had drained the marsh, and it was a while before I could hold frogs again, afraid they may try to avenge themselves on me, bubble up through holes in my back, leave me always open. The Suriname toad gives birth this way, burying her young in her own flesh, releasing them through skin that looks like it would forever whistle if she walked through a windy forest in her aftermath, and I was always afraid of that kind of love. But my mother brought him to me, an admirably sized toad, one who had earned his place here but had fled to our grassy yard with the marsh filled and gone. 

            His face was half mowed away but still sputtering. My mom was too weepy with guilt to fully form words, but she trusted me at ten. I watched the abandoned lawn mower rolling by itself, the vibrations from its own popping motor carrying it slowly forward. I took the toad in my hands, an unexpected puddle, brought it to the garage and placed it in the straw-lined box where the one-legged infant chickadee hadn’t made it through the night—I had buried its soft, motherless body but left the box where it was. The toad tipped over and kicked its legs until I sat it back up, blood-damp hay matted to its missing face. Father’s small, agile hammer lay out in the open on his anvil. 

            My mother had corralled the mower, and it sputtered for a moment before remaining silent, leaving the front yard half pinstriped. The soggy remnants of marsh were left in limbo, too water-filled to ever cut, a protest against my father who had drained it, expunging many years of myths about drowned surveyors, of moaning slippery elms dropping branches upon wayfarers, of long, low groans and corn knives hidden beneath burial mounds, and many generations of leopard frogs. Sloped and dried, the water was slowly growing back beneath straw and forcibly planted grass that threatened to sink tires. It never wanted to grow there, and most of the seeds resisted germination, though a few were forced into life. I took the frog to the rocks by the black drainage pipe, set it on quartz and steadied my hand—it had no eyes to look at me. 


Father was a farrier and spent most of his days making and fitting horseshoes, pounding steel, hammering it into something like a fingernail. It was a family trade—he had been raised to efficiently bend and shape iron with therapeutic effect, but he hated horses and, working with files, hammers, a forge heating steel white, and, of course, large, easily startled animals, he frequently injured himself. 

            He came home from work that day with a cauliflower thumb blooming in every direction with splintered nail and finger gut. He sat down on the couch complaining of back pain while our dog licked the sweat from his face. He didn’t get stitches. Instead he groaned in the bathroom as he sliced away the ballooned flesh with a dulled pocketknife and shoved the rest back inside, wrapping it hard with gauze to make the cells remember each other. He let the nail turn blood blister and was back at the forge the next day. He took me with him to the barn where I handed him horseshoe nails while he stooped under a large, chestnut mare frothing with sweat, the thumb of his free hand too swollen to pick the slender metal slivers from their small box himself. 

            He drew his hammer swiftly back toward his eye each time he landed a blow, driving steel into a space as wide as its own margin of error. The horse blinked. Swatted flies with coarse tail and stomped—Father punched its gut and swore, pinched its heel and forced its leg back between his. Told me to hold its head. I swatted flies away from her damp forehead with her long bangs. Tickled her beard, left untrimmed in the off-season. Father always startled everyone with the swiftness of his hammer, how closely and quickly he drew it back to his own face.

            Father came home one day with his eye blown wide, iris silvery against scarlet. The pupil in that eye would remain forever dilated disproportionately, as if someone had hooked it and was always gently tugging. The hammer claw left a long scorch on his lower eyelid that singed everything away but a bright, pale lip. From then on his eyelashes grew inward, fine and see-through, but sharp into egg-white flesh. 


On the way to an optometrist, Father glanced at me with that one, oblong pupil and I chanced a look back from beneath thick bangs that grew thicker every time my mom cut them, allowing titmouses and blue jays to carry away a little more chestnut to build their nests with. Father slammed on the breaks when the vehicle in front of us lurched and a deer, a large, antlered buck, burst through its rear window and tumbled lifeless, my father said, until it stopped just beneath our scorched brake pads, his trailer jackknifed. Father got out, said stay, and went to the small pea-green car. 

            Hair, silvered and frizzed, sat in shock at the wheel, over and over saying it’s still in the car, it’s still in the car. Father pulled her out, clammy and broken, and sat her on the gravely shoulder. When he reached back inside past the front seat for her purse, he saw the black hoof and muscular, blood-blown thigh. An ambulance probably came, but I’d only remember so many sunken eyes. That night I dreamed I met a buck in the marsh, staring at me with its many-tiered horns. It hooked the lowest bough around a mossy slippery elm and pulled the spiny antler from his head where it landed in beds of orange pine. He lifted it with his soft, whiskered mouth, extending his neck gently toward me, waiting for my open hand. 

            I spent the next day rearranging square-cut box nails of varying lengths that had jumped into the wrong drawers, pulling CU 5 slims from size 6 city-heads, and fishing Capewell 4.5 racers from Mustads. Years later my father would ask if I remembered organizing his trailer, saying that was his favorite story to tell his friends, what a good job I did. 


Back then, my only companion was my dog, an old shepherd who would follow me around the yard as I placed acorns and leaves in the low crooks of trees. I believed deer would come to eat them and would become ecstatic when I’d return on occasion to find them missing, never suspecting the wind. But I was always careful to avoid the black drainage pipe. We went happily along like this, neither of us allowed beyond the old cow wall, careful never to cross its borders even in the places where rain and time had worn it down so that in one near-accidental step you could cross to the other side.

            One day, sometime after the deer dream but vague, like all my memories, my dog and I sat at the base of the small hill I sometimes liked to sled down in the winter. He suddenly began barking at the knoll—an alarming sound from a silent shepherd with no job to fulfill anymore. I ran in time to see it, black-bodied and bull-headed, slinking through fresh grass clippings. It disappeared in a ripple before I could retrieve the blue plastic bucket I used to catch all my living things, but my dog still saw the ghost snake when I couldn´t. I followed as he chased it down to the patch of quartz by the raspberry bushes I was not allowed to pick, because they were dangerously close to the corroded mouth of the black drainage pipe, full to the brim with bees. 

            My dog let out a rapid series of pained squeals until he fell silent, out of sight from where I stood in the brambles. I threw my small handful of raspberries against the bleeding quartz to drag him to the house. I sat with my mother in the oak kitchen as she spoke softly to me, the loud, fruity wallpaper behind her; cartoon lemons, cherries, small bunches of grapes. But while she was talking and rubbing ointment on my one sting, my mind was still back at the black drainage pipe, crawling through on hands and knees, mud-sleek, until it became dark, until I could no longer feel my limbs, lured by the scent of honey, the mouth of the queen still thick with saliva. I dreamed I could go to where the pipe let out on the other side, of rebirthing myself from its slick black body far beyond the old cow wall, out of sight of the stained quartz. 

            The next day my father ripped up all the raspberry bushes and paved over their corpsed roots, a place for him to park his trailer. When he was finished and not looking, I surveyed the remains. Everything had been mowed away except for one tender stalk where the old brambles used to give way to the woods. One raspberry with only three small pods still clung to its easily startled stem. I took it to softer ground and buried it whole without understanding that not all things can be coaxed from the ground. 


My father had never given me permission to forage through the woods beyond the old cow wall behind our house, but that day he let me so I could see where he buried my dog. He led me over the mossy stones, dried and crumbling flecks of mint green catching on worn corduroys. Stumbling through piles of forgotten leaves, clutching the sparkly pink guts of a hula hoop I brought to decorate his grave, I imagined families of deer ticks crawling up beneath my loose pant leg, over the rim of my sock and down to my warm ankle and blue veins. 

            Eventually my sneaker, bought floppy to grow into (though I never would), caught on something and gently nudged it up above the leaves—shiny like ivory or a tusk, it was a freshly-shed antler. Turning, seeing what I had found, my father rushed over to pick the antler up by the base—the rough, bony tendrils seemed to reach, like they had not yet forgotten the young velvet forehead they so recently fell from. My father held the antler mockingly to a corner of his forehead, his own receding hairline, at its toothy root. Suddenly no longer fearful of copperheads disguising themselves beneath the rust of displaced water and oranged pine, he ploughed through the leaves hoping to find another. For some reason words wouldn’t come to me, and I couldn’t say I wanted to go home to check my ankles. That antler had been sharp, not yet dulled by tree bark like the pair I encountered years later, still attached to their quivering body.


I’d eventually grown past the days of trying to leave treats for deer in trees, of believing that any good could come from that place anymore where everything else had fled. I’d grown anxious and quiet like my surroundings and drove nervously at night. Driving home one evening, I slowed to a stop as a family of deer crossed the street ahead of me—a mother, two daughters, and a son. They moved leisurely across the pavement but were close to the other side now. Only the large buck still remained in the road. 

            As I watched, I saw a sudden stream of light moving fast up the other side of the hill. The buck’s thighs and flashing tail were still passing over concrete and onto the grassy shoulder. My hand hovered trembling over my wheel but would not honk, though I would tell my family later that I had. The drunk driver rode fast and blindly and I had taken too long to decide between confrontation or the small, foolish hope that I was wrong, that the driver knew the buck was there and had everything perfectly timed to stop or to just miss. 

            The driver’s headlight caught the buck’s flank so hard that glass and fluorescent bulb tore away and violently split, flying through the air and hitting my windshield from the other side of the road. The driver kept going, seemingly unaware that anything had even happened, no doubt surprised later in a hungover haze to find his car destroyed, blood and fur matted to what was once his bumper. 

            Inaction was something else I had learned gradually, as gradually as the marsh gave up its fight. Though still damper than the rest of the property, the toads, frogs, water bugs, and twisting vines never returned. The yard was left instead as a soggy plot of slender, sparse grass next to a long, winding, concrete driveway that ran away from the woods.

            After driving a little way, I would eventually decide to turn around, hoping not to find him there, or that he could be helped. Instead I returned to watch him die, larger than I ever thought he’d be, so close I could have touched him—I wanted to touch him, to soothe like a little ointment and a Band-Aid on a single bee sting. This I was right not to do, and it was right that I watch as shock-stricken eyes dulled, the stilling of rippling fur over ribs.


L Favicchia is a PhD candidate in creative writing at the University of Kansas and is the Editor in Chief of LandLocked. Their work has appeared in The Rupture, Glass: A Journal of Poetry, and Hobart, among others.

The Turn

Christina Craigo

8/22/18 

The Turn happened on a Thursday, on October 7, a day when I was concerned about a finance exam, and where I was going to spend my winter break, and whether I could afford to do any of the internships that interested me. It happened to me because of other people’s circumstances, other people’s mistakes. It happened to me.

            I opened the door to find Sandy, my housemate’s girlfriend, on the stoop. My own girlfriend, Elizabeth, was at her apartment, trying to study for the same finance exam, despite having one of those horrific colds we all came down with once or twice a semester. Sandy showed up to meet John, and we were making small talk when she got a text saying that a hot water tank had rusted out and flooded the restaurant where he worked. So he was held up. He guessed he’d be back around 7. It was awkward, but also diverting, a little racy, to be just sitting on a cheap couch with this woman whose blouse sort of—I guess it was designed without a lot of buttons or something. Like she’d been forced to choose between prim and hot, and she’d gone with hot. And I couldn’t help looking there, really quickly, but she noticed, and she let me know she’d noticed. 

            Another text from John: not 7, maybe 8. Maybe she shouldn’t wait for him. But she texted back that she would; she didn’t have anything better to do. Communications major. I thought of excusing myself to get back to my studying, but my papers were spread out on the kitchen table, so I’d have to gather them up to take them in my room, and then I guessed I’d have to shut the door. Maybe I could swing it without being rude, but there was no way I could do it without seeming like a gigantic nerd. And nerd/non-nerd status was something that mattered.

            So I poured her a beer, and we talked some more, and somehow her glass got knocked over and broke. We had to clean it up, and her blouse opened even further when she was leaning down like that, and just after we exchanged glances about it, and I got the distinct impression that she’d be able to keep a secret, she noticed I was bleeding. I’d only had one beer, not even, but I felt drunk as she held my hand in both of hers and rushed me to the sink, and I hated—hated—the loss of that drunk feeling when she ran to the bathroom looking for a band-aid. When she got back, as she laughed at what a mess I’d made of myself again, I knew something was happening to me. The gravity of the Turn was apparent, but I had no way of interpreting it. 

            She rinsed away the blood, and turned the water off, and the smile dropped off her face all in a millisecond, and she raised my hand and lowered her face and kissed the wound. When she looked up again, there was blood on her lips—she didn’t lick it away, just left it there—and the way she trembled as she blotted my hand and opened the band-aid showed we both understood and accepted what was coming. And when she looked up again, of course my hands were in her hair and on her neck; it seemed as if they had to be, and I wondered very briefly if I were carrying the bug that had made Elizabeth so sick, and then there were tears streaming down Sandy’s face for some reason, and I managed to unbutton that blouse. 

            We didn’t hear John until he was right beside us, screaming, but even then we wanted only to finish, and I actually pushed hard inside her twice while he hit at my back and shoulders and pulled insanely at my hair. 

            Then Sandy was sitting up on the kitchen table and pulling her clothes around her as if someone in the room had never seen her naked before, and I was still all momentum, with (I knew) a stupid expression on my face, and John was screaming his disbelief that he couldn’t leave his friend and his girlfriend together for one hour and trust them not to debase themselves. I remember my finance textbook falling to the floor—silently, somehow, under his screaming—and a piece of paper following it down, also silently.

            Debase. Some days, I miss John nearly as much as I miss Elizabeth.

            I had just shifted to wondering if there were any way news of this would not make it back to Elizabeth, when Sandy began screeching at John that she loved me. The first time it came out, so shrill, I wasn’t sure I’d heard her right, but then I was on alert, and by the second time, all my hair was standing on end, for real. That’s a thing that happens. She said she’d loved me for months, and she’d tried to talk herself out of it but couldn’t; we were meant to be together. 

            I knew that if I opened my mouth, I’d vomit. 

            When Elizabeth confronted me, the next day, her eyes were red and her face was puffy. She said something like, “So I heard from John that you and Sandy have had a thing all semester. You could have said so. Why did you waste my time? I’m a big girl. You could have said, and spared me this.” 

            The last thing I heard from her was, more or less, “I’ll admit it is some consolation to know you have feelings for her, and you’re not just a complete dick who cheated on me and fucked his best friend’s girlfriend for no reason whatsoever.” When I think of this, it’s the word “consolation” that tears at me. I don’t think I’ve heard anyone say it out loud since.

            If I hadn’t been so keen, still, to get back inside Sandy and finish, just finish, that I did so at the earliest opportunity, and if Sandy’s parents hadn’t already scheduled a visit seven days later, maybe I could have found a way to tell all of them that yes, in fact, I was a complete dick, that I’d fucked her, fucked them all really, and myself most of all, for no reason whatsoever. But there I was meeting Sandy’s folks, wearing a goddamn jacket and eating a goddamn steak that I knew someone else would pay for, and loving the way Sandy’s dress fell across her chest in the low light of the restaurant, and I decided I had no idea about anything. I had no idea whether I was a complete dick or not. 

            Here’s the thing:  the possibility of not being a complete dick was very, very appealing. In fact, in those days, not being a complete dick was so attractive that it stood out as the most important aspect of the story.

            But. After a year or so, sometime after the wedding, I realized that things hadn’t been right since I was with Elizabeth. I’ve read about people who don’t feel alive, and it’s something like that, but not quite. I’ve been living without her for seven years now, and I know I’m alive, but everything else is off, not quite real. I’ve told myself it’s silly to put stock in an idea like this. Of course things are right, and real. The house, and the city, and the bank—all of it—is how it should be. Are my folks less real than they were when Elizabeth was around? Doesn’t make sense. Nevertheless. 

            If I’d been studying at Elizabeth’s place that evening, the Turn wouldn’t have happened. My life would be on track today. If the hot water heater hadn’t failed just when it did, if the restaurant owner or the restaurant owner’s landlord hadn’t “deferred maintenance,” I’d be living my real life now, not this alternative life. If the whole thing had happened just a few years earlier, John and Sandy wouldn’t have been able to text. He’d have called the landline in our apartment, and we’d have been reminded that he was a living, breathing human, and not just some abstract, misspelled words on a tiny screen. If Sandy and John had planned to meet at her place, if there had been no beer in our fridge, if Sandy had worn a T-shirt, if I hadn’t washed the dishes earlier in the day and it had been a good sturdy bottle that got knocked over, maybe even if I’d been studying in my room instead of the kitchen when she arrived, I’d be living my real life now. Maybe in some other dimension, I am. 

            Maybe in that other dimension, I have Elizabeth in my life. I have John. I’m in a real city, not a city near where Sandy happened to have grown up. I have John’s connections—and his Dad’s connections. Which means I have a real job, and I’m not sitting in a damn bank every day, staring at the weird carpet in the weird silence, and the highlight of my days isn’t bowing and scraping before clients who have a net worth of a couple hundred thousand dollars. And I have kids that feel real, and feel like my kids. 

            Sandy wanted to name our second daughter Maya, and so I looked it up, and found out one of the things it means is something like this feeling I have about my life. The world we see is an illusion. So I agreed, and now every time I say her name I’m reminded. She’s cute; the girl is, believe me, a wonderful kid. It’s too bad she isn’t real.

            So I’ve been thinking for months about how to take a second Turn, how to jump from this unreality back to reality. And I’ve done a lot of research, intensive research, and I’ve gotten some expert advice. I’ve trained myself—mentally mostly, but also physically. At night in the basement. And I’m nearly ready. I thought it would be a good idea to document all of this, because if you take the long view, it’s a big deal. Really big. 

            I wonder what will happen to this notebook? Probably it will stay behind, or disintegrate. I guess we’ll find out.

9/17/18 

            Well. I had intended to write much more frequently, but I’ve been super busy. People who don’t have a scientific-spiritual practice would probably be shocked by just how much time and effort it requires. I’ve been working with an amazing guru, a teacher, who’s got the most incredible breadth of knowledge. He’s Native American I think, but he’s been all over the world, studying everything from Hinduism and Sufism to Zoroastrianism, and Theosophy and The Fourth Way of course, and he’s distilled all of those teachings and made them his own, set a few things straight that were crooked in the other systems. He has a lot of clients, students, patrons, like me, all over the world. I could put down some of their names, but I’m sworn to secrecy. 

            He’d surely be a millionaire if he didn’t do so much bartering. Etan prefers not to handle currency. Like, right now, he’s spending a few nights out in my shed. He says the energy is exceptionally good here (maybe for astral travel; he won’t say), and anyway Sandy had started scolding me about all the cash I’d been pulling out of the ATM. 

            When I met him, he told me he’d been waiting his whole life for me. I asked him how he could be real, here, in the middle of this unreal world, this world that was created as a result of others’ mistakes, how he could have waited for me, and he laughed and laughed. He told me I had much to learn. He’s just incredibly astute and wise. Sometimes he sounds like fucking Yoda. I’m not kidding. 

9/19/18 

            Today, Sandy found Etan in the shed—or rather, she found him shitting out in back of the shed. Thank goodness I was home when it happened. After a very long argument, she calmed down, and despite not understanding anything about my practice or how important Etan is to it, she’s allowing him to stay in the garage for one week, max. That way, he has access to the bathroom through the kitchen. But she dug out the baby monitor and set it up in the girls’ room again, and just now decided that wasn’t good enough; she’ll sleep in there on the floor with them. After failing to talk me into sleeping on the floor. Like I said, I’ve been super busy. I’m exhausted. Sandy just has her job, and you know, making dinner. I’ve got a space-time recalibration on my plate. 

            Sandy is not a spiritual person. But then, she’s only a thing in a dream I’m having, a dream I need to wake up from. Etan is clear about that; he puts a lot of emphasis on my waking up. He gets it. 

9/24/18 

            Things are coming along. My practice has been developing rapidly, since I’ve had a teacher so close at hand:  I’m stronger, more disciplined, more focused. Sometimes I’m so aware of the dreamlike nature of this world I walk through, it seems as if it could all fall away, like one of those big, background paintings in a theater, to reveal the reality behind it. Sometimes, there’s even a twitch at the edges of things, like it’s about to go. I’ve been working with Etan on how exactly to make the shift, and he’s with me, only he says I’m not quite ready to absorb it yet. It’s okay though. I have a couple of weeks. So exciting.

            Absorb—I like that. 

9/25/18 

            Sandy relented; Etan can stay in the garage a while longer. No particular end date, and he can use the washer and dryer. She says, “The guy’s a fuck-up, but I’ll hand it to you—he’s an entertaining fuck-up.” I think even Sandy can sense a hint of his extraordinary presence, his wisdom, but she’s uncomfortable saying so. Right. Back to work.

10/7/18 

            It’s late. It’s almost October 8, in fact. I have a lot to write.

            I had planned to be in the basement by 5:30 or 6:00 this evening. I had planned everything. I was going to be meditating, facing east, on the sofa cushion. The couch is the one I had in college, so it’s a pre-Turn sofa cushion. I hadn’t told Etan about the whole plan, or even the importance of the date, because I hadn’t ever told him how Sandy and I got together. I mean, I had asked him about it dozens of times—cause and effect, the sequence of things fitting together, and so forth. But it had been abstract. And he’d been saying, still, that I had much to learn, things like that. Anyway, I’d decided to try this thing—the ReTurn, I’d been calling it—without him. I’d just tell him I was practicing, like any other Sunday evening. I could absorb it, or not. I could always try again next week. 

            But. Sandy had taken the girls to their grandparents’ house for the day, because she wanted to, I don’t know, get her hair cut or something. And then around noon, she called to ask if I could go and get them. Because she wanted to get a drink with a friend. I said no, of course, but she insisted. She said she couldn’t remember the last time she’d done that—had a drink with a friend—and to be honest, I couldn’t either, and so finally I said yes. I calculated what I’d have to do and when, and called my in-laws to let them know when I’d be there to pick up the girls. 

            On my way over, I stopped to get the big amethyst cluster I’d ordered from the rock shop on 12th Street. It was gorgeous, and I could just feel the power rolling off of it. I had them wrap it in bubble, and I put it in the trunk so the girls wouldn’t ask questions. I pulled away from the rock shop five minutes early.

            But. When I got to my in-laws’ place, right on time, the girls weren’t ready. They were out back in the creek, for God’s sake. We’re having this Indian summer, and they had their pants rolled up and they were in the water, splashing some neighbor’s dog, instead of there on the porch waiting for me to pull up, like I’d imagined, like decent kids. Like real kids. So I had to put a stop to all that and get them moving, which didn’t make anyone happy. My mother-in-law frowned a lot as I rounded them up and got them into the car. 

            Then. Once we were on the road, Nora said she was hungry. The grandparents had fed them lunch, but that was hours ago, and they were ready for dinner, and what was for dinner?

            I texted Sandy, and she texted back that whatever I wanted to feed them would be fine. The nerve. Give Sandy an inch, and she’ll take a mile. She mentioned some things in the freezer, but of course she didn’t know about the space-time fix I needed to get to. I texted that I’d take them out, and told the girls, and they yelled happily because they thought that meant we were going to Richardson’s. 

            Richardson’s makes a great burger, and I liked the thought of that. I hadn’t eaten since breakfast, because I’d been training intensively, and hadn’t figured food into my timeline for the evening. But Richardson’s would take an hour and a half, maybe even more, on a Sunday. It was the best place in the city to go with a family. And it wasn’t on our way. 

            So we drove through the golden arches instead. It was so much cheaper than Richardson’s that I ordered more than we needed, and the girls and I stuffed ourselves, so we were burping and droopy when we arrived at the house. I figured I’d clean up all the packaging the next day—if and only if I existed in the same dimension with the car full of McDonald’s cups and wrappers the next day. I parked outside the garage, knowing Etan was living in what used to be my bay, and herded the girls out of the car. I retrieved the amethyst, carefully set it down on the driveway while I closed the trunk, and followed the kids into the house. Since both hands were busy with the amethyst, I pushed the door closed with my foot. The girls veered toward their room, and I made for the basement, to put my time crystal into place and get started.

            In the kitchen, I was happily surprised to see that I’d left the door to the basement open. I didn’t have to set the amethyst down; I could just keep going. It was only when I was halfway down the stairs, and I heard a kind of murmuring, that I realized something was up. I came off the last step and turned to see Sandy’s bare back, rising and falling, with a pair of naked legs stretching out underneath her, toward me. On that couch, the cheap, relict couch. 

            For a—you know—climax, to the story that was “my” “life” after the Turn, it was all very calm. I followed my breath. My stomach hurt a little, and I wished I hadn’t overeaten. I considered throwing or dropping the crystal, but I could feel it radiating energy between my hands, and I felt I had to respect that. I stood there, four or five feet from them, for what seemed like several minutes, considering how I ought to be angry; I ought to be acting like John had acted eight years earlier. But really feeling only curious about what all this was doing to the space-time continuum, and bloated. 

            I cleared my throat. And at last Sandy stopped moving.

            She turned around, and as she did so, I saw past her to the face of the man underneath her. It was Etan, of course. Of course, somehow. Of course. My eyes met his, those deep black eyes, and after a tiny flutter of wondering whether he’d done this on purpose, to liberate me, I understood that he was ashamed. 

            Then my eyes met Sandy’s, and I saw that she, too, was ashamed. 

            I found I had nothing to say. I turned and walked back up the stairs, the amethyst’s power billowing in waves behind me. I carried it out to the driveway, and opened the trunk, and put it inside. Off to one side this time, leaving room for a suitcase.

            Back in the house, I found Nora and Maya in the kitchen, squabbling over cups and straws. (The angel cup, with its fat pink straw, was the most desirable.) I swung the basement door shut quietly, and asked the girls if they had any homework. They thought this was hysterically funny, and I realized it was possible I’d never once wondered that, or asked them that, before that moment. 

            Embarrassed, still feeling my breath in my body, I saw them. The slight asymmetry around Nora’s eyes, Maya’s bangs a mess because she’d cut them herself, the pale blue stain circling their mouths because of the nasty candy their grandmother liked to buy for them. 

            I told them to wash their faces and brush their teeth, and repeated myself until they did. I told them to get into their pajamas, and I helped them agree on a story they’d both like to hear, and I read it to them. I regretted not putting them in the bathtub, but decided not to worry about that. It all felt very natural, and right. I felt grounded. When I tucked them in and kissed them good-night, they smelled good, and seemed drowsy and happy. I told them I’d see them tomorrow—not in the morning, but in the afternoon.

            As I switched off the light in their room, Maya sat up and asked, as if it had only just occurred to her, “Where’s Mommy?” I told her Mommy was home, just busy, and she would look in on them soon.

            And then I gathered some things from around the house, and I got into my car, which smelled like dirty peanut oil and salt, and I drove away. 

            Toward my real life.


Christina Craigo, MFA, MBA, was brung up in West-by-God Virginia. The decades since have featured making, exhibiting, and teaching about art; traveling to India with support from the Fulbright Foundation; writing grants for nonprofits; and a sustained involvement with Buddhist teachings and meditation. Her work has appeared in Exposition Review, Hobart, and Eclectica. She’s currently seeking representation for her first novel and developing a second.

Massachusetts+October

Tawanda Mulalu

Massachusetts

… you too, you said with the breath of my lungs. There is only this bed. 
Another one of your hairs appears. I am despite decay, whispers this
thinning abdomen. Quietly, a planet’s plates shift. A haunched forehead
wrinkling my father’s face. And another face behind his neck. I will

grow similarly. Meanwhile, your hair lines here again like another fold
in my bedsheets. Finger it. Pluck. Throw. Another shows. Move on.
Fail to. Relent briefly and your hairs summon you a little. Disappear 
you. Someday, I sweep them off the floorboard. Again not tonight. 

Fine then. A glass of water shines there on my desk. Drink this and fill
my throat with dreams. Or space for dreams. Or less cold thirst for
this body to vessel long enough for dreams. To live through rivers. No,
not with these human limbs. But I am a different kind of swimmer, 

he says crassly, and wet, hoping your skin will return. Come back. Please,
my throat won’t shape stone into life. I labor to cough while your hairs
thin away. And drink another glass. Attempt more breadths of sleep. Dark
wakings minutes before this new sunlight reminds me where. Disappear  

you here again. Consider the naming of this place. Who they took it from.
How we once nearly named each other here. November, I am thankful
for the suffering of other nations. How we grasp at solidarity against your
pale kind. I cannot touch your skin. I can only hope for renewal through

erasure of memory. Practice this here. Read another page to. Wake. Drift.
I need you too, I wish your hairs would whisper. Eventually, my ears
will perch towards other imaginations. Even if the only music outside is
the slower injury of crisping leaves. Their patient reds. Time and its 

fidelity. Another person
greeting myself. 


October

Your windows are wide with it.
This morning I am skin. Every-
where I migrate I am skin. Your
bed now. I approach a new face 

from within you: to not be so
consoled by eugenics but by 
your freckles. No, I can’t break
old soil into breath. Your street 

blooms red, says the trees are
sleeping. I watch these rottings
of selves, thrown dark through
your mothy curtains, browning

cautious from speckled yellow
to mulch. How dare those leaves,
I age as bare as an African mask.
You could not know that I was 

once so painted. That I try break
faith with a rainbow. Or broker
my pores against your nails, our
warm exchanges of hierarchies

of our colors. My favorite is red.
It is too well-suited for what is
beneath me, for what is desired
beneath me by tie-noosed white 

foreskins of America: O Mitch
McConnell’s neck, everyone is
beautiful if you try. Please listen:
I will open my mouth for you 

if you try. I promise I must try.
But love, this must be our last
whirling dance before the moon
sinks into shore. I remember her. 

The blue shirt that smelled of her
that I lost on the airplane. Before
your freckles. Before migrations.
The old library where I first met

her breath, or where I last knew
her face. I don’t remember where
her grave is. Where it is, there must
be two dry seasons without reds.

Must be that orange light against
that loom of purple. Must have
carried her into that sky. And I am
home. With you. Your windows.  


Tawanda Mulalu was born in Gaborone, Botswana. He is the author of the forthcoming chapbook Nearness, winner of The New Delta Review 2020-21 Chapbook Contest judged by Brandon Shimoda. He has served as a Ledecky Fellow for Harvard Magazine and the first Diversity and Inclusion Chair of The Harvard Advocate. His writing has received support from Tin House, Brooklyn Poets, the Community of Writers, and the New York StateSummer Writers Institute. His poems are published or forthcoming in Lana Turner, The Denver Quarterly, The Massachusetts Review, Salt Hill Journal, and elsewhere. He mains Ken in Street Fighter.

Heimlich + Silkwood

David Moolten


Heimlich

For Shira

In German, it’s just a word
that means secret, like a three-year-old
in the dining room, no witnesses
crowding around as at the Y
where I’d stand like a dummy asking one
are you okay? before going 
through the motions, the important things
moron-proof like footprints
painted on the floor at a dance studio.
I’ve memorized screaming Jesus
while my daughter rises
as if to offer a toast and speaks pantomime.
She’d swallowed a grape, a precursor to wine
in the sacristy, a ball valve’s physics
suddenly the abyss
whose mystery I must embrace, a tango
more than repeating the steps,
though if one believes I guess it’s all inspired
flailing, one long maneuver which fails
because c’est la vie. She begged a meal of air, 
higher you’d call it sky,
and despite the sermon about groping
pushing what’s stuck farther down,
who could blame my hands
for taking matters in their own hands?
Blessed are the morons,
for they’re used to amazement
as a punchline,the inexpressible
as their final answer.


Silkwood

I live in Philly, plutonium in Apollo, a small town
where they buried thousands of tons
I don’t visit when I drop by to see you in Pittsburgh. 
We have so little in common 
anymore, lo these years between us five seconds 
in plutonium’s day-planner, a single breath 
of dust enough. I read somewhere a jar 
with Karen Silkwood on the label
and something in formaldehyde 
still sits on a shelf at Los Alamos.
Of all the women arrested for hugging 
a fence on Three Mile Island
who gave her name, it was you
I’d skinny-dipped with in the Susquehanna, your mist
and body heat when we stood
wrapped in the same towel
time reminds me of, not plumes of tainted steam.
I read somewhere the chemicals
we know as thoughts 
weigh a trillionth of an ounce. Half my life 
is gone. Plutonium remains, more patient 
than landfills, the latest movie 
or topic of conversation, apostrophe mostly 
for effect the way Geiger counters sound
like dry leaves getting crushed 
or how I feel when I realize 
I’ve loved ten people since. Compare and contrast 
with cancer, the dumb dirt’s steady beacon.


David Moolten‘s most recent book, Primitive Mood, won the T.S. Eliot Prize (Truman State University Press, 2009). He lives & writes in Philadelphia, Pennsylvania.

Postcard from Home + Fledging

Mike Barrett


Postcard from Home

In sepia a tractor

resting in sagebrush and snow,

rusting, resigned to wind.


A foreshortened farmhouse,

windows bereft of glass.


Last, a mountain range.


Among a hundred others

in a Billings second-hand store

a day before my flight.


A place, passing, someone paused

to take a photograph

of what remained of someone else.


Those exquisite peaks, horizons

never reached, abandoned without apology.  


All the ways the West has

of giving up, of getting on.


As if a tourist, I pictured myself

working some other field,

seasons going somewhere else.


I took it with me when I left.


Fledging

Sometimes while they slept

we lay awake,

listening to owls


in a cottage where a river,

hesitating at a bend, grew

deeper than their city pool.


Perched on bones of trees,

invisible, 

they would call for names,


sing lullabies

of wings:

spread, plunge, strike.


Mornings we cooed them

from their dreams and covers

and set them on breakfast.


Then we sat at the bank

to watch them flailing

goggle-eyed and water-winged.


Trust what you cannot see.

Depend on night to raise day.

We comforted them


with no proof, save bundles

of devourings 

on the lawn and once


a squirrel skull

by the porch 

half fur, half flayed,


one socket empty,

one swimming in gaze.



Mike Barrett grew up in Montana; studied literature, philosophy, and law at Harvard; and currently lives in Seattle where he works on pro bono projects and poetry.  His poems have appeared in Atlanta Review, Poetry Quarterly, Passager (Honorable Mention, 2020 Poetry Contest), Avalon Literary Review, Lowestoft Chronicle, and Gray’s Sporting Journal.

Wreckage

Robert Warf

There’s a recurring vision I see when I’m alone of a graveyard of burning trucks, of big burning trucks, and when I see it, I like to think I am seeing the grave of the big truck I watched burn.

            Of the life I watched burn.

            Of myself. 

            Of a night on a bridge. A night I was young and in my parents’ truck. We were on our way back from our beach house when it happened. When the tractor trailer with the big white trailer hung half-way through the bridge wall. Hung over the edge. Angled down. Down at the ocean.

            At the start it didn’t seem so bad. At the start Father had on the radio, listening to men talk about high school football games. Talk about the scores. The plays. Plays Mother didn’t care for. “Do we really have to listen to this?” Mother said. “There isn’t anything else to listen to,” Father said. “I’d like to listen to the Latin station,” Mother said. “Like I said, nothing else to listen to,” Father said.

            Nothing else.

            Nothing else when the games were long over and we were still sitting on the bridge. In it. Heavy rain. Pounding. Thunder. Lightning. Gashes brightly shining across the tractor trailer hanging off the bridge. Siren lights flickering. Round and round. Men in neon working off fire engine ladders. Working to get the driver out. 

            We were up close when they stopped traffic. Not when it happened. When they stopped traffic. And when we stopped, we were maybe three cars from the tractor trailer. Close enough we saw flashes of light, of bright burning light, burning from the men in neon on the ladders. Father pointed and said, “They’re welding him out.” “That’s horrible. What a horrible thing,” Mother said. “This is going to take all night,” Father said. “As long as they’re alive,” Mother said. “All night,” Father said. “All fucking night,” Father said.

            All night men worked. I saw them up on the ladder. Walking. Welding. Sparks. Siren lights. Swirling and swirling. I saw it all because there was nothing else to see. Nothing but the night and the people asleep in dark cars. The man next to us, outside his car and on his phone. Outside in it. In the rain. The lightning. In it.

            When it went up in flames I don’t know if it was the lightning or the welding that sent it up, but it went up. It went up and I remember how it went up. Bright orange. Flickers of brighter orange. Flickering across my parents’ faces. Across the policemen’s. The firemen’s. The men’s. Their hands on their heads. Ambulances leaving.

            We left soon after. The cab burned out. Smoldering. Steaming. “They should’ve just pushed it off,” Father said. “That’s horrible, Brian,” Mother said. “So was sitting here,” Father said. “So was sitting here.”


Sitting there.

            There in Italy.

            I thought about this. I thought about what father would have said if he was stuck on a train from Tarquinia to Florence that hadn’t moved in an hour. I thought about what he would have said if I said I didn’t know why it hadn’t moved in an hour. I thought this because we were twenty miles outside of Arezzo when we stopped. Two hours from Florence. I was headed to see my friend Taylor there. She was abroad in London, on spring break in Italy. I, just on break. Just doing a lot of not thinking. But here. Here on that train. Here I was thinking. I thought about my father and what he would say.

            The conductor kept saying “re-route” in Italian, which I didn’t know meant “re-route” until I translated it. See, I only knew conversational Italian. Bar Italian. But this wasn’t bar Italian, this “re-route” the conductor said as he went down the train. I thought I’d ask him about it, this “re-route,” so I pulled him aside.

            “What’s happened?” I said.

            “Accident,” he said.

            “A how long kind of accident?”

            “An accident,” he said.

            “How long is this going to take?” 

            “It’s a bad accident.”

            “Sure. And how long?”

            “A man was hit by a train up ahead,” he said.

            “So the long kind,” I said, “That’s all I was asking.”

            The conductor went back to going down the train. Back to saying, “re-route.” I thought then about what father would do. I thought then I didn’t want to think about father and anything he’d do.

            I got off. Went into town. Bought a bottle of wine. Finished it. Bought another. Finished it. Passed out. Woke at night. In the dark. In the bar. Woke to missed calls from Taylor. Missed texts. “Where are you?” “Hello.” “Guess we won’t be having dinner,” Taylor said. “Accident,” I said. “No service,” I said. 

            I typed out each word. Each letter. So each was clear. Each was sober.

            Went to the station. Got on the next train to Florence. An hour out. Midnight. Texted Taylor I’d be coming in late. Texted her we’d go out when I got there. We’d go out how we used to go out. 

            Blacked out.

            Out out.


Out of control. Out of chances. Out. I needed to get out. Junior year. St. Lawrence. Needed to get out. I applied to study abroad. Tuscania. Small city. No English. I applied knowing no Italian.

            Knowing I had to get out. Knowing I had to. I had fucked it up. Fucked it till it felt more fucked up to me than it did to anyone else. Than it did to my friends. Than it did to who mattered.

            What I’d done is this. I’ll tell you a little, so you know. So you understand. I came back Junior year out of swimming shape. Out of it. I’d been partying and surfing all summer with Natalie. Had been arguing with her over whether or not I liked this open relationship that I’d asked for. Whether I liked how she talked about this Richard she was fucking now. I had issues with it. I had issues that I couldn’t talk to her about. That’s really what the issue was, but they were my issues. I had issues with myself. Issues that got me paying sixteen hundred for an ambulance ride. Some other costs my mother paid and didn’t tell. 

            I haven’t told anyone this part, but I’ll tell what I want. See it happened like this. First night back on campus. You know how it is. Little this, little that. I’m in this room after, with my friends. It’s late. Maybe two. Everything goes black and I see the little fragments I still see now. I see a friend telling me to get changed. To hurry up and get changed. I see this security woman bitching about me being fucked up. About me throwing up. I see Taylor from a stretcher as I’m taken from the house. I see her yelling my name. Yelling, “Robert.” Yelling it louder than my parents. Calling my parents. My mother. “I’m not telling Brian, you know how he is,” Mother said, “He’ll say he doesn’t care and say to stop being a pussy. You know he’ll say that,” Mother said. “I know,” I said. “But you don’t know how he’ll cry later. How if I told him, he’d cry to me in bed and tell me he couldn’t deal with losing you. You don’t know him how I know him,” Mother said. “You’re right,” I said. “I don’t,” I said.


I know a father who woke me at four every morning to work out before my seven am team workout. Before my morning swim practice. I know a father who liked to say, “Son, I can only do one thing. Coach.” Father liked to tell me this when he woke me up. When he drove me to practice before I had a license. When he reminded me of how good he was at it. How lucky I was to be working out with him at four, and when I worked out with him at four, he liked to say, “I’ve taught world champion bodybuilders. Olympic lifters. Hall of famers. Look at Dre’ Bly. I’ve taught all fucking kinds and none of them are you. You. You’ve got some work to do.”

            Some work. Work to my father is not work. It is not the kind of work that you will understand. That you could understand. It is not a job. It is not a passion. It is the only thing father knows. Work. Working with his physicality. His body. His hands. Working with wood. With steel. Carrying steel along gaffing. Rolling nails along rough hands. Working with his body is how he did the kind of work he wanted to do. The kind of work done in gyms. The kind of work spoken of in announcer’s booths. The kind of work spoken of in speeches. The kind of work others understand as attrition, as a word father would not understand. Father understands work. The breaking down of the body. The breaking through the breaking down. This is father’s work.

            We worked in the garage. In a gym he built with his hands. In a gym he owned. He coached in boxers. Stopwatch in hand. Cottage cheese in the other. “Green Grass & High Tides” on repeat through surround sound. He coached shirtless, walking barrel-chested, saying, “See how your face is red. You inhale when you spend energy. You’re holding. Holding. Fucking holding. If I was on there right now and doing lightweight like you are, I’d still be inhaling because that’s how it’s done. Heavy or light. Man, woman. That’s how it’s done. Not the Robert way.” After, he’d say, “Remember. One thing. Coaching.” I remember this and I remember being on the VASA at the end of a set, and sweating, and listening to the interval beeper, and listening for Father to yell about the interval beeper, and listening for Father to get down by my ear and say, “Pick it up. Pick it up, this isn’t foreplay.” He’d say this. Sayings like this.

            Father never said anything after the workout ended. Never said anything while I rolled out after, on the mats. At the end, father would go sit on the stairs to the kitchen. He’d have several dog treats and he’d put the dog treats at the lip of the door and wait for the dog. For Merengue. Blind and deaf thirteen-year-old Merengue. Father would wait for the dog to the come to the door, and he’d feed him treats, and kiss his grey muzzle, and tell him what a good dog he was. How I wished he would have told me what a good athlete I was. What a good son I was.


Good times is what I told myself I wanted. I told myself I wanted to be someone else. Somebody. In Italy I was. I could be. I could smoke has with my host brother, and I could sit there with his friends who didn’t speak English and laugh when they laughed, and smoke when they passed, and pass through the sofa and pass into nothing. Into someone I told myself I wanted to be. And when the night passed into the next day, my host brother and I would go into the tattoo studio he worked at. The one below his apartment in Civitavecchia. La Pecora Nera. And we would tattoo little tattoos onto each other that meant something to us. To only us. And when the girls we’d bring back to his apartment asked me what the tattoos meant, I’d say things like, “They’re spiritual.” “Personal.” “A death. My sister’s.” “My brother’s.” And they’d say how cool they were. The tattoos. How cool we were. I liked to sit with them, my arm around them, my mouth next to their ear, telling them about things I was not. “I’m an NCAA record holder. 100 back,” I’d say. “Screenwriter.” “Rich. Here on vacation.” I’d say things I thought they wanted to hear about a person they’d want to be with. They’d want to be.

            And when there were no girls, my host brother, Giovanni, and I would fuck. And after we started fucking, the girls didn’t really come much. They didn’t need to. And I didn’t need to say anything about myself that I’d been saying because Giovanni and I spoke another kind of language. A kind I didn’t know to look for.


Looking is not what I wanted. Is not what I want. But it did happen then. What I wanted in Italy was to forget. To forget my father in the stands. To forget the way he looked at me on the blocks. The way he held his stopwatch, the same one he always held, in the gym, in the stands. The way he wouldn’t clap when I touched the pad. The way he looked at the board for my official time and wrote it down in his program. The way he sat after I’d finished and spoke with my mother. The way he stayed seated the entirety of my junior season when I came back out of shape. I wanted to forget how he stopped coming to the meets my junior year.

            I wanted to be what he wanted me to be.

            What he wanted.


What I wanted was, when Natalie texted me about Richard, about doing Richard’s English 101 paper, when she texted me about this, I wanted to be able to say, “Sure.” Sure, because he didn’t matter to me. He wasn’t a threat to me. He wasn’t anything to me, just another body she was fucking. But to me, to my brain, “Sure,” I was saying because the thought of losing her mattered to me more than I wanted it to.

            What I wanted was to drink myself drunk until I forgot why I was drinking. This is what I wanted and this is what I did.

            What I needed was someone who mattered. What I needed was my father. I needed him to tell me this. To say, “You’re not as important as you think you are. This little life. This little existence. This little issue you think you have. It doesn’t make you special. Does not make you unique. Does not separate you from the billions of people and their billions of issues. So either end it or end thinking it.”

            This is what I needed him to say, but he wouldn’t have said that because he doesn’t speak like that, and he wouldn’t have said it even if I asked him to say it. He wouldn’t have. And I couldn’t ask him because we didn’t speak outside of working out.


Blackout was how I went out in Italy. With Giovanni. With his friends. I remember fragments. Parties along the volcanic shores of Bolsena. Picking up girls at bars there. Going to concerts in Viterbo. Clubs there. I remember him driving us out to Orvieto for a tour of a vineyard. But most of all I remember the drives back. The night drives. Drunk. Fast. Those I remember.

            The dark drives through mountainous roads. Through the night. His one hand drunkenly on the wheel. His other rolling a cigarette. The red blinking light of the seatbelt. I remember how lights from oncoming cars showed across his face, and how when I would take my eyes off the road and look at him, he would take his eyes off the road and look me in the eyes, and I would smile, and he would smile, and I’d see lights flicker across his face and hide him under the light, and when I’d see him again, he’d be back looking ahead. Away from me. Eyes on the road. Cigarette slanted and burning. 

            Burning. 


There is something I see in this recurring vision before I see the big burning trucks, the burning graveyard of big burning trucks. Something I see when I am alone in my bed. Far away from anyone. Far away from the past. Far enough away that when I close my eyes I see my father. He is states away now and I am here now. Here. Alone. In my bed. And when I close my eyes he is here with me. In my vision. In this vision. And when I see my father in this vision the light shines across Giovanni’s face and swallows him, and when I see him again, I see my father’s face, and I see him looking me in the eyes, and I see him smiling how he has never smiled at me, and I remember this smile because it is the only time I have seen this smile, and when I see him smile, I see light shine over him and swallow him, and I see myself then, I see myself through my father’s eyes, and I see myself looking at him, and the light shines and swallows, and I see him and how he looks at me, and when he smiles is when the light comes for the final time, and when I see myself through my father’s eyes, we are the same face, and we have the same smile, and I hear him say it.

            I hear him say what I need him to say.     


Robert Warf is from Virginia. He has been previously published in X-R-A-Y and HAD. You can follow him on Twitter @RWarfBurke.